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Books > Language & Literature > Literature: history & criticism > Literary studies
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Ford Madox Ford, France and Provence (Paperback)
Loot Price: R2,728
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Ford Madox Ford, France and Provence (Paperback)
Series: International Ford Madox Ford Studies, 10
Expected to ship within 18 - 22 working days
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The controversial British writer Ford Madox Ford (1873-1939) is
increasingly recognized as a major presence in early
twentieth-century literature. This series of International Ford
Madox Ford Studies was founded to reflect the recent resurgence of
interest in him. Each volume is based upon a particular theme or
issue; and relates aspects of Ford's work, life, and contacts, to
broader concerns of his time. Ford is best-known for his fiction,
especially "The Good Soldier," long considered a modernist
masterpiece; and "Parade's End," which Anthony Burgess described as
'the finest novel about the First World War'; and Samuel Hynes has
called 'the greatest war novel ever written by an Englishman'.
After the war Ford moved to France, beginning "Parade's End "on the
Riviera, founding the "transatlantic review "in Paris, taking on
Hemingway as a sub-editor, discovering another generation of
Modernists such as Jean Rhys and Basil Bunting, and publishing them
alongside James Joyce and Gertrude Stein. From the late 1920s he
spent more time in his beloved Provence, where he took a house with
the painter Janice Biala. The present volume, combining
contributions from eighteen British, French and American experts on
Ford, and Modernism, has two connected sections. The first, on
Ford's engagement with France and French culture, is introduced by
an essay by Ford himself, written in French, about France, and
republished and also translated here for the first time; and
includes an essay on literary Paris of the 1920s by the leading
biographer Hermione Lee. The second, on Ford and Provence, is
introduced in an essay by the novelist Julian Barnes, and includes
a selection of previously unpublished letters from Janice Biala
about her life with Ford in Provence. The volume also contains 16
pages of illustrations, including previously unseen photographs of
Ford and Biala, and reproductions of Biala's paintings and drawings
of Provence.
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