This study analyzes how the imagination of the epic genre as legitimately legitimating community also unleashes an ambivalence between telling coherent - and hence legitimating - stories of political community and narrating open-ended stories of contingency that might de-legitimate political power. Manifest in eighteenth-century poetics above all in the disjunction between programmatic definitions of the epic and actual experiments with the genre, this ambivalence can also arise within a single epic over the course of its narrative. The present study thus traces how particular eighteenth-century epics explore an originary incompleteness of political power and its narrative legitimations. The first chapter sketches an overview of how eighteenth-century writers construct an imaginary epic genre that is assigned the task of performing the cultural work of legitimating political communities by narrating their allegedly unifying origins and borders. The subsequent chapters, however, explore how the practice of epic storytelling in works by Klopstock, Goethe, Wieland, and, in an epilogue, Brentano enact the disruptive potential of poetic language and narrative to question the legitimations of imaginary political origins and unities.

An interdisciplanary collection of essays focused on Kant's work on the concept of community. The concept of community plays a central role in Kant's theoretical philosophy, his practical philosophy, his aesthetics, and his religious thought. Kant uses community in many philosophical contexts: the category of community introduced in his table of categories in the Critique of Pure Reason; the community of substances in the third analogy; the realm of ends as an ethical community; the state and the public sphere as political communities; the sensus communis of the Critique of Judgment; and the idea of the church as a religious community in Religion within the Boundaries of Mere Reason. Given Kant's status as a systematic philosopher, volume editorsPayne and Thorpe maintain that any examination of the concept of community in one area of his work can be understood only in relation to the others. In this volume, then, scholars from different disciplines -- specializing in various aspects of and approaches to Kant's work -- offer their interpretations of Kant on the concept of community. The various essays further illustrate the central relevance and importance of Kant's conception of community to contemporary debates in various fields. Charlton Payne is postdoctoral fellow at Plattform Weltregionen und Interaktionen, Universitat Erfurt, Germany. Lucas Thorpe is Assistant Professor in the Department of Philosophy atBogazici University, Turkey. Contributors: Ronald Beiner, Jeffrey Edwards, Michael Feola, Paul Guyer, Jane Kneller, Beatrice Longuenesse, Jan Mieszkowski, Onora O'Neill, Charlton Payne, Susan M. Shell, Lucas Thorpe, Eric Watkins, Allen W. Wood

Groundbreaking essays highlighting Goethe's relevance to contemporary theoretical debates and Goethe criticism of recent decades. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe Scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. Goethe Yearbook 16 presents innovative interpretations by young scholars of Goethe's most prominent works. A special section on 20th-century theory, co-edited by Angus Nicholls, demonstrates the poet's importance within areas of contemporary debate such as postcolonial criticism and Heideggerian phenomenology. The volume includes Judith Ryan's 2007 Presidential Address to the Goethe Society on the aphorisms in Die Wahlverwandtschaften and the Wanderjahre, as well as essays on aspects of Hermann und Dorothea, Iphigenie, Wilhelm Meisters Lehrjahre, and Prometheus. Readers will also find a surprising interpretation of Schiller on subjectivity and military strategy, and a feminist archival history of the Hamburg actress Charlotte Ackermann. Contributors: Volker C. Doerr, Mary Helen Dupree, Ellis Dye, Bernd Hamacher, Katrin Kohl, Michael Mandelartz, Jan Mieszkowski, Angus Nicholls, Charlton Payne, Mattias Pirholt, Myriam Richter, Judith Ryan, and Christian Weber. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professor of German at the University of Pennsylvania.