Picasso and Paper (Paperback)

Pablo Picasso's artistic output is astonishing in its ambition and variety. This handsome publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-colle experiments of the 1910s and his revolutionary three-dimensional 'constructions', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d'Avignon (1907) and Guernica (1937). With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso's genius seized the potential of paper at different stages throughout his career.

General

Imprint:	Royal Academy of Arts
Country of origin:	United Kingdom
Release date:	2020
Authors:	Ann Dumas • Emmanuelle Hincelin • Christopher Lloyd • Emilia Philippot • Bill Robinson • Stephen Coppel • Violette Andres
Dimensions:	285 x 235 x 28mm (L x W x T)
Format:	Paperback
Pages:	328
ISBN-13:	978-1-912520-18-3
Categories:	Books > Arts & Architecture > History of art / art & design styles > From 1900 > General Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Exhibition catalogues and specific collections Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General Promotions
LSN:	1-912520-18-4
Barcode:	9781912520183

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