Analysing prominent novelists such as Ibrahim al-Kuni and Hisham
Matar, alongside lesser-known and emerging voices, this book
introduces the themes and genres of the Libyan novel during the
al-Qadhafi era. Exploring latent political protest and
environmental lament in the writing of novelists in exile and in
the Jamahiriyya, Charis Olszok focuses on the prominence of
encounters between humans, animals and the land, the poetics of
vulnerability that emerge from them, and the vision of humans as
creatures (makhluqat) in which they are framed.
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