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Showing 1 - 25 of
33 matches in All Departments
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Alceste - Tragedia Per Musica
Christoph Willibald Gluck; Created by Ranieri De Calzabigi
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R409
Discovery Miles 4 090
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Ships in 18 - 22 working days
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This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Selected Piano Compositions; Musicians Library Johannes
Brahms, James Huneker, Christoph Willibald Gluck (Ritter von)
Rafael Joseffy O. Ditson, 1910 Piano music
This is a pre-1923 historical reproduction that was curated for
quality. Quality assurance was conducted on each of these books in
an attempt to remove books with imperfections introduced by the
digitization process. Though we have made best efforts - the books
may have occasional errors that do not impede the reading
experience. We believe this work is culturally important and have
elected to bring the book back into print as part of our continuing
commitment to the preservation of printed works worldwide.
Orfeo ed Euridice is an opera composed by Christoph W. Gluck based
on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi.
It is the first of Gluck's "reform" operas, in which he attempted
to replace the abstruse plots and overly complex music of opera
seria with a "noble simplicity" in both the music and the drama.
Though originally set to an Italian libretto, Orfeo ed Euridice
owes much to the genre of French opera, particularly in its use of
accompanied recitative and a general absence of vocal virtuosity.
Indeed, twelve years after the 1762 premiere, Gluck re-adapted the
opera to suit the tastes of a Parisian audience at the Academie
Royale de Musique with a libretto by Pierre-Louis Moline.
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