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A stunning new book by Niki Daly, who is internationally the most
successful South African illustrator.
After a stormy night, a farmer searching for his lost calf finds a
baby eagle that has been blown out of its nest. He takes it home
and raises it with his chickens. But when his friend comes to visit
one day, he tells the farmer that an eagle should be flying high in
the sky, not scrabbling on the ground for grain. How the farmer's
friend proves that the bird is an eagle and destined to fly to the
sun, is humorously retold by Christopher Gregorowski. Niki Daly's
bright water colour illustrations breath life into this powerful
and uplifting tale.
Illustrated in colour with photographs of the artist's sculptures
and reproductions of his graphic works, this title covers six
decades of his artistic output and tells the story of his life. It
includes his manifesto which gives the reader invaluable insight
into the mind and soul of the artist. It was launched on the
artist's 77th birthday in February 2010. Bill's impressive
curriculum vitae includes details of his numerous solo and group
exhibitions, prizes, public and private commissions, and of the
public collections that include works of his, including the Iziko
National Gallery in Cape Town. Major influences in Bill's training
were Professor Lippy Lipschitz, Russell Harvey, May Hillhouse and
Katrina Harries at the Michaelis School of Fine Art of the
University of Cape Town, and Professor P Esser at the Rijksakademie
van Beeldende Kunsten in Amsterdam. Cecil Higgs was a great friend
and mentor who convinced Bill in 1971 that he must leave teaching
and work full-time as a sculptor. The book provides fascinating
insights into the institutions in which he studied and the artistic
milieu in South Africa. In 2008, when Bill was recovering from
lymphoma and months of debilitating treatment, Jane Raphaely
commissioned a portrait bust of Nelson Mandela for the Mandela
Rhodes Foundation, which now graces the entrance foyer of the
Foundation's headquarters in St George's Mall in Cape Town. Bill
continues his work in his studio in Vermont near Hermanus in the
Western Cape. When the writing was nearing completion Jan Mostert
joined the team. His expertise in design and his part in choosing
the illustrative material have made a significant contribution to
the beauty of the production, as do David Richardson's excellent
photographs. The book includes a catalogue of Bill's works from
1952 to 2009, and is fully indexed.
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