Most education research is undertaken in western developed countries. While some research from developing countries does make it into research journals from time to time, but these articles only emphasize the rarity of research in developing countries. The proposed book is unique in that it will cover education in Papua New Guinea over the millennia. Papua New Guinea's multicultural society with relatively recent contact with Europe and the Middle East provides a cameo of the development of education in a country with both a colonial history and a coup-less transition to independence. Discussion will focus on specific areas of mathematics education that have been impacted by policies, research, circumstances and other influences, with particular emphasis on pressures on education in the last one and half centuries. This volume will be one of the few records of this kind in the education research literature as an in-depth record and critique of how school mathematics has been grown in Papua New Guinea from the late 1800s, and should be a useful addition to graduate programs mathematics education courses, history of mathematics, as well as the interdisciplinary fields of cross cultural studies, scholarship focusing on globalization and post / decolonialism, linguistics, educational administration and policy, technology education, teacher education, and gender studies.

Box set containing the Urquhart trilogy: three series based on the bestselling novels by Michael Dobbs, starring Ian Richardson as corrupt politician Francis Urquhart. In 'House of Cards', Urquhart is a long-serving MP who has his eye on the top job, and will stop at nothing to fulfil his ambition. As the trusted Chief Whip, he has insider knowledge that could bring down the already precarious Prime Minister, and in order to unleash his power he draws innocent young journalist Mattie Storin (Susannah Harker) into his schemes. 'To Play the King' continues to follow Urquhart's career. Having been made Prime Minister at the end of the last series after murdering an investigative reporter, he now crosses swords with the newly crowned monarch (Michael Kitchen) - a passionate man with firm liberal beliefs on the future of the country. In the final part of the trilogy, 'The Final Cut', Urquhart is well on his way to becoming Britain's longest-serving Prime Minister, and is starting to plan his retirement. He still has the Cyprus peace treaty to tie up, however, and the dark secrets from his past are beginning to come back to haunt him.

The stories are set in the UK, France and America. A man sells his tin-making invention in the States. A small town in France is out on a Sunday after the long hard years of war. Liverpool women sweep the streets during the 1915 riots. There is a sense of loss and of restricted lives in a number of these stories.

Paranormal activity has yet to be accepted by modern culture, and these paranormal hoaxes surely aren't helping its case! Take a detailed look at some of the most famous, and infamous, otherworldly hoaxes perpetrated in recent and ancient history with this in-depth collection.

" When the popularity of Milton Berle's television show began to slip, Berle quipped, ""At least I'm losing my ratings to God "" He was referring to the popularity of ""Life Is Worth Living"" and its host, Bishop Fulton J. Sheen. The show aired from 1952 to 1957, and Sheen won an Emmy, beating competition that included Lucille Ball, Jimmy Durante, and Edward R. Murrow. What was the secret to Sheen's on-air success? Christopher Lynch examines how he reached a diverse audience by using television to synthesize traditional American Protestantism with a reassuring vision of Catholicism as patriotic and traditional. Sheen provided his viewers with a sense of stability by sentimentalizing the medieval world and holding it out as a model for contemporary society. Offering clear-cut moral direction in order to eliminate the anxiety of cultural change, he discussed topics ranging from the role of women to the perils of Communism. Sheen's rhetoric united both Protestant and Catholic audiences, reflecting -and forming- a vision of mainstream, postwar America. Lynch argues that Sheen's persuasive television presentations helped Catholics gain social acceptance and paved the way for religious ecumenism in America. Yet, Sheen's work also sowed the seeds for the crisis of competing ideologies in the modern American Catholic Church.