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The two volumes of Reviewing Dante's Theology bring together work
by a range of internationally prominent Dante scholars to assess
current research on Dante's theology and to suggest future
directions for research. Volume 2 considers some of the broader
social, cultural and intellectual contexts for Dante's theological
engagement. The contributors discuss the relationship between
theology and poetry as Dante sees and presents it; Dante's thought
on the nature of the Church; the ways in which liturgical practice
helped shape the poet's work; the links between Dante's political
and theological ideas; the importance of preaching in Dante's
context; the ways in which the notion of virtue connects
theological and ethical thought in Dante's works; and the extent to
which Dante's often surprising, groundbreaking work tests medieval
notions of orthodoxy. Each essay offers an overview of its topic
and opens up new avenues.
This book examines the role and function of the notion of the city
in Dante's works. It focuses most closely on the ways in which the
poet's multifaceted interest in and utilization of the city receive
their fullest expression in the Commedia.
The two volumes of Reviewing Dante's Theology bring together work
by a range of internationally prominent Dante scholars to assess
current research on Dante's theology and to suggest future
directions for research. Volume 1 considers some of the key
theological influences on Dante. The contributors discuss what
'doctrine' might have meant for Dante and consider the poet's
engagement with key theological figures and currents in his time
including: Christian Aristotelian and scholastic thought, including
that of Thomas Aquinas; Augustine; Plato and Platonic thought;
Gregory the Great; and notions of beatific vision. Each essay
offers an overview of its topic and opens up new avenues for future
study. Together they capture the energy of current research in the
field, test the limits of our current knowledge and set the future
study of Dante's theology on firm ground.
Dante's political thought has long constituted a major area of
interest for Dante studies, yet the poet's political views have
traditionally been considered a self-contained area of study and
viewed in isolation from the poet's other concerns. Consequently,
the symbolic and poetic values which Dante attaches to political
structures have been largely ignored or marginalised by Dante
criticism. This omission is addressed here by Claire Honess, whose
study of Dante's poetry of citizenship focuses on more fundamental
issues, such as the relationship between the individual and the
community, the question of what it means to be a citizen, and above
all the way in which notions of cities and citizenship enter the
imagery and structure of the Commedia.
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