This book puts the spotlight on Southern Africa, presenting a cutting-edge concept never previously explored in the context of climate change and putting forward arguments for regional integration and cooperation. The Climate Resilient Infrastructure Development Facility (CRIDF) is the new water infrastructure program of the UK Department for International Development (DFID) for Southern Africa. The CRIDF promotes the establishment of small to medium-scale infrastructure across the Southern African Development Community (SADC) through technical assistance aimed at developing sustainable pro-poor projects, while also facilitating access to the financial resources needed to deliver said infrastructure. Further, it focuses on regional water resource management goals and basin plans, as well as on building climate resilience for the beneficiary communities. The Facility's Virtual Water and Nexus Project works to improve regional peace dividends by translating the Nexus concept into national and regional policies; it ultimately promotes sovereign security through greater regional integration across the water, food and energy sectors, while taking into account potential benefits in connection with carbon sequestration and emission mitigation.

Reading life writing that runs from Tracey Emin, Faith Ringgold and Judy Chicago to Marie Bashkirtseff, Benvenuto Cellini and beyond, Artists and Their Autobiographies from Today to the Renaissance and Back investigates the intriguing doubled truths of artists' autobiographies: truth in life and truth in art; authorial truth/s and the truth of their art as they saw it. However, this book focuses specifically on the truth of sincerity, which here-following classic discussions by Reindert Dhondt, Philippe Lejeune and Lionel Trilling-appears as a truth to self that floats free from facts to link avowal and feeling. From there, this volume merges autobiography studies with a history of ideas approach to art to trace sincerity's constancy and variability across times and cultures. Through this pre-disciplinary dialogue, this book shows that recent and historical artists' autobiographies differ in how, not if, they intertwine sincerity in life and art. Along the way, this volume leverages the foregrounding of sincerity caused by this doubling to explore such key issues of autobiography studies as autobiography's relation to fiction, serial autobiography, "as-told-to" narrative and what happens when liars claim to tell all.

This book puts the spotlight on Southern Africa, presenting a cutting-edge concept never previously explored in the context of climate change and putting forward arguments for regional integration and cooperation. The Climate Resilient Infrastructure Development Facility (CRIDF) is the new water infrastructure program of the UK Department for International Development (DFID) for Southern Africa. The CRIDF promotes the establishment of small to medium-scale infrastructure across the Southern African Development Community (SADC) through technical assistance aimed at developing sustainable pro-poor projects, while also facilitating access to the financial resources needed to deliver said infrastructure. Further, it focuses on regional water resource management goals and basin plans, as well as on building climate resilience for the beneficiary communities. The Facility's Virtual Water and Nexus Project works to improve regional peace dividends by translating the Nexus concept into national and regional policies; it ultimately promotes sovereign security through greater regional integration across the water, food and energy sectors, while taking into account potential benefits in connection with carbon sequestration and emission mitigation.

This edited collection examines conflicting assumptions, expectations, and perceptions of maternity in artistic, cultural, and institutional contexts. Over the past two decades, the maternal body has gained currency in popular culture and the contemporary art world, with many books and exhibitions foregrounding artists' experiences and art historical explorations of maternity that previously were marginalized or dismissed. In too many instances, however, the maternal potential of female bodies-whether realized or not-still causes them to be stigmatized, censored, or otherwise treated as inappropriate: cultural expectations of maternity create one set of prejudices against women whose bodies or experiences do align with those same expectations, and another set of prejudices against those who do not. Support for mothers in the paid workforce remains woefully inadequate, yet in many cultural contexts, social norms continue to ask what is "wrong" with women who do not have children. In these essays and conversations, artists and writers discuss how maternal expectations shape creative work and designed environments, and highlight alternative ways of existing in relation to those expectations.

Missouri, 1864 and the dead walk after an ancient evil is awakened. A confederate airship flies into an isolated town in the hopes of finding a brilliant inventor, but, instead stumble upon an ancient evil force. Now, a pair of confederate spies must decide; do they abandon the town to the walking dead or throw in with the town's Provost Marshal and help the town survive the night.