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Over the last quarter century, educational leadership as a field
has developed a broad strand of research that engages issues of
social justice, equity and diversity. This effort includes the work
of many scholars who advocate for a variety of equity-oriented
leadership preparation approaches. Critical scholarship in
Education Administration and Educational Politics is concerned with
questions of power and in various ways asks questions around who
gets to decide. In this volume, we ask who decides how to organize
schools around criteria of ability and/or disability and what these
decisions imply for leadership in schools. In line with this
broader critical tradition of inquiry, this volume seeks to
interrogate policies, research and personnel preparation practices
which constitute interactions, discourses, and institutions that
construct and enact ability and disability within the disciplinary
field of education leadership. To do so, we present contributions
from multidisciplinary perspectives. The volume is organized around
four themes: 1. Leadership and Dis/Ability: Ontology, Epistemology,
and Intersectionalities; 2. Educational Leaders and Dis/ability:
Policies in Practice; 3. Experience and Power in Schools; 4.
Advocacy, Leverage, and the Preparation of School Leaders.
Intertwined within each theme are chapters, which explore
theoretical and conceptual themes along with chapters that focus on
empirical data and narratives that bring personal experiences to
the discussion of disabilities and to the multiple ways in which
disability shapes experiences in schools. Taken as a whole, the
volume covers new territory in the study of educational leadership
and dis/abilities at home, school, and work.
In this highly original approach to the study of the construction
of culture, this collection of previously unpublished essays
explore the topography of the secret and the forbidden, focusing on
specific moments in recent cultural and political history. By
bringing together writers from different disciplines and different
locations, this volume provides a rich and diverse mapping of how
the secret and forbidden operate across different subjects and
different geographies, extending far beyond physical locations. It
is present in domains ranging from language, literature, and cinema
to social and political life. This refreshing and thought-provoking
collection of essays will prove invaluable for researchers and
students.
In a highly original approach to the study of the construction of
culture, this collection of previously unpublished essays explores
the topography of the secret and the forbidden, focusing on
specific moments in recent cultural and political history. By
bringing together writers from different disciplines and different
locations, this volume provides a rich and diverse mapping of how
the secret and forbidden operate across different subjects and
different geographies, extending far beyond physical locations. It
is present in domains as different as art, language, literature,
and cinema to social and political life. This refreshing and
thought-provoking collection of essays will prove invaluable for
researchers and students engaged in rethinking culture across and
within a range of disciplines.
In this innovative and cogent presentation of her concept of
sustainable happiness, Catherine O'Brien outlines how the leading
recommendations for transforming education can be integrated within
a vision of well-being for all. Solution-focused, the book
demonstrates how aspects of this vision are already being realized,
and the potential for accelerating education transitions that
enable people and ecosystems to flourish. Each chapter assists
educators to understand how to apply the lessons learned, both
personally and professionally. The aim is to support educators to
experience themselves as change-makers with growing confidence to
implement new teaching strategies and inspire their students to
become change-makers as well-engaged in deep learning that develops
character, connections with life, and invigorating collaborations
that revitalize the very purpose of education.
In this innovative and cogent presentation of her concept of
sustainable happiness, Catherine O'Brien outlines how the leading
recommendations for transforming education can be integrated within
a vision of well-being for all. Solution-focused, the book
demonstrates how aspects of this vision are already being realized,
and the potential for accelerating education transitions that
enable people and ecosystems to flourish. Each chapter assists
educators to understand how to apply the lessons learned, both
personally and professionally. The aim is to support educators to
experience themselves as change-makers with growing confidence to
implement new teaching strategies and inspire their students to
become change-makers as well-engaged in deep learning that develops
character, connections with life, and invigorating collaborations
that revitalize the very purpose of education.
"The Celluloid Madonna" is the first book to analyze the life
of the Virgin Mary on screen from the silent era through to the
present. For decades, Mary has caught the imagination of filmmakers
from a range of religious backgrounds, whether Catholic,
Protestant, Muslim, Marxist, or atheist, and film's intersection of
theology and secular culture has inspired some of the most singular
and controversial visions of this icon in cinema history. Focusing
on the challenge of adapting Scripture to the screen, this volume
discusses Cecil B. DeMille's "The King of Kings" (1927), Pier Paolo
Pasolini's "The Gospel According to St. Matthew" (1964), Franco
Zeffirelli's "Jesus of Nazareth" (1977), Jean-Luc Godard's "Hail
Mary" (1984), Jean Delannoy's "Mary of Nazareth" (1994), Mel
Gibson's "The Passion of the Christ" (2004), Catherine Hardwicke's
"The Nativity Story" (2006), and Mark Dornford-May's "Son of Man"
(2006).
Featuring Christopher Hitchens, Sam Harris, David Wolpe, and
Bradley Shavit Artson, and moderated by Rob Eshman, this debate
about whether there is an afterlife took place in Los Angeles,
California, USA, on 15 February 2011. Having found no transcripts
of this debate online, I decided in March 2012 to transcribe it
verbatim myself. This task was completed six months later in
September 2012. In response to popular demand, I have compiled my
transcript of the discussion in a soft-bound, 53-page, A5-size
book. There is more than one YouTube video of this debate online;
the one I used is just over 1 hour and 37 minutes long, had over
160,000 views in February 2014, and is available at the following
web address: http://www.youtube.com/watch?v=UjKJ92b9Y04 (Accessed
February 2014). I have entitled my transcript: 'Transcription: The
Afterlife Debate with Christopher Hitchens, Sam Harris, David
Wolpe, Bradley Shavit Artson' by Catherine O'Brien.
Over the last quarter century, educational leadership as a field
has developed a broad strand of research that engages issues of
social justice, equity and diversity. This effort includes the work
of many scholars who advocate for a variety of equity-oriented
leadership preparation approaches. Critical scholarship in
Education Administration and Educational Politics is concerned with
questions of power and in various ways asks questions around who
gets to decide. In this volume, we ask who decides how to organize
schools around criteria of ability and/or disability and what these
decisions imply for leadership in schools. In line with this
broader critical tradition of inquiry, this volume seeks to
interrogate policies, research and personnel preparation practices
which constitute interactions, discourses, and institutions that
construct and enact ability and disability within the disciplinary
field of education leadership. To do so, we present contributions
from multidisciplinary perspectives. The volume is organized around
four themes: 1. Leadership and Dis/Ability: Ontology, Epistemology,
and Intersectionalities; 2. Educational Leaders and Dis/ability:
Policies in Practice; 3. Experience and Power in Schools; 4.
Advocacy, Leverage, and the Preparation of School Leaders.
Intertwined within each theme are chapters, which explore
theoretical and conceptual themes along with chapters that focus on
empirical data and narratives that bring personal experiences to
the discussion of disabilities and to the multiple ways in which
disability shapes experiences in schools. Taken as a whole, the
volume covers new territory in the study of educational leadership
and dis/abilities at home, school, and work.
"The Celluloid Madonna" is the first book to analyze the life
of the Virgin Mary on screen from the silent era through to the
present. For decades, Mary has caught the imagination of filmmakers
from a range of religious backgrounds, whether Catholic,
Protestant, Muslim, Marxist, or atheist, and film's intersection of
theology and secular culture has inspired some of the most singular
and controversial visions of this icon in cinema history. Focusing
on the challenge of adapting Scripture to the screen, this volume
discusses Cecil B. DeMille's "The King of Kings" (1927), Pier Paolo
Pasolini's "The Gospel According to St. Matthew" (1964), Franco
Zeffirelli's "Jesus of Nazareth" (1977), Jean-Luc Godard's "Hail
Mary" (1984), Jean Delannoy's "Mary of Nazareth" (1994), Mel
Gibson's "The Passion of the Christ" (2004), Catherine Hardwicke's
"The Nativity Story" (2006), and Mark Dornford-May's "Son of Man"
(2006).
This book is open access and available on
www.bloomsburycollections.com. It is funded by Knowledge Unlatched.
Catherine O'Brien draws on the structure of Dante Alighieri's
Divine Comedy to explore Martin Scorsese's feature films from Who's
That Knocking at My Door (1967-69) to Silence (2016). This is the
first full-length study to focus on the trajectory of faith and
doubt during this period, taking very seriously the oft-quoted
words of the director himself: 'My whole life has been movies and
religion. That's it. Nothing else.' Films discussed include
GoodFellas, The Last Temptation of Christ, Taxi Driver and Mean
Streets, as well as the more recent The Wolf of Wall Street. In
Dante's poem in 100 cantos, the Pilgrim is guided by the poet
Virgil down through the circles of Hell in Inferno; he then climbs
the steep Mountain of the Seven Deadly Sins in Purgatory; and he
finally encounters God in Paradise. Embracing this popular analogy,
this study envisions Scorsese as a contemporary Dante, with his
filmic oeuvre offering the dimensions of a cinematic Divine Comedy.
Drawing on debates at the heart of religious studies, theology,
literature and film, this book goes beyond existing explorations of
religion in Scorsese's work to address issues of sin and salvation
within the context of wider debates in eschatology and the
afterlife.
This book is open access and available on
www.bloomsburycollections.com. It is funded by Knowledge Unlatched.
Catherine O'Brien draws on the structure of Dante Alighieri's
Divine Comedy to explore Martin Scorsese's feature films from Who's
That Knocking at My Door (1967-69) to Silence (2016). This is the
first full-length study to focus on the trajectory of faith and
doubt during this period, taking very seriously the oft-quoted
words of the director himself: 'My whole life has been movies and
religion. That's it. Nothing else.' Films discussed include
GoodFellas, The Last Temptation of Christ, Taxi Driver and Mean
Streets, as well as the more recent The Wolf of Wall Street. In
Dante's poem in 100 cantos, the Pilgrim is guided by the poet
Virgil down through the circles of Hell in Inferno; he then climbs
the steep Mountain of the Seven Deadly Sins in Purgatory; and he
finally encounters God in Paradise. Embracing this popular analogy,
this study envisions Scorsese as a contemporary Dante, with his
filmic oeuvre offering the dimensions of a cinematic Divine Comedy.
Drawing on debates at the heart of religious studies, theology,
literature and film, this book goes beyond existing explorations of
religion in Scorsese's work to address issues of sin and salvation
within the context of wider debates in eschatology and the
afterlife.
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