Acclaimed sporting and adventure writer Charles Gaines has spent much of his life on the water, around the world, fishing rod in hand, angling for trout, redfish, salmon, bonefish, bass, marlin, tuna, and practically everything else that swims. Just about any place where there's water to fish and eccentrics to keep him company, Gaines has been. The Next Valley Over, a collection of his best writing on fishing from his long and storied career, is culled from the pages of Men's Journal, Forbes, and Sports Afield, among other publications, and ultimately is about the heart of the sport. While his stories are lined with the accoutrement of angling--the art of technique, the equipment, the lodges, the fish themselves--they're really about why we love to fish and what it means to our culture. As Thoreau once said: "Many men go fishing all their lives without knowing that it is not fish they are after." What "they are after" is what Charles is curious about, and he has devoted the better part of his life and sanity to coming up with answers. Starting and ending at the majestic Lake Tadpole in St. Clair County, Alabama, where Gaines's love of fishing was initially sparked, the Next Valley Over chronicles exploits in exotic locations with eccentric characters. In the process of his quest of nearly every species known to man, Gaines explores what we are really searching for when we fish.

The most comprehensive book yet on this inspired, inventive chronicler of the African-American experience Alabama-born, Chicago-based Kerry James Marshall is one of the most exciting artists working today. Critically and commercially acclaimed, the painter is known for his representation of the history of African-American identity in Western art. Conversant with a wide typology of styles, subjects, and techniques, from abstraction to realism and comics, Marshall synthesizes different traditions and genres in his work while seeking to counter stereotypical depictions of black people in society. This is the most comprehensive overview available of his remarkable career.

First published in 1993. This book critically analyses the state of provision for special needs, exploring the problems faced by practitioners and suggesting that the area is fraught with such tensions that a radical reconceptualization is necessary. It considers how the field may be rethought and developed over the next decade and presents examples of innovatory practice which point the way forward to future provision and which are illustrative of the themes raised throughout the book.

First published in 1993. This book critically analyses the state of provision for special needs, exploring the problems faced by practitioners and suggesting that the area is fraught with such tensions that a radical reconceptualization is necessary. It considers how the field may be rethought and developed over the next decade and presents examples of innovatory practice which point the way forward to future provision and which are illustrative of the themes raised throughout the book.

Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His "Variations for Double Bass" (1960), for example, was played with the titular instrument balanced upside down on its scroll. Published for a retrospective at the Contemporary Arts Museum Houston, this volume includes an anthology of Patterson's scores, edited by Fluxus scholar Jon Hendricks; a chronology of the artist's life and work; a CD compilation of his musical performances from 1961 to 2009, produced by Alga Marghen; and essays by a variety of scholars, assessing the career of one of Fluxus' foremost and wittiest artists.

Celebrating 75 years of conservation, the Atlantic Salmon Treasury works as a "best of" for the influential Atlantic Salmon Journal. This fascinating volume includes a curated selection of articles and essays by some of North America's best writers on the art and lore of the wild Atlantic salmon. Beginning in 1948, the Atlantic Salmon Journal began publishing information and conservation material about the "king of fish". In 1975, it released a Treasury from its first 25 years. This new edition takes up where the earlier volume ended, tracing the rise of salmon angling as a sport and into the era of conservation and the catch-and-release movement. The result is a journey through time with acclaimed writers such as Harry Bruce, Joan Wulff, Wilfred Carter, Thomas McGuane.