Paying tribute to one of the more original theorist of the late 20th and early 21st century, Rational Radicalism and Political Theory probes the thought of Stephen Eric Bronner. This collection of essays encompasses themes such as the Enlightenment's radical legacy, the impulse of cosmopolitanism, the rejuvenation of socialist theory and politics, and advances in Critical Theory. These essays make new contributions to many areas of left political theory, while at the same time reflecting on the ways Stephen Bronner's ideas serve to generate a new kind of critical political theory. Blending political and intellectual history, normative and moral argumentation, and forays into the nature of politics itself, this book brings together new voices in political theory to assess Bronner's contributions and pave new paths for the future of political theory.

Catherine Frazee wants her readers to know that there is far more to disability than most people think or assume. There is much not to like about disability, such as the ways it diminishes status and opportunity, and the ways it requires medical intrusions which, even if lifesaving, are nobody’s idea of a good time. As becomes apparent in this powerful collection of writing, there is much more to the story of disabled life. There is adaptation and activism. There is art, philosophy, and history. There is solidarity, identity, collective struggle, and shared culture. Frazee offers a glimpse into a rich and delicate ecology of disability that warrants not fear and pity, but recognition and respect.

How did Scotland's criminal justice system respond to marginalised street children who found themselves on the wrong side of the law, often for simple vagrancy or other minor offences? This book examines the historical criminalisation of Scotland's Victorian children, as well as revealing the history and early success of the Scottish day industrial school movement - a philanthropic response to juvenile offending hailed as 'magic' in Charles Dickens's Household Words. With case studies ranging from police courts to the High Court of Justiciary, the book offers a lively account of the way children experienced Scotland's early juvenile justice system.

Mrs Duberly's journal is one of the most vivid eye-witness accounts we have of the Crimean War. Fanny Duberly, then aged 25, accompanied her husband to the Crimea in 1854, and remained there until the end of the fighting, the only officer's wife to remain throughout the entire campaign. She survived the severe winter of 1854-55, witnessed the battle of Balaklava and the charge of the Light Brigade, and rode through the ruins of Sebastopol.
Spirited and courageous, she was known by sight to British and French soldiers across the battlefields, regarded often with enthusiasm and sometimes with disapproval. Witty and beautiful, she enjoyed flirtatious friendships with many of the most important men of the campaign. Her Journal Kept During the Russian War was published in 1855 and caused a sensation. Although widely praised as the "new heroine for the Crimea," Fanny was also censured, ridiculed, and even parodied in Punch. She had stepped into a man's world, and written about it in a way that seemed to some at the front an invasion of privacy and to others at home an abandonment of gentility. A best-seller at the time, the Journal was not reprinted after its second edition of 1856, and this is the first edition since that time.
Christine Kelly provides an introduction, biographical and explanatory notes, and an index. She makes revealing use of Fanny's original, previously unpublished, letters to her sister Selina, which often show a reckless, immediate response to events and people where the journal is more circumspect. The edition includes photographs, maps, and some of Fanny's own sketches.

How did Scotland's criminal justice system respond to marginalised street children who found themselves on the wrong side of the law, often for simple vagrancy or other minor offences? This book examines the historical criminalisation of Scotland's Victorian children, as well as revealing the history and early success of the Scottish day industrial school movement - a philanthropic response to juvenile offending hailed as 'magic' in Charles Dickens's Household Words. With case studies ranging from police courts to the High Court of Justiciary, the book offers a lively account of the way children experienced Scotland's early juvenile justice system.

As the global population ages, disability demographics are shifting. Societal transformation and global health inequities have changed who is likely to reach old age, who is likely to live with disability, and the relationship between aging and disability in various socio-cultural and geopolitical contexts. The Aging-Disability Nexus breaks new ground by bringing gerontology and disability studies into dialogue. This thoughtful examination of competing narratives about disability and aging explores the distinction between aging with a disability and aging into disability, revealing how multiple identities, socio-economic forces, culture, and community give form to our experiences.

"We do not need care!" is a rallying cry for disability movements. It is informed by a recognition that a lack of choice over simple care decisions - like what to eat or what to wear - is a subtle yet pervasive form of violence endured by many disabled people. Disability Politics and Care examines an independent living program to explore what happens when people with disabilities take control of their own care arrangements. Christine Kelly documents responses by a wide range of stakeholders of this program and reflects on some of its broader social and political implications.

Folk singer Christine Collister (best known for her 1980s work with Clive Gregson) and Dave Kelly of the U.K. blues revivalists the Blues Band began a new duo career with this live album, recorded with Kelly's Blues Band compatriot Gary Fletcher and former Dire Straits drummer Pick Withers as the Travelling Gentlemen. Split between Collister and Kelly originals and well-chosen covers like Sandy Denny's "Who Knows Where the Time Goes," this is a solid folk-blues release.