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'A great storyteller' Madeline Miller, author of Circe In this
powerful new collection, Charlotte Higgins foregrounds Greek
mythology's most enduring heroines. Here are the myths of Heracles
and Theseus, the Trojan war, Thebes and Argos and Athens. They are
stories of love and desire, adventure and magic, destructive gods,
helpless humans, fantastical creatures and resourceful witches. In
this telling the female characters take centre stage as Athena,
Helen, Circe, Penelope and others weave these stories into
elaborate imagined tapestries. In Charlotte Higgins's thrilling new
interpretation of these ancient stories, their tales combine to
form a dazzling, sweeping epic of storytelling. With a series of
original drawings by Chris Ofili.
Othello is one of Shakespeare's most contemporary and moving plays,
with its emphasis on race, revenge, murder, and lost love. Chris
Ofili's new edition highlight's the tragedy of Othello's plight in
ways no other previous edition of this play has. In twelve etchings
Ofili has produced to illustrate this play, Othello is depicted
with tears in his eyes, which flow below various scenes visualized
in his forehead. Ofili asks us to see in Othello the great
injustices that still plague the world today. These images add
feeling to Shakespeare's words, and together they form their own
hybrid object-something between a book and a visual retelling of
the tragedy. With a foreword by the renowned critic Fred Moten,
this edition is the first of its kind and puts Othello's blackness
and interiority front and center, forcing us to confront the
complex world that ultimately dooms him. The first play in the
Seeing Shakespeare, Othello is illustrated by English contemporary
artist Chris Ofili. Future titles in the series include A Midsummer
Night's Dream illustrated by Marcel Dzama, and The Merchant of
Venice with images by Jordan Wolfson.
Charlotte Higgins' spellbinding new collection will include all the
most famous Greek myths, as well as many less well known but
equally intriguing ones. Here are stories of the creation, of
Heracles and Theseus and Perseus, the Trojan war and its origins
and aftermaths, tales of Thebes and Argos and Athens. There are
stories of love and desire, adventure and magic, destructive gods,
helpless humans, gender-shifting characters, resourceful witches,
and the origins of birds and animals. Taking her cue from Ovid,
Charlotte Higgins has an intriguing structural device to thread her
stories together. Inspired by the many moments in Greek myths in
which women are seen to weave stories on to textiles (such as Helen
of Troy in Homer, and Arachne and Minerva in Ovid), the tales will
be told as if they are scenes in the act of being woven on to
textiles by women. And, while not operating as an explicitly
feminist retelling, this will add a new dimension to her myths,
bringing women narrators and characters into the foreground. Above
all, Charlotte Higgins' Greek Myths will be an original work of
literature and scholarship by an exceptionally talented writer. It
will be book to be enjoyed as a work of art, a source to be
consulted, a present to be given, and an object to keep and
treasure.
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