This fascinating work explores the meaning of death in the digital age, showing readers the new ways digital technology allows humans to approach, prepare for, and handle their ultimate destiny. With DeadSocial (TM) one can create messages to be published to social networks after death. Facebook's "If I Die" enables users to create a video or text message for posthumous publication. Twitter _LIVESON accounts will keep tweeting even after the user is gone. There is no doubt that the digital age has radically changed options related to death, dying, grieving, and remembering, allowing people to say goodbye in their own time and their own unique way. Drawing from a range of academic perspectives, this book is the only serious study to focus on the ways in which death, dying, and memorialization appear in and are influenced by digital technology. The work investigates phenomena, devices, and audiences as they affect mortality, remembrances, grieving, posthumous existence, and afterlife experience. It examines the markets to which the providers of such services are responding, and it analyzes the degree to which digital media is changing views and expectations related to death. Ultimately, the contributors seek to answer an even more important question: how digital existences affect both real-world perceptions of life's end and the way in which lives are actually lived. Explains how new technologies and online accessibility are changing human attitudes to death and dying-and impacting the ways in which people live Explores the afterlife experience as it can play out in a variety of digital media, including Facebook and other social media, World of Warcraft and video games, YouTube and other video services, and Internet memorials Analyzes the myriad ways encounters with death and dying and the capacity for mourning are mediated by new technologies Places death and dying in the digital age in historical perspective, showing how beliefs about and approaches to death and dying have changed constantly over time

The academic study of death rose to prominence during the 1960s. Courses on some aspect of death and dying can now be found at most institutions of higher learning. These courses tend to stress the psycho-social aspects of grief and bereavement, however, ignoring the religious elements inherent to the subject. This collection is the first to address the teaching of courses on death and dying from a religious-studies perspective.
The book is divided into seven sections. The hope is that this volume will not only assist teachers in religious studies departments to prepare to teach unfamiliar and emotionally charged material, but also help to unify a field that is now widely scattered across several disciplines.

Beyond the Threshold introduces readers to afterlife beliefs and experiences in world religions. The second edition has been revised and updated throughout, including a new chapter on afterlife beliefs and practices in selected African traditions, new research on the afterlife and near-death experiences, the addition of key words and definitions to each chapter, and more. Christopher M. Moreman offers an introduction to afterlife beliefs in ancient cultures, which are essential to understanding the roots of many modern ideas about death. He examines the folklore and doctrines of major world religions, including Judaism, Christianity, Islam, Hinduism, Buddhism, Chinese religions, and several African traditions. He also discusses psychic phenomena across traditions, such as mediums, near-death and out-of-body experiences, and past-life memories. While ultimately the afterlife remains unknowable, the second edition of this unique, in-depth exploration of both beliefs and experiences can help readers reach their own understanding of the afterlife and how to live.

Zombies have gained phenomenal popularity over the last two decades, but have been a mainstay of horror fiction for decades. Originating in Haitian folklore inspired by the real-life experiences of slavery and oppression, the zombie has followed a long and winding road through the American popular imagination. George A. Romero is credited with adapting the zombie myth to modern sensibilities, establishing the core "rules" of zombiedom in 1968's Night of the Living Dead. With the increased popularity of the zombie, many scholars have begun to consider just why it has captured the attention of audiences today. In this text, the zombie can be viewed as a meditation on death, a memento mori that can help us learn to live with the fact of our own individual mortality. America has long been described as a death-denying culture, but the zombie forces us to confront death not only by its threat but by its very form-the rotting, decaying, shambling corpse. In looking to the zombie as a sign for guidance, the author has found Buddhist philosophy to be especially relevant. Dharma of the Dead is the first book to examine the zombie through the lens of Buddhist thought and to describe it as a thing not to fear but to consider, just as we ought not fear death but instead seek to accept it as a fact of human experience. That so many other scholars have viewed the zombie in terms of social critique-sometimes it is seen to embody consumerism run amok, the effects of racism, or the fear of terrorism-also point to the fact that the zombie, like recognizing our own mortality, can help us to learn how to live without selfish fears of death.

On the surface, the zombie seems the polar opposite of the human--they are the living dead; we, in essence, are the dying alive. But the zombie is also "us." Although decaying, it looks like us, dresses like us, and sometimes (if rarely) acts like us. In this volume, essays by scholars from a range of disciplines examine the zombie as a thematic presence in literature, film, video games, legal language, and philosophy, exploring topics including zombies and the environment, litigation, the afterlife, capitalism, and the erotic. Through this wide-ranging examination of the zombie phenomenon, the authors seek to discover what the zombie can teach us about being human.

The figure of the zombie remains a familiar one in world culture, transcending disciplines as metaphor for ""the other,"" a participant in narratives of life and death, good and evil, and of a fate worse than death--the state of being ""undead."" This book explores numerous aspects of the zombie phenomenon, from its roots in Haitian folklore, to its evolution on the silver screen, to its most radical transformation during the 1960s countercultural revolution. Contributors from a broad range of disciplines here examine the zombie and its relationship to colonialism, orientalism, racism, globalism, capitalism and more--including potential signs that the nearly unstoppable zombie hordes may have finally met their match: oversaturation.

Beyond the Threshold introduces readers to afterlife beliefs and experiences in world religions. The second edition has been revised and updated throughout, including a new chapter on afterlife beliefs and practices in selected African traditions, new research on the afterlife and near-death experiences, the addition of key words and definitions to each chapter, and more. Christopher M. Moreman offers an introduction to afterlife beliefs in ancient cultures, which are essential to understanding the roots of many modern ideas about death. He examines the folklore and doctrines of major world religions, including Judaism, Christianity, Islam, Hinduism, Buddhism, Chinese religions, and several African traditions. He also discusses psychic phenomena across traditions, such as mediums, near-death and out-of-body experiences, and past-life memories. While ultimately the afterlife remains unknowable, the second edition of this unique, in-depth exploration of both beliefs and experiences can help readers reach their own understanding of the afterlife and how to live.