Volume 3 of the new authoritative edition of Katherine Mansfield's complete correspondence Provides accurate transcriptions that shed new light on the everyday, intimate world of Mansfield as a letter-writer Presents all Mansfield's letters to John Middleton Murry from 1912 to 1918, foregrounding their years of intellectual apprenticeship and the impact of war, political upheavals and ill-health on their social and cultural environment Provides meticulous explanatory notes and rich contextual information Offers extensive attention to the cultural and socio-political context of the correspondence Unlike the first two volumes of this new edition of Katherine Mansfield's letters, which encompassed a dazzling variety of correspondents, this third volume focuses exclusively on letters to John Middleton Murry, chronologically arranged, from the day when he first became her lodger in 1912 through to the week after the Armistice in November 1918, when they were newly married. It is no exaggeration to say that over the course of these six years, their entire world was turned upside down. By the time the volume closes, they are married but already increasingly estranged; they have both become professional writers but grapple with increasing economic precarity; Europe lies ravaged by war; and the devastating diagnosis of tuberculosis has been pronounced, not, ironically, for Murry whose fragile health had preoccupied them for two years, but for Mansfield herself. This volume of letters documents the whole spectrum of changes, against a vivid historical and socio-cultural backcloth and contains entirely new, insightful and extensive annotations. A second volume of letters between the pair completes the edition.

The first volume of this edition of Katherine Mansfield's letters, correspondents A-J, is heavily weighted towards the Beauchamp family and several of her closest friends. This second volume, quite by chance, puts the emphasis far more on Mansfield's literary and intellectual friendships especially members of the Bloomsbury group. It includes letters to Sylvia Lynd, the Hon. Bertrand Russell, Sydney and Violet Schiff, Lytton Strachey, Leonard Woolf, Virginia Woolf and Hugh Walpole, as well as those individuals who gathered around Lady Ottoline Morrell (herself the recipient of one of the largest number of letters in this volume) at Garsington Manor. With over twenty new letters not published in previous editions of her letters, as well substantial revisions and additions to a number of other letters, accompanied by thoroughly researched annotations, this volume offers many new insights into Mansfield's epistolary relationships.

The Poor of Lyons, whom their detractors called 'Waldensians' - after the name of their founder Waldo (or Vaudes) - first emerged around 1170 and formed in common with other groups of the period a sect which embraced evangelism, prophecy and poverty. By challenging their prohibition by the lay clergy, and by following the Scripture to the last letter, they suffered excommunication and were condemned as heretics. Forced underground and dispersed widely, they nevertheless managed to maintain contact across Europe, through an established network of itinerant preachers, in Provence and Dauphine, Calabria and Piedmont, Austria and Bohemia, Pomerania, Brandenburg, Silesia and beyond. The Poor of Lyons constituted the only medieval heresy to have survived to the dawn of the so-called 'modern' period. Their tale of simple devotion mixed with a fierce tenacity serves to illuminate aspects of religious belief that have persisted to the present day. This book was first published in 1999.

The Poor of Lyons, whom their detractors called 'Waldensians' - after the name of their founder Waldo (or Vaudes) - first emerged around 1170 and formed in common with other groups of the period a sect which embraced evangelism, prophecy and poverty. By challenging their prohibition by the lay clergy, and by following the Scripture to the last letter, they suffered excommunication and were condemned as heretics. Forced underground and dispersed widely, they nevertheless managed to maintain contact across Europe, through an established network of itinerant preachers, in Provence and Dauphine, Calabria and Piedmont, Austria and Bohemia, Pomerania, Brandenburg, Silesia and beyond. The Poor of Lyons constituted the only medieval heresy to have survived to the dawn of the so-called 'modern' period. Their tale of simple devotion mixed with a fierce tenacity serves to illuminate aspects of religious belief that have persisted to the present day. This book was first published in 1999.

Described by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and an intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel.

A new authoritative edition of Katherine Mansfield's complete correspondence Provides accurate transcriptions that shed new light on the everyday, intimate world of Mansfield as a letter-writer Organised A-Z, which foregrounds the lives and personalities of her correspondents, along with the various self-fictionalising games that the letter-writer played Showcases letters and sections of letters that have never previously been published Provides meticulous explanatory notes and rich contextual information Offers extensive attention to the cultural and socio-political context of the correspondence From Conrad Aiken to Hugh Jones, this first volume covers correspondents from every period of Mansfield's life. A detailed introduction, together with biographical portraits for each correspondent, enhance the cultural and socio-historical context, while the letters themselves offer a detailed expose of Mansfield's life: from exile and emigration, intimacy and betrayal, and the traumas of war and disease, to nature and the environment and fashions and food. The volume also reveals the intimacies of some of Mansfield's most prized friendships.

This first complete edition of Katherine Mansfield's poetry This edition is made up of 217 poems, ordered chronologically, so that the reader can follow Mansfield's development as a poet and her experiments with different forms as well as trace the themes such as love and death, the natural world and the seasons, childhood and friendship, music and song which preoccupied her throughout her writing life. The comprehensive annotations provide illuminating biographical information as well as explaining the rich contexts of the European poetic tradition, including fin de siecle decadence, within which her artistry is steeped. The inclusion of a collection of newly-discovered poems, dating from 1909-10, highlights Mansfield's desire to be taken seriously as a poet from her earliest beginnings as a writer. The poems as a whole point to a poet who varied her craft as she perfected it, often witty and ironic yet always enchanted by the sound of words.

Explores modernist aesthetics and cultural exchange between Britain, France and beyond

Margaret Scott's two-volume edition of the Notebooks published in 1997 is a remarkable achievement, given the difficulty of transcribing Mansfield's notorious handwriting, and all Mansfield scholars remain forever in Scott's debt. However, one recurring criticism is that Mansfield's diary entries and loose papers which comprise the edition are not transcribed in chronological order. As Mansfield frequently re-used notebooks and diaries within a time span of several years, the result in the published Notebooks is that diary entries for a specific year do not necessarily follow sequentially. This edition remaps all the entries in the Notebooks not used in the Collected Fiction volumes, and presents the material in chronological order, with annotations. This edition provides a fascinating, chronological account of Mansfield's life, as she wrote it and Mansfield will be read differently and far more accurately as a result.

Katherine Mansfield had a lifelong interest in literatures in translation and in literary translating. From her early notebooks until letters written just before her death, she records the joy of learning foreign languages and exploring literatures outside the mainstream Anglophone tradition, often using transformative, inter-lingual games of her own as a source of creativity. Meanwhile, her enduring popularity abroad is ensured by translations of her works, all of which reveal sociological and even ideological agendas of their own.