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In this new monograph, Claire Hansen demonstrates how Shakespeare
can be understood as a complex system, and how complexity theory
can provide compelling and original readings of Shakespeare's
plays. The book utilises complexity theory to illuminate early
modern theatrical practice, Shakespeare pedagogy, and the
phenomenon of the Shakespeare 'myth'. The monograph re-evaluates
Shakespeare, his plays, early modern theatre, and modern classrooms
as complex systems, illustrating how the lens of complexity offers
an enlightening new perspective on diverse areas of Shakespeare
scholarship. The book's interdisciplinary approach enriches our
understanding of Shakespeare and lays the foundation for complexity
theory in Shakespeare studies and the humanities more broadly.
In this new monograph, Claire Hansen demonstrates how Shakespeare
can be understood as a complex system, and how complexity theory
can provide compelling and original readings of Shakespeare's
plays. The book utilises complexity theory to illuminate early
modern theatrical practice, Shakespeare pedagogy, and the
phenomenon of the Shakespeare 'myth'. The monograph re-evaluates
Shakespeare, his plays, early modern theatre, and modern classrooms
as complex systems, illustrating how the lens of complexity offers
an enlightening new perspective on diverse areas of Shakespeare
scholarship. The book's interdisciplinary approach enriches our
understanding of Shakespeare and lays the foundation for complexity
theory in Shakespeare studies and the humanities more broadly.
Shakespeare and Place-Based Learning explores the potential of
place for enriching Shakespeare pedagogy. Positioning place as a
complex, multiperspectival phenomenon with stories and voices of
its own, this Element considers place a partner in the learning
process. The opening section traces the development of place-based
education, culminating in a conceptual framework for use in
Shakespeare pedagogy. Shakespeare and Place-Based Learning then
examines how regional Australian students understand place in the
Shakespeare classroom and presents a new definition of place
designed for literary studies. This Element also investigates the
challenges and potential of outdoor Shakespeare education through a
case study of outdoor theatre workshops. Shakespeare and
Place-Based Learning culminates with a pedagogical model and
practical activities. This model aims to develop a learner's sense
of place in two ways: through deepening their authentic engagement
with and knowledge of Shakespeare's texts, and by expanding
critical awareness of their environmental responsibilities.
Shakespeare education is being reimagined around the world. This
book delves into the important role of collaborative projects in
this extraordinary transformation. Over twenty innovative
Shakespeare partnerships from the UK, US, Australia, New Zealand,
the Middle East, Europe and South America are critically explored
by their leaders and participants. -Structured into thematic
sections covering engagement with schools, universities, the
public, the digital and performance, the chapters offer vivid
insights into what it means to teach, learn and experience
Shakespeare in collaboration with others. Diversity, equality,
identity, incarceration, disability, community and culture are key
factors in these initiatives, which together reveal how complex and
humane Shakespeare education can be. Whether you are interested in
practice or theory, this collection showcases an abundance of rich,
inspiring and informative perspectives on Shakespeare education in
our contemporary world.
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