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This book addresses the breakdown of failed democratic systems in
Latin America and the Caribbean. The scope of this investigation is
a study of political systems of Venezuela, Colombia, and Nicaragua.
The implications of the present research on democratic purgatory
have real-world applications not only for the above countries but
also for those political systems that are currently transitioning
and/or consolidating their democracies as well. Â
Computer vision is a rapidly developing and highly
interdisciplinary field of computer science and engineering. An
increasing number of researchers are turning their attention to the
development of vision algorithms that can analyse dynamic images at
real-time rates. Real-time vision is needed for automated systems
to keep pace with real-world activities and thus control or respond
appropriately to them. This is the first book devoted to the
subject of real-time computer vision, and includes articles by some
of the leading researchers in the world. The focus is on algorithms
for interpreting visual input at video rates and on using the
gathered information for decision-making and control. Topics
covered include: shape recovery; model-based vehicle tracking;
active exploration; tracking heads and eyes; controlling robot
behavior; visual monitoring; controlling distributed robots. The
book will be of interest to students, researchers and engineers
involved in the design and programming of visually guided systems.
Constructing International Studies is a collection of writings that
explores the most progressive edge of the discipline. Through
diverse perspectives and issues, the book gives students a thorough
understanding of how the field is developing presently. By
incorporating the conceptual thinking that will frame the next
generation of international studies, it provides students an
understanding of the contemporary discussions and prepares them for
meaningful future engagement in the field. The book opens with a
foreword by Nicholas Greenwood Onuf. The first thematic section is
devoted to addressing the meaning of international studies and its
place in academia. Subsequent sections discuss the construction of
identities in a post-modern world, constructing the notion of the
"international," and deconstructing security and development. The
textbook promotes a real-world global perspective through the
inclusion of reflective readings from scholars who are shaping
discussions on the future of the discipline. The work explores
topics such as feminist international relations, international law
and organizations, postcolonial agency, norms, international
political economy, development, the rise of nationalism, and the
role of human rights beyond liberal and republican traditions.
Dynamic and interdisciplinary, the representative sampling of
scholarship in Constructing International Studies is well-suited to
lower-level courses with a progressive orientation. It is an ideal
choice for upper-division courses dedicated to discussing current,
enlivening themes in the field.
African Americans once passed as whites to escape the pains of
racism. Today's neo-passing has pushed the old idea of passing in
extraordinary new directions. A white author uses an Asian pen
name; heterosexuals live "out" as gay; and, irony of ironies,
whites try to pass as black. Mollie Godfrey and Vershawn Ashanti
Young present essays that explore practices, performances, and
texts of neo-passing in our supposedly postracial moment. The
authors move from the postracial imagery of Angry Black White Boy
and the issues of sexual orientation and race in ZZ Packer's short
fiction to the politics of Dave Chappelle's skits as a black
President George W. Bush. Together, the works reveal that the
questions raised by neo-passing-questions about performing and
contesting identity in relation to social norms-remain as relevant
today as in the past. Contributors: Derek Adams, Christopher M.
Brown, Martha J. Cutter, Marcia Alesan Dawkins, Michele Elam,
Alisha Gaines, Jennifer Glaser, Allyson Hobbs, Brandon J. Manning,
Loran Marsan, Lara Narcisi, Eden Osucha, Gayle Wald, and Deborah
Elizabeth Whaley
African Americans once passed as whites to escape the pains of
racism. Today's neo-passing has pushed the old idea of passing in
extraordinary new directions. A white author uses an Asian pen
name; heterosexuals live "out" as gay; and, irony of ironies,
whites try to pass as black. Mollie Godfrey and Vershawn Ashanti
Young present essays that explore practices, performances, and
texts of neo-passing in our supposedly postracial moment. The
authors move from the postracial imagery of Angry Black White Boy
and the issues of sexual orientation and race in ZZ Packer's short
fiction to the politics of Dave Chappelle's skits as a black
President George W. Bush. Together, the works reveal that the
questions raised by neo-passing-questions about performing and
contesting identity in relation to social norms-remain as relevant
today as in the past. Contributors: Derek Adams, Christopher M.
Brown, Martha J. Cutter, Marcia Alesan Dawkins, Michele Elam,
Alisha Gaines, Jennifer Glaser, Allyson Hobbs, Brandon J. Manning,
Loran Marsan, Lara Narcisi, Eden Osucha, Gayle Wald, and Deborah
Elizabeth Whaley
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