Analysing prominent novelists such as Ibrahim al-Kuni and Hisham Matar, alongside lesser-known and emerging voices, this book introduces the themes and genres of the Libyan novel during the al-Qadhafi era. Exploring latent political protest and environmental lament in the writing of novelists in exile and in the Jamahiriyya, Charis Olszok focuses on the prominence of encounters between humans, animals and the land, the poetics of vulnerability that emerge from them, and the vision of humans as creatures (makhl?q?t) in which they are framed. As Libya transforms into a dictatorial, rentier state, animals represent multi-layered allegories for human suffering, while also becoming focal points for empathy and ethics in their own right. Within reflections on Italian colonisation and ensuing forms of political and social oppression, concomitant with oil, urbanisation, exile and war, staged in remote deserts, isolated coastlines and neglected city parks, The Libyan Novel examines how physical, emotional and intellectual hardship prompts empathetic gazes across species lines. Through engagement with the folkloric and Sufi traditions which define the country's past, and shape its modern fiction, it further traces the spiritually, environmentally and politically holistic imaginings that contest a precarious reality.

Analysing prominent novelists such as Ibrahim al-Kuni and Hisham Matar, alongside lesser-known and emerging voices, this book introduces the themes and genres of the Libyan novel during the al-Qadhafi era. Exploring latent political protest and environmental lament in the writing of novelists in exile and in the Jamahiriyya, Charis Olszok focuses on the prominence of encounters between humans, animals and the land, the poetics of vulnerability that emerge from them, and the vision of humans as creatures (makhluqat) in which they are framed.