With a Foreword by Joanne Harris. June Cryer is a shopaholic suburban housewife trapped in a lousy marriage. After discovering her husband's infidelity with the flight attendant next door, she loses her home, her husband and her credit rating. But there's a solution: a friend needs a caretaker for a spectacular London high-rise apartment. It's just for the weekend, and there'll be money to spend in a city with every temptation on offer. Seizing the opportunity to escape, June moves in only to find that there's no electricity and no phone. She must flat-sit until the security system comes back on. When a terrified girl breaks into the flat and June makes the mistake of asking the neighbours for help, she finds herself embroiled in an escalating nightmare, trying to prove that a murderer exists. For the next 24 hours she must survive on the streets without friends or money and solve an impossible crime.

Few authors are so iconic that their name is an adjective – Ballard is one of them. Master of both literary and science fiction, his classic novels such as Empire of the Sun, Crash and Cocaine Nights show a world out of joint, a bewildering and strange place. Alongside the classic dystopias of The Drowned World and High Rise, his legacy shaped the future of literature. This collection gathers today’s greatest literary and science fiction authors to pay tribute to the creator of Balllardian worlds we live in today. Featuring: • Chris Beckett • Alexandra Benedict • Pat Cadigan • Adrian Cole • Ramsey Campbell • Paul Di Filippo • Christopher Fowler • Jeff Noon • David Gordon • James Grady • Preston Grassmann • Andrew Hook • Samantha Lee Howe • Rhys Hughes • Maxim Jakubowski • Hanna Jameson • Toby Litt • James Lovegrove • Nick Mamatas • Barry Malzberg • Michael Moorcock • Rick McGrath • Adrian McKinty • Geoff Nicholson • Christine Poulson • David Quantick • Adam Roberts • George Sandison • Will Self • Iain Sinclair • Lavie Tidhar A first of its kind anthology, collecting tales of humanity’s uncanny and uneasy clash with the future, and the distorted psychological spaces hidden in empires of concrete.

OVER TWENTY CWA DAGGER AWARD-WINNING SHORT STORIES FROM THE BEST OF THE BEST IN CRIME FICTION Legendary editor, Maxim Jakubowski, delivers another chilling anthology collecting stories of cold-blooded murder, revenge and crimes-gone-wrong from the best of the best in crime fiction. Spine-chilling and gripping, these tales will grip you with their devious narrators and crafty twists. Featuring classic stories from Neil Gaiman, Ann Cleeves, Christopher Fowler, Val McDermid, Lavie Tidhar, Chris Simms, Christine Poulson, James Sallis, Victoria Selman, Conrad Williams, Stuart Neville, George Pelecanos, Simon Brett, John Lawton, Ken Bruen, Mickey Spillane & Max Allan Collins, Peter Robinson, Martyn Waites and Kevin Wignall

A bomb rips through present-day London, tragically ending the crime-fighting partnership of Arthur Bryant and John May begun more than a half-century ago during another infamous bombing: the Blitz of World War II. Desperately searching for clues to the saboteur's identity, May finds the notes his old friend kept of their very first case and a past that may have returned...with murderous vengeance. It was an investigation that began with the grisly murder of a pretty young dancer. In a city shaken by war, a faceless killer stalked London's theater row, creating his own sinister drama. And it would take Bryant's unorthodox techniques and May's dogged police work to catch a fiend whose ability to escape detection seemed almost supernatural--a murderer who decades later may have returned to kill one of them...and won't stop until he kills the other.

This is the memoir Christopher Fowler always wanted to write about 'writing'. It's the story of how a young bookworm growing up in a house where there was nothing to read but knitting pamphlets and motorcycle manuals became a writer - a 'word monkey' - and pursued a sort of career in popular fiction. It's a book full of brilliant insights and sharp observations about the highs and lows and pitfalls and pleasures of his profession and about his favourite (and not-so-favourite) novelists. For would-be writers, Word Monkey is a treasure trove of sage advice on what to watch out for, to approach with caution or, indeed, to avoid at all costs. But woven into this hugely entertaining, inspiring and politely opinionated account of a writer's life is an altogether darker thread. Because in Spring 2020, as the world went into lockdown, Chris was diagnosed with terminal cancer and his world was turned upside down. And yet Word Monkey is anything but a misery memoir. In prose as light as air, he recounts with candour, grace and typically self-deprecating humour what he came to realise would be the final chapter in his story. The result is a deeply moving, often very funny and surprisingly uplifting account of someone suddenly having to confront and come to terms with their own mortality.

"Devilishly clever" Val McDermid on Strange Tide She sees everything, but can never tell anyone... a wickedly compulsive thriller from the bestselling author of the Bryant & May series. At a beautiful villa near Nice in the south of France, Hannah Carreras works as a maid. Under strict instructions never to speak to the guests, she blends into the background - but she sees everything. Including the mistress Summer, lounging by the pool awaiting the arrival of her married lover, Steve. When Steve finally shows at the villa - with his family unexpectedly in tow - Summer has vanished. Steve claims he never saw her. But Steve's wife is no fool: she knows there's something going on. Whose tiny bikini lies by the pool? Whose perfume is in the bathroom? Before long, the local police start asking questions, and the villa's occupants have something to hide. Only Hannah, always listening, watching, saw broken glass and blood on the patio the day Summer disappeared. Only Hannah thinks she knows what lies are being told...

This collection of stories from some of horror fiction's best authors will glue you to the page, but watch out; it may leave you too afraid to take the metro to work. In deep tunnels something stirs, borne on a warm breath of wind, reeking of diesel and blood. The spaces between stations hold secrets too terrible for the upper world to comprehend and the steel lines sing with the songs of the dead. Jonathan Oliver has collected together some of the very best in new horror writing in an themed anthology of stories set on, and around, the New York subway, the London underground, the Metro and other places deep below.

It's a fresh start for the Met's oddest investigation team, the Peculiar Crimes Unit. Their first case involves two teenagers who see a dead man rising from his grave in a London park. And if that's not alarming enough, one of them is killed in a hit and run accident. Stranger still, in the moments between when he was last seen alive and found dead on the pavement, someone has changed his shirt... Much to his frustration, Arthur Bryant is not allowed to investigate. Instead, he has been tasked with finding out how someone could have stolen the ravens from the Tower of London. All seven birds have vanished from one of the most secure fortresses in the city. And, as the legend has it, when the ravens leave, the nation falls... Soon it seems death is all around and Bryant and May must confront a group of latter-day bodysnatchers, explore an eerie funeral parlour and unearth the gruesome legend of Bleeding Heart Yard. More graves are desecrated, further deaths occur, and the symbol of the Bleeding Heart seems to turn up everywhere - it's even discovered hidden in the PCU's offices. And when Bryant is blindfolded and taken to the headquarters of a secret society, he realises that this case is more complex than even he had imagined, and that everyone is hiding something. The Grim Reaper walks abroad and seems to be stalking him, playing on his fears of premature burial. Rich in strange characters and steeped in London's true history, this is Bryant & May's most peculiar and disturbing case of all.

"It's a strange thing, nyctophobia. You're not born with it. It can start at any time. It comes and goes, and it's one of the only phobias you can transmit to other people." Newly-married architect Callie and her wealthy husband Mateo move to Hyperion House, a grand old home in southern Spain. It's an eccentric place built in front of a cliff: serene and beautiful, but eerily symmetrical, and cunningly styled so that half the house is flooded with light, and half - locked up and neglected - is shrouded in darkness. Unemployed and feeling isolated in a foreign country, Callie determines to research the history of the curious building. But the past is sometimes best left alone. Uncovering the folklore of the house's strange history, Callie is drawn into darkness and delusion. As a teenager Callie was afraid of the dark, and now with her adolescent nyctophobia returning she becomes convinced there's someone in the darkened rooms. Somewhere in the darkness lies the truth about Hyperion House. But some doors should never be opened.

The Peculiar Crimes Unit has solved many extraordinary cases over the years, but some were hushed up and hidden away. Until now. Arthur Bryant remembers these lost cases as if they were yesterday. Here, then, is the truth about the Covent Garden opera diva and the seventh reindeer, the body that falls from the Tate Gallery, the ordinary London street corner where strange accidents keep occurring, the consul's son discovered buried in the unit's basement, the corpse pulled from a swamp of Chinese dinners, a Hallowe'en crime in the Post Office Tower, and the impossible death that's the fault of a forgotten London legend. Expect misunderstood clues, lost evidence, arguments about Dickens, churches, pubs and disorderly conduct from the investigative officers they laughingly call `England's Finest'!

The defenestration of a ruthless theatre impresario's young son was definitely not the best way to end the play's first night party. And the crime scene itself was most unusual: a locked bedroom, with no sign of forced entry, no prints or traces of blood, just a sinister, life-size puppet of Mr Punch lying on the floor... Everyone at the party - from the dodgy producer and rakish male lead to the dour set designer and the assistant stage manager (the wild daughter of a prominent civil servant) - is a suspect. It's a perfect case for Bryant and May and the Peculiar Crimes Unit but the Home Office, wary of the PCU's eccentric methods and intensely aware of the potential political embarrassment, wants them off the investigation. The elderly detectives are not so easily deterred, however. Delving into the history of London theatre and the gruesome origins of 'Punch and Judy', they uncover a maniacal killer is at work - one who must be caught before it's curtains for everyone!

They've been given just one week to find a killer they'd caught once before . . . Arthur Bryant, John May and the Peculiar Crimes Unit are on the trail of an enigma: a young man called Mr Fox. But his identity is false, his links to society are invisible and his home yields no clues. All they know is that somehow he escaped from a locked room and murdered one of their best and brightest. Now the detectives are being lured down into the darkest recesses of the London Underground where their quarry, expertly disguised, has struck again. Their search takes them into the vast labyrinth of tunnels, a subterranean world full of legends and ghost stations, which tie the city together. Edging closer to what lies hidden beneath the city - and to the madness that is driving a man to murder - Bryant and May are about to uncover a mystery as bizarre as anything they have ever encountered . . .

This is a unique collection of brand new crime stories from some of the masters of crimewriting, and only available in this audio collection. "Welcome to the Sounds of Crime", an exclusive collection of five brand new short stories by some of the best crimewriters around. Using the theme of 'audio', this unique collection features brand new stories by Lawrence Block, Peter James, Val McDermid, Mark Billingham and Christopher Fowler. By turns gripping, puzzling and sinister, the Sounds of Crime will chill your blood from the first spoken word to the last...This recording is unabridged. Typically abridged audiobooks are not more than 60 per cent of the author's work and as low as 30 per cent with characters and plotlines removed.

The Peculiar Crimes Unit is no more--disbanded, finished, kaput. After years of defying the odds and infuriating their superiors, detectives Arthur Bryant and John May have finally crossed the line. While Bryant takes to his bed, his bathrobe, and his esoteric books, the rest of the team takes to the streets looking for new careers--until one of them stumbles upon a gruesome murder.
Now the Unit is back for an encore performance--in a rented office with no computer network, no legal authority, and a broken toilet. They've got until the end of the week to solve a mystery with links to gangland crime, the 2012 London Olympics, and a half-man, half-stag creature that's carrying off young women. It's the kind of case that Bryant and May live to solve . . . and it could be the one that finally kills them.

As the nation's oldest serving detectives, we know more about London than almost anyone. After all, we've been walking its streets and impulsively arresting its citizens for decades. Who better to take you through its less savoury side? We'll be chatting about odd buildings, odder characters, lost venues, forgotten disasters, confusing routes, dubious gossip, illicit pleasures and hidden pubs. We'll be making all sorts of odd connections and showing you why it's almost impossible to separate fact from fiction in London. With the help of some of our more disreputable friends, each an argumentative and unreliable expert in his or her own dodgy field, we'll explain why some streets have genders, why only two Londoners got to meet Dracula, how a department store and a prison played tricks on your mind, when a theatre got stranded in the past, how a building vanished in plain sight, what excited Charlotte Brontë about the city and where the devils hide in London. We hope to capture something of the city's restless spirit by wilfully wandering off course, and it goes without saying that we'll bluff and bamboozle you along the way but that's all part of the fun. History is what you remember. London is what you forget (and we've forgotten a lot). So please do join us on this magical mystery tour of our city. Who knows where we'll end up?

The year is 1969 and ten guests are about to enjoy a country house weekend at Tavistock Hall. But one amongst them is harbouring thoughts of murder. . . The guests also include the young detectives Arthur Bryant and John May - undercover, in disguise and tasked with protecting Monty Hatton-Jones, a whistle-blower turning Queen's evidence in a massive bribery trial. Luckily, they've got a decent chap on the inside who can help them - the one-armed Brigadier, Nigel 'Fruity' Metcalf. The scene is set for what could be the perfect country house murder mystery, except that this particular get-together is nothing like a Golden Age classic. For the good times are, it seems, coming to an end. The house's owner - a penniless, dope-smoking aristocrat - is intent on selling the estate (complete with its own hippy encampment) to a secretive millionaire but the weekend has only just started when the millionaire goes missing and murder is on the cards. But army manoeuvres have closed the only access road and without a forensic examiner, Bryant and May can't solve the case. It's when a falling gargoyle fells another guest that the two incognito detectives decide to place their future reputations on the line. And in the process discover that in Swinging Britain nothing is quite what it seems... So gentle reader, you are cordially invited to a weekend in the country. Expect murder, madness and mayhem in the mansion!

In Which Mr May Makes A Mistake And Mr Bryant Goes Into The Dark On a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am. A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hampstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field. But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am. In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn't seem to exist. But impossibilities are what the Peculiar Crimes Unit does best. As they explore a night city where all the normal rules are upended, they're drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy...

'If you have never entered the curious world of Bryant and May, you're in for a treat.' THE TIMES It was the kind of story that barely made the news. When 91-year-old Amelia Hoffman died in her top-floor flat on a busy London road, it's considered an example of what has gone wrong with modern society: she slipped through the cracks in a failing system. But detectives Arthur Bryant and John May of the Peculiar Crimes Unit have their doubts. Mrs Hoffman was once a government security expert, even though no one can quite remember her. When a link emerges between the old lady and a diplomat trying to flee the country, it seems that an impossible murder has been committed. Mrs Hoffman wasn't the only one at risk. Bryant is convinced that other forgotten women with hidden talents are also in danger. And, curiously, they all own models of London Bridge. With the help of some of their more certifiable informants, the detectives follow the strangest of clues in an investigation that will lead them through forgotten alleyways to the city's oldest bridge in search of a desperate killer. But just when the case appears to be solved, they discover that Mrs Hoffman was smarter than anyone imagined. There's a bigger game afoot that could have terrible consequences. It's time to celebrate Bryant and May's twentieth anniversary as their most lunatic case yet brings death and rebirth to London's most peculiar crimes unit.

On a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am. A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hamstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field. But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am. In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn't seem to exist. But impossibilities are what the Peculiar Crimes Unit does best. As they explore a night city where all the normal rules are upended, they're drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy

'JOYOUS . . . READERS WILL LOVE THIS FASCINATING BOOK' CATHY RENTZENBRINK 'A GODSEND WITH THE PRESENT SEASON APPROACHING' IRISH INDEPENDENT 'THE PERFECT GIFT FOR A BOOK-OBSESSED FRIEND' STYLIST, 50 UNMISSABLE BOOKS FOR AUTUMN 2017 'EXCELLENT . . . SHOULD BE READ BY ANYONE WHO LOVES BOOKS' EVENING STANDARD Absence doesn't make the heart grow fonder. It makes people think you're dead. So begins Christopher Fowler's foray into the back catalogues and backstories of 99 authors who, once hugely popular, have all but disappeared from our shelves. Whether male or female, domestic or international, flash-in-the-pan or prolific, mega-seller or prize-winner - no author, it seems, can ever be fully immune from the fate of being forgotten. And Fowler, as well as remembering their careers, lifts the lid on their lives, and why they often stopped writing or disappeared from the public eye. These 99 journeys are punctuated by 12 short essays about faded once-favourites: including the now-vanished novels Walt Disney brought to the screen, the contemporary rivals of Sherlock Holmes and Agatha Christie who did not stand the test of time, and the women who introduced us to psychological suspense many decades before it conquered the world. This is a book about books and their authors. It is for book lovers, and is written by one who could not be a more enthusiastic, enlightening and entertaining guide. 'A BIBLIOPHILE'S DREAM' FINANCIAL TIMES 'WILL HAVE READERS SCURRYING INTO SECONDHAND BOOKSHOPS' GUARDIAN

'The most consistently brilliant, entertaining and educational voice in contemporary British crime fiction, the utterly fabulous Christopher Fowler.' Cathi Unsworth, CRIMESQUAD It's a Sunday morning, and the outspoken Speaker of the House of Commons has just been crushed under a mountain of citrus fruit . . . Bizarre accident or something more sinister? The government needs to know because here's a man who knows a thing or two that could compromise its future. Bryant and May and the Peculiar Crimes Unit should be on the case, however it seems the PCU is no more with one detective is in hospital, the other gone AWOL with the rest of the team having been dismissed. But events escalate, and soon a series of brutal yet undeniably clever killings linked to an old English nursery rhyme threaten society's very foundations and out-of-the-blue the PCU is (temporarily) back in business. And if the two detectives - 'old men in a woke world' - can set aside their differences and discover why some of London's most influential figures are being threatened, they might not only save the unit but also prevent the city from descending into chaos . . .

When a bomb devastates the office of London's most unusual police unit and claims the life of its oldest detective, Arthur Bryant, his surviving partner John May searches for clues to the bomber's identity. His search takes him back to the day the detectives first met as young men in 1940. In Blitz-ravaged London, a beautiful dancer rehearsing for a sexy, sinister production of 'Orpheus In The Underworld' is found without her feet. Bryant & May's investigation plunges them into a bizarre gothic mystery, where a faceless man stalks terrified actors and death strikes in darkness. Tracking their quarry through the blackout, searching for a murderer who'll stop at nothing to be free of a nightmare, the duo unwittingly follow the same path Orpheus took when leading Euridyce from the shadows of Hell. Back in the present day, John May starts to wonder if their oldest adversary might be the killer who took his partner's life. He must work alone to solve a puzzle that began over half a century earlier...In a war-shaken city of myths, rumours and fear, Bryant & May discover that a house is not always a home, nothing is as it appears, the most cunning criminals hide in plain sight, and the de