We Are All Animals offers children an awe-inspiring new way to understand the animal kingdom. This unique book reveals astonishing similarities in the anatomy – and many more characteristics - of humans and other animals, celebrating our entire furry, scaly, slimy, slippery, extended family. Did you know that most animal bodies, including ours, are shaped like tubes? Or that humans share 75% of their genes with chickens? That rats are ticklish, and dolphins give each other names? Children will be delighted to discover how similar they are to bats, bees, dogs, frogs, jellyfish, giraffes, and many more. By encouraging readers to make connections between distant corners of the animal kingdom, this book celebrates the extraordinary ways in which all of Earth’s creatures are connected. Created in partnership with the Humanimal Trust, a charity advocating collaboration between physicians and veterinarians, this book is underpinned by cutting-edge medical science. The charity’s founder - Professor Noel Fitzpatrick - is an internationally renowned veterinarian, who also stars in his own TV series, The Supervet (a nickname he has earned through the groundbreaking veterinary procedures he performs). He has written a foreword to the book, and his extensive medical expertise runs throughout every page.

Embark on a journey across millennia and around the world, from the latest understanding of the origins of the universe, the birth of the Earth, the very first life, the age of dinosaurs, the rise of humans, ancient civilizations, colonialism, wars, technology, everyday life, global struggles for freedom and equality, pandemics – and much more. Eye-catching and informative illustrations and photographs throughout join with author Christopher Lloyd’s engaging narrative to bring to life the most remarkable true stories of all time. The 2nd edition is revised for fuller global coverage and updated with the latest research, as well as with events that have occurred since the first edition. The design has received a fresh treatment and many new photographs have been included. 

Explore the world from the beginning of time until the present, in this amazing, over-sized timeline book that brings history to life! The timeline is uniquely broken out into 12 sections, including by subject areas (such as sea, land) and continents, as well as by date, with over 1,000 pictures and captions. From the rise of the dinosaur to the creation of the smart phone, the nearly 2-metre timeline allows you to compare events across the world at any given moment in time. An easy-to-read chronicle, written in the form of newspaper articles, highlights key moments from history, such as the rise and fall of Rome and the invention of the steam engine. Other features include a page of letters to the editor, a fifty-question quiz, and a pocket magnifier to make it easier to explore all the timeline's details. Perfect for 6-14 year olds, and history buffs of any age!

Build your own timeline of all of Shakespeare's plays with this amazing stickerbook that brings his thirty-eight dramas to life! Created in association with The Shakespeare Birthplace Trust and set in London's iconic Globe Theatre, this totally unique, amazing timeline stickerbook has 100 peel-off stickers of the colourful characters from Shakespeare's life and times. Beautifully illustrated and hugely engaging, the 1.7-metre-long timeline has captioned, white silhouettes showing where to place your stickers to help you build your own Shakespearean drama. Perfect for children 3-7 years old.

Hurricane Katrina blasted the Gulf Coast in 2005, leaving an unparalleled trail of physical destruction. In addition to that damage, the storm wrought massive psychological and cultural trauma on Gulf Coast residents and on America as a whole. Details of the devastation were quickly reported-and misreported-by media outlets, and a slew of articles and books followed, offering a spectrum of socio-political commentaries and analyses. But beyond the reportage and the commentary, a series of fictional and creative accounts of the Katrina-experience have emerged in various mediums: novels, plays, films, television shows, songs, graphic novels, collections of photographs, and works of creative non-fiction that blur the lines between reportage, memoir, and poetry. The creative outpouring brings to mind Salman Rushdie's observation that, "Man is the storytelling animal, the only creature on earth that tells itself stories to understand what kind of creature it is." This book accepts the urge behind Rushdie's formula: humans tell stories in order to understand ourselves, our world, and our place in it. Indeed, the creative output on Katrina represents efforts to construct a cohesive narrative out of the wreckage of a cataclysmic event. However, this book goes further than merely cataloguing the ways that Katrina narratives support Rushdie's rich claim. This collection represents a concentrated attempt to chart the effects of Katrina on our cultural identity; it seeks to not merely catalogue the trauma of the event but to explore the ways that such an event functions in and on the literature that represents it. The body of work that sprung out of Katrina offers a unique critical opportunity to better understand the genres that structure our stories and the ways stories reflect and produce culture and identity. These essays raise new questions about the representative genres themselves. The stories are efforts to represent and understand the human condition, but so are the organizing principles that communicate the stories. That is, Katrina-narratives present an opportunity to interrogate the ways that specific narrative structures inform our understanding and develop our cultural identity. This book offers a critical processing of the newly emerging and diverse canon of Katrina texts.

Build you own timeline of all of Shakespeare's plays with this amazing sticker book that brings his thirty-eight dramas to life! Created in association with The Shakespeare Birthplace Trust and set in London's iconic Globe Theatre, this totally unique, amazing timeline sticker book has 100 peel-off stickers of the colorful characters from Shakespeare's life and times. Beautifully-illustrated and hugely engaging, the 5.5-foot long timeline has captioned, white silhouettes showing where to place your stickers to help you build your own Shakespearean drama. Perfect for children 3 - 7 years old.

A compelling and authoritative overview of the drawings of Vincent van Gogh, one of the most celebrated and intriguing figures in the history of art. Vincent van Gogh’s (1853–1890) drawings are some of the most familiar and expressive in the history of art. Van Gogh believed that drawing was the ‘root of everything’, and this was reflected in his remarkable output of over 1,000 works during his short and tragic life; many of them personal, often lonely explorations of the emerging modern world. This book is the first comprehensive account to celebrate the singularity of the artist’s achievements in this field. Arranged broadly thematically, from drawings of potato harvesters to depictions of knotted poplars, pensive studies from life to a sketch of the famous Yellow House in Arles, eminent art historian and curator Christopher Lloyd encourages readers to consider the artist’s drawings from a fresh viewpoint: documenting successes and failures, experiments, trials and disappointments. Primarily self-taught, Van Gogh’s approach to drawing was instinctual, but he soon recognized the importance of mastering the grammar of art – anatomy, foreshortening, perspective – as well as materials and techniques, in order to express his emotional responses to a subject as vividly as possible. With examples from the artist’s voluminous and emotionally charged family correspondence, sketchbooks, and comparative artworks by the Old Masters and contemporaries, this engaging study outlines why drawing is central to Van Gogh’s oeuvre, and equal to the intensity and reputation of his paintings. Featuring works from the Van Gogh Museum, Amsterdam and many other important collections in Europe and the US, this beautifully illustrated volume offers an extensive interpretation of the artist’s drawings, beyond what has been published to date.

Earth? Space? Animals? History? STEM? Britannica All New Children's Encyclopedia has them all. This beautifully illustrated, 424-page compendium of knowledge is a must-have addition to every family bookshelf and library collection! With more than 100 expert consultants from around the world, and over 1000 images, including specially commissioned illustrations and stunning photography, this single-volume Children's Encyclopedia takes Britannica s reputation for authentic, trustworthy information and brings it to a whole new audience. Unlike old encyclopedias that are structured from A to Z, this encyclopedia takes you on a journey from the beginning of time to the present day and even into the future! It explores a wide range of topics and is divided into eight chapters by subject: Universe, Earth, Matter, Life, Humans, Ancient & Medieval Times, Modern Times, and Today & Tomorrow. This book of amazing facts you can trust will provide hundreds of hours of fun learning for curious children and their families.

The vast majority of existing ecocritical studies, even those which espouse the "postcolonial ecocritical" perspective, operate within a first-world sensibility, speaking on behalf of subalternized human communities and degraded landscapes without actually eliciting the voices of the impacted communities. Ecocriticism of the Global South seeks to allow scholars from (or intimately familiar with) underrepresented regions to "write back" to the world's centers of political and military and economic power, expressing views of the intersections of nature and culture from the perspective of developing countries. This approach highlights what activist and writer Vandana Shiva has described as the relationship between "ecology and the politics of survival," showing both commonalities and local idiosyncrasies by juxtaposing such countries as China and Northern Ireland, New Zealand and Cameroon. Much like Ecoambiguity, Community, and Development, this new book is devoted to representing diverse and innovative ecocritical voices from throughout the world, particularly from developing nations. The two volumes complement each other by pointing out the need for further cultivation of the environmental humanities in regions of the world that are, essentially, the front line of the human struggle to invent sustainable and just civilizations on an imperiled planet.

This book examines the ways in which the histories of racial violence, from slavery onwards, are manifest in representations of the body in twenty-first-century culture set in the US South. Christopher Lloyd focuses on corporeality in literature and film to detail the workings of cultural memory in the present. Drawing on the fields of Southern Studies, Memory Studies and Black Studies, the book also engages psychoanalysis, Animal Studies and posthumanism to revitalize questions of the racialized body. Lloyd traces corporeal legacies in the US South through novels by Jesmyn Ward, Kathryn Stockett and others, alongside film and television such as Beasts of the Southern Wild and The Walking Dead. In all, the book explores the ways in which bodies in contemporary southern culture bear the traces of racial regulation and injury.

Best known for their superlative oils on canvas, Degas, Cézanne, Renoir, Toulouse-Lautrec, Van Gogh and numerous other Impressionists and Post-Impressionists also regularly used paper as a support for works in watercolour, gouache, pencil, tempera and that most elusive of media, pastel. Their practice transformed the status of these works from preparatory studies, to be left in the studio and not shown in public, to works of art in their own right. With insightful texts by acknowledged experts in the field, this sumptuous book brings together some 70 masterworks on paper by leading Impressionist and Post-Impressionist artists. Their bold innovations challenged traditional attitudes, radically transformed the future direction of art and ultimately paved the way for later movements such as Abstract Expressionism.

This work shows the extent to which the shipping of Africans to the Americas continued after the Abolition Act of 1807.

Pablo Picasso's artistic output is astonishing in its ambition and variety. This handsome publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-colle experiments of the 1910s and his revolutionary three-dimensional 'constructions', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d'Avignon (1907) and Guernica (1937). With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso's genius seized the potential of paper at different stages throughout his career.

The Affects of Pedagogy in Literary Studies considers the ways in which teachers and students are affected by our encounters with literature and other cultural texts in the higher education classroom. The essays consider the range of emotions and affects elicited by teaching settings and practices: those moments when we in the university are caught off-guard and made uncomfortable, or experience joy, anger, boredom, and surprise. Featuring writing by teachers at different stages in their career, institutions, and national or cultural settings, the book is an innovative and necessary addition to both the study of affect, theories of learning and teaching, and the fields of literary and cultural studies.

This new book is the second volume in a two-volume "mini-series" devoted to representing diverse and innovative ecocritical voices from throughout the world, particularly from developing nations (the first volume, Ecoambiguity, Community, and Development, appeared in 2014). The vast majority of existing ecocritical studies, even those which espouse the "postcolonial ecocritical" perspective, operate within a first-world sensibility, speaking on behalf of subalternized human communities and degraded landscapes without actually eliciting the voices of the impacted communities. We have sought in Ecocriticism of the Global South to allow scholars from (or intimately familiar with) underrepresented regions to "write back" to the world's centers of political and military and economic power, expressing views of the intersections of nature and culture from the perspective of developing countries. This approach highlights what activist and writer Vandana Shiva has described as the relationship between "ecology and the politics of survival," showing both commonalities and local idiosyncrasies by juxtaposing such countries as China and Northern Ireland, New Zealand and Cameroon. The two volumes of the Ecocriticism of the Global South Series point to the need for further cultivation of the environmental humanities in regions of the world that are, essentially, the front line of the human struggle to invent sustainable and just civilizations on an imperiled planet.

Explore the history of Great Britain, from Stonehenge to the present day, in this amazing, over-sized timeline book that brings history to life! Created in association with the National Trust, the timeline is uniquely broken out by royal house, as well as by date, with over 1,000 pictures and captions. From the age of the dinosaur to the 2012 London Olympics, the two-metre-long timeline allows you to compare the political, scientific, religious and literary achievements of Brits at any given moment in time. An easy-to-read chronicle, written in the form of newspaper articles, highlights key moments in more detail, such as the battle of Hastings, the London Fire, and Queen Elizabeth II becoming the longest-reigning monarch in British history. Other features include a page of letters to the editor, a fifty-question quiz, and a pocket magnifier to make it easier to explore all the timeline's details. Perfect for 6-14 year olds, and history buffs of any age!

In this engaging and fascinating exchange of personal letters, two of the most influential gardeners of all time compare notes on successes and failures in their two very different gardens. As Christopher Lloyd and Beth Chatto convey their gardening experiences, share gossip and discuss life and nature, the horticultural expertise of these two long-established friends and distinguished gardeners gives these inspirational letters a life of their own. Beth Chatto's garden in East Anglia is a place of pilgrimage for plant lovers, while Christopher Lloyd was one of the major figures in twentieth century gardening, transforming the gardens of his home Great Dixter in East Sussex. Friday 16 February Dear Beth, Today was straight out of my idea of heaven - the first such day this year and the first time that all the winter crocuses have opened wide, in appreciation. Armed with my kneeling pad, I dropped to my knees to savour the honey scent of C. chrysanthus 'Snow Bunting'. Rosemary Alexander, who spends more and more time at Stoneacre (the National Trust property near Maidstone, which she rents), expressed doubts on whether it wouldn't be better to concentrate on snowdrops, seeing that crocuses spend so much of their time in an obstinately closed state, loudly proclaiming 'this isn't good enough for me'. I can see her point, of course. [...] Tuesday 20 February Dear Christo, What a good thing you enjoyed your crocuses when you had the chance! Today we are blanketed in snow once more, with a wild north wind hurling stinging dry snow horizontally past the windows. Your way of having crocuses (and many other bulbs) naturalized in short grass is a far more effective way of growing them than in conventional borders. Left to seed themselves in little knots and ribbons of colour they appear like embroidery across a carpet before something else takes over the design. [...]

Aiming to go beyond reiterating the stereotypical narrative of the rise of welfare states, this interdisciplinary book examines the long-run historical processes of the development of the welfare state. It focuses on the complex political, social, economic and institutional transformations which give rise to these peaceful and cohesive societies. Welfare is crucial to the story of peaceful social integration and this book explores and explains this vital connection, taking a non-linear view of the history of moving from fragmentation to peace with comprehensive welfare institutions. Chapters collectively focus on three central areas: (a) types of socio-political fragmentation, (b) the interconnection of social, political, and economic forces that led to the institutionalisation of integrationist processes and policies (including re-distributional welfare systems), and (c) how this new institutional development helped achieve, or failed to achieve, social peace and welfare. The international panel of expert contributors provide case studies from a rich variety of country contexts, including Germany, South Africa, the Netherlands, Austria, and the Nordic Countries. This thought-provoking collection of essays is well suited for advanced students and researchers in social history, economic history, political economy and social policy.

Drawing was central to Cezanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing. This book's six chapters are arranged thematically covering the whole range of Cezanne's oeuvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration of both portraiture and the human figure, including the magnificent bathers; his interaction with landscape, particularly in his native Provence and the dominating form of Mont Sainte-Victoire; and finally the magisterial still lifes. In the Introduction, as well as throughout the book, Lloyd sets the drawings and watercolours in the context of Cezanne's life and overall artistic development. The result is a greater understanding of the process that led to some of the most absorbing art ever produced.

Christopher Lloyd, icon and iconoclast of the gardening world, was born at Great Dixter, in East Sussex, in 1921 and died there in 2006. In the years between he developed the garden at Dixter into a mecca for plantsmen and a hub of ideas and connections that spread throughout the world. And from the 1930s almost until his death he was also photographing the garden, recording it in intimate detail as it changed and developed. A carefully chosen selection of Christopher's photographs is published here, the majority for the first time. They are juxtaposed with images from the Lloyd family's earliest days at Dixter, and with photographs taken by Carol Casselden and others of the garden as it is today.

Now available in paperback, this book offers a significant revaluation of Clouzot's achievement, situating his career in the wider context of French cinema and society, and providing detailed and clear analysis of his major films (Le corbeau, Quai des Orfevres, Le Salaire de la peur, Les diaboliques, Le mystere Picasso). Clouzot's films combine meticulous technical control with sardonic social commentary and the ability to engage and entertain a broad public. Although his films are characterised by an all-controlling perfectionism, allied to documentary veracity and a disturbing bleakness of vision, Clouzot is well aware that his is an art of illusion. His fondness for anatomising social pretence, the deception, violence and cruelty practised by individuals and institutions, drew him repeatedly to the thriller as a convenient and compelling model for plots and characters, but his source texts and the usual conventions of the genre receive distinctly unconventional treatment. -- .

Hurricane Katrina blasted the Gulf Coast in 2005, leaving an unparalleled trail of physical destruction. In addition to that damage, the storm wrought massive psychological and cultural trauma on Gulf Coast residents and on America as a whole. Details of the devastation were quickly reported-and misreported-by media outlets, and a slew of articles and books followed, offering a spectrum of socio-political commentaries and analyses. But beyond the reportage and the commentary, a series of fictional and creative accounts of the Katrina-experience have emerged in various mediums: novels, plays, films, television shows, songs, graphic novels, collections of photographs, and works of creative non-fiction that blur the lines between reportage, memoir, and poetry. The creative outpouring brings to mind Salman Rushdie's observation that, "Man is the storytelling animal, the only creature on earth that tells itself stories to understand what kind of creature it is." This book accepts the urge behind Rushdie's formula: humans tell stories in order to understand ourselves, our world, and our place in it. Indeed, the creative output on Katrina represents efforts to construct a cohesive narrative out of the wreckage of a cataclysmic event. However, this book goes further than merely cataloguing the ways that Katrina narratives support Rushdie's rich claim. This collection represents a concentrated attempt to chart the effects of Katrina on our cultural identity; it seeks to not merely catalogue the trauma of the event but to explore the ways that such an event functions in and on the literature that represents it. The body of work that sprung out of Katrina offers a unique critical opportunity to better understand the genres that structure our stories and the ways stories reflect and produce culture and identity. These essays raise new questions about the representative genres themselves. The stories are efforts to represent and understand the human condition, but so are the organizing principles that communicate the stories. That is, Katrina-narratives present an opportunity to interrogate the ways that specific narrative structures inform our understanding and develop our cultural identity. This book offers a critical processing of the newly emerging and diverse canon of Katrina texts.

Edgar Degas (1834-1917) was one of the outstanding draughtsmen of the 19th century: drawing was not only a central tenet of his art, but essential to his existence. Through an examination of the artist's drawings and pastels, Christopher Lloyd reveals the development of Degas's style as well the story of his life, including his complicated relationship with the Impressionists. Following a broadly chronological approach, the author discusses the various subject areas, not only the images of dancers (which form over half of Degas's total oeuvre) but also of nudes and milliners, and the less well-known racehorse and landscape drawings. He covers his whole career, from when Degas was copying the Old Masters to learn his craft to when he ceased work in 1912 because of failing eyesight, setting him within the artistic context of the period. Lloyd's extensive research, which includes consulting the artist's detailed notebooks, has resulted in a comprehensive exposition with, at its heart, some 250 pencil, black-chalk, pen-and-ink, and charcoal drawings and pastels of timeless appeal.