In February 2012, Rangers faced an uncertain future and fans feared for their club as a Scottish institution was plunged into crisis. Just months later, Rangers would start out on what those supporters christened 'The Journey' as they attempted to make their way back to the top of the game from the Third Division. The years that followed were amongst the most tumultuous and controversial in the club's illustrious history as financial results became as important and noteworthy as football ones. Through it all, Rangers supporters followed near and far. In May 2021, Rangers completed their journey as Steven Gerrard's side were crowned Premiership champions. Going for 55 tells the story of the campaign, giving insight and offering analysis into how Gerrard revolutionised the club and restored Rangers to their place at the top of Scottish football. With interviews from the money men who funded the rebuilding job, the staff and players that made the dream a reality and those in the press that saw history being made, this is a sporting tale like no other.

In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.

In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.