The examination of the transcendentals of truth, beauty and the good in this book stems from the perspective of Christian humanism, transcending ourselves in moral psychology, and perfecting ourselves to attain the good life. These critical approaches are each pertinent to the search for meaning in our lives which the transcendentals augment. From such a perspective, the book engages in an exploration of the philosophy of culture and religion which at key points in the discussion draws upon ritual, works of high and especially popular culture. The truth that moves us closer to discovering meaning and a fuller humanity is largely found in the world and culture that surrounds us and is related to wisdom, which is something that concerns us all.

This book provides a concise historical outline of religion in Poland up until its entry into the European Union in 2004, together with a longer presentation of contemporary religious issues. Albeit largely mono-ethnic and overwhelmingly Catholic after the loss of its large Jewish population to the Holocaust, and subsequent post-World War II border shifts, traces of an historic diversity remain in Poland to date, playing a greater role than mere numbers would suggest. Poland's fairly robust religious life is affected by the country's continuing modernization and its various institutions, and this is discussed within a broad context. One of the unfortunate legacies of decades of communism is a stunted civil society; while at different levels there are conflicts involving religion, at the grassroots it is one of the few forces building much needed trust in present-day Polish society.

The author analyzes appropriately selected historical films of Steven Spielberg and Andrzej Wajda with respect to historical memory in relation to film. Cultural and moral foundations of national identity are also taken into account. Spielberg films particularly valuable for this comparative analysis are: "Schindler's List", "Amistad", "Saving Private Ryan" and "Lincoln"; crucial Wajda films include: "Korczak", "Holy Week", "Katyn and Walesa". These works are analyzed in relation to the problem of representing the Holocaust, self-scrutiny in historical memory, commemoration of sacrifices for the national community during war, and foundation myths evoked through national heroes. The larger thematic framework for the above concerns is the underlying sense of covenant present within the two national communities that Spielberg and Wajda draw upon, a sense that explores the possibility of moral renewal under contemporary circumstances.