Throughout history, scenography has played a significant role in theatre, always drawing upon the latest technologies of manufacture and control. In the twenty-first century, it is fast becoming an artistic practice in its own right, engaging with audiences in varied ways. Christopher Baugh considers how change in scenographic identity has impacted upon the place and meaning of performance over the past 300 years.
Thoroughly revised and updated, the second edition discusses:
- moving light technologies
- the Internet as a platform of performance
- urban scenography
- scenography's role in the creation of memory
- the development of scenography as a collaborative practice.

This issue of Emergency Medicine Clinics focuses on Observation Medicine in the ED. Editors R. Gentry Wilkseron and Christopher Baugh have assembled an expert team of authors on topics such as: History and Principles of Observation Medicine; Observation Unit Design and Establishing an Observation Unit; Care of the Patient with Chest Pain in an Observation Unit; Care of Cardiovascular Conditions in an Observation Unit; Care of Gastrointestinal Conditions in an Observation Unit; Care of Metabolic / Endocrine Conditions in an Observation Unit; Care of Neurologic Conditions in an Observation Unit; Care of Respiratory Conditions in an Observation Unit; Care of Infectious Conditions in an Observation Unit; Care of Traumatic Conditions in an Observation Unit; Care of Extremes of Age in an Observation Unit.

Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.