A bold, imaginative collection of short stories set in Southern Iraq from prolific, award-winning novelist Diaa Jubaili. Influenced in turn by the long tradition of Arabic folktales and the magical realism of Latin America, the stories in No Windmills in Basra reflect a reality tinged by the city's history with war. Yet the fantastic and playful peek through, offering an astounding breadth of images in only a few lines per story. In "Mubarak," a security guard for a chicken plant discovers his own wings after a bomb explosion. In "The Taste of Death," long-buried Iraqi and Iranian soldiers rise from their unmarked graves, dissatisfied with the landscape's returning verdancy. Set in the southern Iraqi city of Basra, where the author still lives, these fleeting stories oscillate between whimsy and tragedy.

A city - known for its light-heartedness, vibrancy and capacity for fun - is ripped apart by war. A young man - full of the vim, vigour and desires of youth - refuses to allow his spirit to be dampened ...November, 1980. An Egyptian writer has chosen the wrong time to come to Beirut in search of a publisher for his controversial book. Men with machine guns are on every street corner. When the writer meets an old friend from his revolutionary student days, he is introduced to two fascinating women: idealistic film-maker Antoinette and Lamia, the seductive wife of his would-be publisher. His attentions inevitably turn towards the two women, but the background rumble of strife and struggle becomes increasingly hard to ignore. Based on the author's real-life experience of the civil war in Lebanon, Beirut, Beirut is an exploration of how, even in the midst of chaos and violence, universals such as love, desire and yearning are still always our guiding forces.

Each story in Mohamed Makhzangi's unique collection Animals in Our Days features a different animal species and its fraught relationship with humans-water buffalo in a rural village gone mad from electric lights, brass grasshoppers purchased in a crowded Bangkok market, or ghostly rabbits that haunt the site of a long-ago brutal military crackdown. Other stories tell of bear-trainers in India and of the American invasion of Iraq as experienced by a foal, deer, and puppies. Originally published in 2006, Makhzangi's stories are part of a long tradition of writings on animals in Arabic literature. In this collection, animals offer a mute testament to the brutality and callousness of humanity, particularly when modernity sunders humans from the natural environment. Makhzangi is one of Egypt's most perceptive and nuanced authors, merging a writer's empathy with a scientist's curiosity about the world. Like Barbara Kingsolver's Flight Behavior, Haruki Murakami's The Elephant Vanishes, or J. M. Coetzee's Lives of Animals, Makhzangi's stories trace the numinous, almost supernatural, connections between our species and others. In these resonant, haunting tales, Animals in Our Days foregrounds our urgent need to reacquire the sense of awe, humility, and respect that once characterized our relationship with animals.