With a preface by Elizabeth Macneal and original illustrations by Laurence Housman. Two sisters, Laura and Lizzie, are enticed by the smells, sounds and sights of the goblin market, tempted by the ripe figs, plump cherries and fragrant berries. Whilst Lizzie resists, Laura is slowly destroyed by her insatiable longing for the goblin's forbidden fruit. Complete & Unabridged. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Here is Christina Rossetti's first critically acclaimed collection of poetry. Published in 1862, as well as 'Goblin Market' it contains some of her most treasured work, such as 'A Birthday', 'An Apple Gathering' and 'Remember'. It launched her career as the foremost female poet of her time and, more than a century later, modern readers are still seduced by its symbolism and sensual language.

Features 32 works -- among them "The Convent Threshold," "Up-hill," "Cousin Kate," "Winter: My Secret," "Maude Clare," and celebrated title poem.

"Maude" was written when Christina Rossetti was 19 and examines the heroine's struggle to resist the notion that modesty and domesticity constitute the duties of women. "On Sisterhoods" by Dinah Mulock Craik advocates the encouragement of Anglican sisterhoods.

With an Introduction and Notes by Katherine McGowran. Christina Rossetti is widely regarded as the most considerable woman poet in England before the twentieth century. No reading of nineteenth century poetry can be complete without attention to this prolific and popular poet. Rosetti's inner life dominates her poetry, exploring loss and unattainable hope. Her divine poems have a freshness and toughness of thought, while many of her love poems are erotic, and as often express love for women as for men. The varied threads of Rossetti's concerns are drawn together in what is perhaps her greatest poem, the strange and ambiguous 'Goblin Market'.

Maude was written when Christina Rossetti was 19. Clearly autobiographical, the novel examines the heroine's struggle to resist the notion that modesty, virtue and domesticity constitute the duties of women. Rossetti, often overshadowed by her brother Dante Gabriel Rossetti, struggled to express her own independent authorial voice and to resist a life bound by the constraints and demands of the traditional feminine role. On Sisterhoods confronts head-on the woman question. Asserting that women's role is to find beauty in their lives through altruism and good works - to be, more or less, good women, Craik provides a radical solution to the woman question by advocating the encouragement of Anglican sisterhoods; effectively women's co-operatives.

A captivating selection of enduring verse by one of the Victorian era's most beloved poets
Christina Rossetti is unique among Victorian poets for the sheer range of her subject matter and the variety of her verse forms. Weaving connections between love and death, triumph and loss, heavenly joys and earthly pleasures, Rossetti's poems startle the imagination with their extraordinary truth, beauty, and intensity. This first fully annotated collection, based on the definitive texts, brings together love lyrics, sonnets, hymns, ballads, the vast body of her devotional poetry, and fantasy poems like ?Goblin Market, ? Rossetti's terrifyingly vivid verses for children.

The classic poem, Goblin Market (1862) by Christina Rossetti, tells the story of Lizzie and Laura, who are tempted by the fruit sold by the goblin merchants. In this fully illustrated and beautiful volume, illustrator Georgie McAusland brings the words and story to life.Breathing new life into the Victorian tradition of illustrated poems, this book reads like a picture story book. The stunning illustrations illuminate and drive the narrative forward as in all good story books. It tells the tale of the two sisters drifting apart as Laura succumbs to the forbidden fruit sold by the goblins, but the bonds of sisterhood prove strong. The poem has fascinated for generations and been the subject of various interpretations. This illustrated version brings the words and story alive for a new generation.Christina Rossetti is considered the foremost female poet of her time, and her poetry still resonates with women's lives today, as she entwines themes of sexuality, sisterhood, love and temptation in her work. All of these themes are encapsulated in Goblin Market. The book includes an introduction to the poem by novelist Kirsty Gunn, so all readers - for pleasure or study - can understand its riches.

'The mystery of Life, the mystery
Of Death, I see
Darkly as in a glass...'
Christina Rossetti (1830-94) is perhaps the most contradictory of the great Victorian poets. She writes of the world's beauty, but fears that it may be deceptive, even deadly. She is a religious poet, but much of her work is driven by uncertainty. Her poems are restrained, even secretive, but they seek nothing less than the mystery of Life and Death.
This edition contains Rossetti's strongest and most distinctive work: poetry (including 'Goblin Market', 'The Prince's Progress', and the sonnet sequence 'Monna Innominata'), stories (including the complete text of Maude), devotional prose (with nearly fifty entries from the 'reading diary' TimesFlies), and personal letters. Those poems which Rossetti published, and those which she withheld from publication, are here brought together in chronological order, allowing the reader to observe her poetic trajectory. This edition also records the major revisions made by Rossetti when preparing her poems for publication. It brings together the fullest range of Rossetti's poetry and prose in one volume, and is an indispensable introduction to this entrancing writer.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Rossetti is unique among Victorian poets for the sheer range of her subject matter and the variety of her verse form. This collection brings together fantasy poems, such as Goblin Market, and terrifyingly vivid verses for children, love lyrics and sonnets, and the vast body of her devotional poetry. Rossetti's poems weave connections between love and death, triumph and loss, heavenly joys and earthly pleasures. The directness and clarity of her lyrics still have the power to startle us with their truth and beauty.

Born in 1830, Christina Rossetti began composing verse at the age of eleven and continued to write for the remaining fifty-three years of her life. By the time of her death in 1894, Christina had written more than eleven hundred poems and had published over nine hundred of them. Publication of Volume III of The Complete Poems of Christina Rossetti brings to a conclusion the first definitive, variorum edition of the poems of this greatest woman poet of the Victorian Age. R.W. Crump divides the final volume, containing the poems Christina did not include in her published collections of verse, into three main sections. In the first are those poems Christina published separately in anthologies, periodicals, or her own prose works, such as Commonplace, and Other Short Stories. The second group consists of privately printed poems, including, most notably, those from the 1847 Verses: Dedicated to Her Mother. The extant poems that Christina never published make up the third and by far largest section of Volume III. Crump's voluminous textual notes and appendixes give the variant readings and provide additional information on the poems. A special feature of Volume III is the incorporation of the texts of poems in the hitherto unknown 375-page Verses manuscript of 1893, a major discovery made since Volume II was published in 1986. Some of the material in the appendixes updates the first two volumes in light of this discovery.

Since C.H. Sisson's ground-breaking Selected Poems (Carcanet, 1984), Christina Rossetti's readership has burgeoned. Almost a century ago Ford Madox Ford claimed her as 'the most valuable poet that the Victorian age produced', and - as Valentine Cunningham recently declared - she now sits at top table with Tennyson, Browning, Hopkins and Barrett Browning. Feminist and queer scholars have since laid claim to Rossetti; but her Anglo-Catholic faith was never incidental to the power of even her most secular poems and is at the heart of her imaginative work. As an Anglican priest and poet, Rachel Mann in her selection appreciates Rossetti's ambition while attending, too, to recent scholarship that focuses on the religious, feminist and fantastical elements in her work.

A collectible new Penguin Classics series: stunning, clothbound editions of ten favourite poets, which present each poet's most famous book of verse as it was originally published. Designed by the acclaimed Coralie Bickford-Smith and beautifully set, these slim, A format volumes are the ultimate gift editions for poetry lovers. Goblin Market and Other Poems was Christina Rossetti's first full volume of poetry, published in 1862. The collection received widespread critical praise and established Rossetti as the foremost female poet of her time. Tennyson, Hopkins and Swinburne all admired her work. The title poem 'Goblin Market' is arguably her most famous, a fairy tale entwining themes of sisterhood, temptation and sexuality. This collection also includes 'Up-hill', an allegorical dialogue on life and death and 'Maude Clare', a ballad of a woman scorned.