First published in 1996, this volume is a sequel to Humour in Society: Resistance and Control which was edited by George E.C. Paton and Chris Powell. Now, seven years later, the culturally central nature of humour seems greater than ever. This collection of original essays critically assesses the practices of humour in various role relationships in a number of social contexts, for example, in the workplace and between family members. A feature of this new volume is the critical analysis of socio-linguistic practices, including the use of jokes and cartoons, to manage tensions in social relationships at the micro- and macro-sociological levels of human interaction. Wider social and cultural issues area also examined by other contributors concerned with alternative comedy and sitcoms in British and Australian society, for example, which along with humour practices are situated by the editors in their introduction to substantiate the value of studying and researching the sociology of humour.

Readers of criminological literature are presented with little more than thumbnail sketches as to the social characteristics or motivations of the authors. One learns their status, institutional location, and supposed credentials. Rarely are we presented with more detailed impressions of the authors as a combination of positivist assumptions and notions of professional competence seemingly render such information unimportant. However, increasing numbers of critical scholars are becoming aware of authorship as an issue; it matters who is addressing us. By taking these authors out of their methodological framework, Critical Voices in Criminology provides an opportunity for figures in and around critical criminology to discuss their own intellectual journeys into and within the discipline. The book offers the opportunity for contributors to reflect on their work and consider what they did not say. It also affords them the opportunity to describe their own 'channeling processes' by indicating how the pursuance of some themes/topics 'seemed' appropriate, sensible, or realistic, while others appeared less so, whether they internalized these particular themes, or attempted to contest and/or replace them.

Readers of criminological literature are presented with little more than thumbnail sketches as to the social characteristics or motivations of the authors. One learns their status, institutional location, and supposed credentials. Rarely are we presented with more detailed impressions of the authors as a combination of positivist assumptions and notions of professional competence seemingly render such information unimportant. However, increasing numbers of critical scholars are becoming aware of authorship as an issue; it matters who is addressing us. By taking these authors out of their methodological framework, Critical Voices in Criminology provides an opportunity for figures in and around critical criminology to discuss their own intellectual journeys into and within the discipline. The book offers the opportunity for contributors to reflect on their work and consider what they did not say. It also affords them the opportunity to describe their own 'channeling processes' by indicating how the pursuance of some themes/topics 'seemed' appropriate, sensible, or realistic, while others appeared less so, whether they internalized these particular themes, or attempted to contest and/or replace them.

First published in 1996, this volume is a sequel to Humour in Society: Resistance and Control which was edited by George E.C. Paton and Chris Powell. Now, seven years later, the culturally central nature of humour seems greater than ever. This collection of original essays critically assesses the practices of humour in various role relationships in a number of social contexts, for example, in the workplace and between family members. A feature of this new volume is the critical analysis of socio-linguistic practices, including the use of jokes and cartoons, to manage tensions in social relationships at the micro- and macro-sociological levels of human interaction. Wider social and cultural issues area also examined by other contributors concerned with alternative comedy and sitcoms in British and Australian society, for example, which along with humour practices are situated by the editors in their introduction to substantiate the value of studying and researching the sociology of humour.

The beloved hosts of television's "losing-est" show, Extreme Weight Loss, give fans a blueprint for changing their health for life in just 21 days. Whether you're looking to lose the last ten pounds or several hundred, this program can transform your life forever. They share their most effective secrets for weight loss through diet and exercise and detail how to develop a sustainable mental change to keep the weight off. Readers will "see" the hidden path of transformation; be guided through fast and fun exercises; and enjoy loads of recipes. Expanding the Carb-cycling core of Chris' two national bestsellers, the Powells will help you achieve high-impact results.

Events are a tried and tested method for businesses, associations and public bodies to reach and engage with their audiences. They are the ultimate life marketing experience. Yet many of you are what I call accidental events planners: It's not the day job but you are still expected to deliver a high-quality experience, memorable and ultimately rewarding event. No easy task The good news is that I believe we can all be great event planners. So whether it is a meeting for 20 or a large conference for hundreds, my tried and tested 8-Step Event Planning System (the same one I use to run my own events) will help you deliver exciting, engaging and rewarding corporate events. My key objective is to give you the skills and confidence to run your own events. In short ... how to deliver a successful and rewarding event that is packed full of great takeaway memories.