Back in print in new trade paperback editions, the third of five volumes collecting the complete stories of renowned "weird fiction" author Clark Ashton Smith. "None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer." H. P. Lovecraft Clark Ashton Smith, considered one of the greatest contributors to seminal pulp magazines such as Weird Tales, helped define and shape "weird fiction" in the early twentieth century, alongside contemporaries H. P. Lovecraft and Robert E. Howard, drawing upon his background in poetry to convey an unparalleled richness of imagination and expression in his stories of the bizarre and fantastical. The Collected Fantasies series presents all of Smith's fiction chronologically. Authorized by the author's estate and endorsed by Arkham House, the stories in this series are accompanied by detailed background notes from editors Scott Connors and Ron Hilger, who in preparation for this collection meticulously compared original manuscripts, various typescripts, published editions, and Smith's own notes and letters. Their efforts have resulted in the most definitive and complete collection of the author's work to date. A Vintage from Atlantis is the third of five volumes collecting all of Clark Ashton Smith's tales of fantasy, horror, and science fiction. It includes all of his stories from "The Holiness of Azedarac" (1931) to "The God of the Asteroid" (1932), as well as an introduction by Michael Dirda. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

A much-awaited collection of prose and poetry from one of the great cosmic masters of the supernatural
Not just any fantasy, horror, and science fiction author could impress H. P. Lovecraft into calling him "unexcelled by any other writer, dead or living" or compel Fritz Lieber to employ the worthy term "sui generis." Clark Ashton Smith--autodidact, prolific poet, amateur philosopher, bizarre sculptor, and unmatched storyteller--simply wrote like no one else, before or since. This new collection of his very best tales and poems is selected and introduced by supernatural literature scholar S. T. Joshi and allows readers to encounter Smith's visionary brand of fantastical, phantasmagorical worlds, each one filled with invention, terror, and a superlative sense of metaphysical wonder.

Clark Ashton Smith was one of the most remarkable and distinctive American poets of the twentieth century. His tremendous output of poetry, totaling nearly 1000 original poems written over a span of more than fifty years, is of the highest craftsmanship and runs the gamut of subject matter from breathtaking "cosmic" verse about the stars and galaxies to plangent love poetry to pungent satire to delicate imitations of Japanese haiku. This edition prints, for the first time, Smith's entire poetic work, including hundreds of uncollected and unpublished poems. The poems have been arranged chronologically by date of writing, so far as can be ascertained. This first volume includes poetry from the first two to three decades of Smith's career, when he published such noteworthy volumes as The Star-Treader (1912), Ebony and Crystal (1922), and Sandalwood (1925). Smith's early work was written under the tutelage of the celebrated California poet George Sterling, but Smith quickly surpassed his mentor in the writing of cosmic and lyric verse. Smith's greatest poetic triumph, perhaps, was The Hashish-Eater, a poem of nearly 600 lines that strikingly evokes the myriad suns of unbounded space and the baleful monsters that may lurk therein. But Smith could also write such touching elegies as "Requiescat in Pace," a dirge for a woman whose death affected him deeply. All poems have been textually corrected by consultation with manuscripts and early appearances, and have been extensively annotated by editors S. T. Joshi and David E. Schultz.

This second volume of Clark Ashton Smith's complete original poetry contains the poems he wrote in the decades following the death in 1926 of his early mentor, George Sterling. Although much affected by Sterling's passing, Smith carried on in his poetic work, seeking new modes of expression and expanding his range beyond the cosmic and lyrical verse that had dominated his early career. Having taught himself French in the mid-1920's Smith began composing original poems in French. After focusing primarily on the writing of fantastic fiction from 1925-35, he resumed his poetic output with such masterworks as The Hill of Dionysus. In the late 1940's he experimented with haiku, and in the 1950's having taught himself Spanish, he wrote numerous original poems in Spanish. Also among his later output are a number of witty satires on the vagaries of modern poetry. In its entirety, Clark Ashton Smith's work stands as one of the great literary contributions to twentieth-century poetry. All poems have been textually corrected by consultation with manuscripts and early appearances, and have been extensively annotated by editors S. T. Joshi and David E. Schultz. This volume also contains an exhaustive commentary on all the poems and a complete title and first line index.

In addition to being a prolific and innovative poet in his own right, Clark Ashton Smith was a noted translator of French and Spanish poetry. Teaching himself French in the mid-1920s, Smith undertook the ambitious program of translating the entirety of Charles Baudelaire's Les Fleurs du mal (The Flowers of Evil) into English. Over the next several years he succeeded in translating all but six of the 157 poems that comprised the definitive (1868) edition of Les Fleurs du mal. His mentor George Sterling testified to the remarkable spiritual affinity between Smith and Baudelaire, rendering him the perfect translator of this difficult poet. Smith also translated other noteworthy French poets-Paul Verlaine, Victor Hugo, Alfred de Musset, and Theophile Gautier, among others-as well as such obscure poets as Marie Dauguet and Tristan Klingsor. In the 1940s Smith taught himself Spanish, making splendid verse translations of such poets as Amado Nervo, Gustavo Adolfo Becquer, and and Jorge Isaacs. The great majority of the poems included in this volume are unpublished. The current edition presents, for the first time, Smith's complete translations in French and Spanish, also printing the French and Spanish texts on facing pages. All texts are annotated by S. T .Joshi and David E. Schultz.