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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
This volume collects 32 tales of conman extraordinaire Amos
Clackworthy. (Facsimile reprint of the 1926 Chelsea House hardcover
edition.)
Handbook of Agricultural Economics, Volume Five highlights new
advances in the field, with this new release exploring
comprehensive chapters written by an international board of authors
who discuss topics such as The Economics of Agricultural
Innovation, Climate, food and agriculture, Agricultural Labor
Markets: Immigration Policy, Minimum Wages, Etc., Risk Management
in Agricultural Production, Animal Health and Livestock Disease,
Behavioral and Experimental Economics to Inform Agri-Environmental
Programs and Policies, Big Data, Machine Learning Methods for
Agricultural and Applied Economists, Agricultural data collection
to minimize measurement error and maximize coverage, Gender,
agriculture and nutrition, Social Networks Analysis In Agricultural
Economics, and more.
In the past century, scholars have observed a veritable full cast
of characters from Roman comedy in the poetry of Catullus. Despite
this growing recognition of comedy's allusive presence in Catullus'
work, there has never been an extended analysis of how he engaged
with this foundational Roman genre. This book sketches a more
coherent picture of Catullus' use of Roman comedy and shows that
individual points of contact with the theatre in his corpus are
part of a larger, more sustained poetic program than has been
recognized. Roman comedy, it argues, offered Catullus a common
cultural vocabulary, drawn from the public stage and shared with
his audience, with which to explore and convey private ideas about
love, friendship, and social rivalry. It also demonstrates that
Roman comedy continued to present writers after the second century
BCE with a meaningful source of social, cultural, and artistic
value.
The first comprehensive study of Tirso de Molina and his work in
English Tirso de Molina (c.1583-c.1648) may not have written El
Burlador de Sevilla, but the works of this prolific author, one of
the three pillars of Golden Age Spanish theatre, are notable for
their erudition, complex characters, and wit. Informed by a
multidisciplinary critical perspective, this volume sets Tirso's
plays and prose in their social, historical, literary, and cultural
contexts. Contributors from the United States, Canada, the United
Kingdom, and Spain offer a state of the art in current scholarship,
considering such topics as gender, identity, spatiality, material
culture, and creative performativity, among others. The first
volume in English to provide a richly detailed overview of Tirso's
life and work, Tirso de Molina: Interdisciplinary Perspectives from
the Twenty-First Century grounds the reader in canonical theories
while suggesting new approaches, attuned to contemporary interests,
to his legacy.
The use of friction stir processing to locally modify the
microstructure to enhanced formability has the potential to alter
the manufacturing of structural shapes. There is enough research to
put together a short monograph detailing the fundamentals and key
findings. One example of conventional manufacturing technique for
aluminum alloys involves fusion welding of 5XXX series alloys. This
can be replaced by friction stir welding, friction stir processing
and forming. A major advantage of this switch is the enhanced
properties. However qualification of any new process involves a
series of tests to prove that material properties of interest in
the friction stir welded or processed regions meet or exceed those
of the fusion welded region (conventional approach). This book will
provide a case study of Al5083 alloy with some additional examples
of high strength aluminum alloys.
Demonstrates how friction stir processing enabled forming can
expand the design space by using thick sheet/plate for applications
where pieces are joined because of lack of formabilityOpens up new
method for manufacturing of structural shapesShows how the process
has the potential to lower the cost of a finished structure and
enhance the design allowables
The concept of the public sphere, as first outlined by German
philosopher Jurgen Habermas, refers to the right of all citizens to
engage in debate on public issues on equal terms. In this book,
Christopher B. Balme explores theatre's role in this crucial
political and social function. He traces its origins and argues
that the theatrical public sphere invariably focuses attention on
theatre as an institution between the shifting borders of the
private and public, reasoned debate and agonistic intervention.
Chapters explore this concept in a variety of contexts, including
the debates that led to the closure of British theatres in 1642,
theatre's use of media, controversies surrounding race, religion
and blasphemy, and theatre's place in a new age of globalised
aesthetics. Balme concludes by addressing the relationship of
theatre today with the public sphere and whether theatre's
transformation into an art form has made it increasingly irrelevant
for contemporary society."
Historians often refer to past events which took place prior to
their narrative's proper past - that is, they refer to a 'plupast'.
This past embedded in the past can be evoked by characters as well
as by the historian in his own voice. It can bring into play other
texts, but can also draw on lieux de memoire or on material
objects. The articles assembled in this volume explore the manifold
forms of the plupast in Greek and Roman historians from Herodotus
to Appian. The authors demonstrate that the plupast is a powerful
tool for the creation of historical meaning. Moreover, the acts of
memory embedded in the historical narrative parallel to some degree
the historian's activity of recording the past. The plupast thereby
allows Greek and Roman historians to reflect on how (not) to write
history and gains metahistorical significance. In shedding new
light on the temporal complexity and the subtle forms of
self-conscious reflection in the works of ancient historians, Time
and Narrative in Ancient Historiography significantly enhances our
understanding of their narrative art.
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