This volume of primary source materials documents the essential practical aspects of making a home, decorating it and then furnishing it. The crucial constitutive parts that make up an interior from floor to ceiling are considered here in detail. The role of advice books and articles that attempted to direct homemakers in particular directions are examined, as are the more practical how-to publications that demonstrated the processes of interior decoration. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.

Env1r0nmenta1 ha5 m1cr0610109y emer9ed an extreme1y act1ve, - and 1mp0rtant area 0f re5earch dur1n9 the few year5 and ha5 cha1- 1en9ed 50me 10n9-he1d 0f F0r examp1e, the num6er5 0f c010ny-f0rm1n9 un1t5 06ta1ned 0n a9ar med1a have way5 6een a55umed t0 ref1ect the num6er5 0f 6acter1a pre5ent any 91ven 5amp1e. H0wever, n0w kn0wn that many 6acter1a the 1a60rat0ry ad0pt unu5ua1 d0rmant 5tate5 when 5u6jected t0 the nutr1ent-1- c0nd1t10n5 1ted c0mm0n many ec05y5tem5, wh1ch, turn, make5 the5e 6- ter1a t0 cu1ture. 7h15 0ur current t0 cu1ture the va5t maj0r1ty 0f6acter1a kn0wn t0 re51de natura1 env1r0nment5. Kn0- ed9e 0f the pre5ence 0f 50me 5pec1e5 a natura1 env1r0nment can 6e 0f cru- 1mp0rtance, w1th part1cu1ar1y re5pect t0 detect10n 0f path09en1c 0r t0 m0n1t0r1n9 the fate and 0f man1pu1ated 9enet1ca11y 0r9an15m5 w1th1n ec05y5tem5. 7heref0re, there ha5 6een much eff0rt 9enerated t0 dev- new and n0ve1 meth0d5 f0r detect10n, and rec0very 0f cr00r9an15m5 fr0m natura1 ha61tat5. Centra1 t0 many 0f the5e meth0d5 ha5 6een the deve10pment and ap- 0f the techn14ue5 0f 610109y m01ecu1ar t0 env1r0nmenta1 09y. 7he5e have re5u1ted d1rect 0fm1cr061a1 6a5ed 0n DNA w1th0ut the need f0r any cu1ture. 7here n0 d0u6t that w0u1d n0t have 6een w1th0ut the rev01ut10n c0mputer techn01- 09y that ha5 t0 the deve10pment 0f data6a5e5 acce55161e h19h1y 0f va5t am0unt5 0f 1nf0rmat10n. M01ecu1ar meth0d5 have 6een harne55ed and exp101ted a150 the deve10pment 0f meth0d5 that ena61e rap1d and aut0mated 0f m1cr00r9an15m5 fr0m natura1 env1r0nment5.

This volume of primary source materials documents the nature of the home and the theories and discussions around the concept. It examines the class divisions that become evident with the ostentatious lifestyles of political and society hostesses at the peak, whilst middle-class housing often in suburbia, seemed to have created a separation of home and work, arguably suggesting men and women lived in separate spheres. Working-class interiors, often seen the eyes of middle-class observers, were at the bottom of the hierarchy and often reflected concerns of social inequality and misery. The documents also address the process of purchasing and decorating a home, advice on decoration and home management, the nature of taste and comfort, and the symbolic roles of the home as an anchor in society. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.

This volume of primary source materials documents the nineteenth-century search for a representative style, and the alternating fashions for interiors that demonstrated the consumerism of the period. Although in some senses every interior is unique so that a style canon may seem to be meaningless, there have been important historical trends or styles that have influenced individual interiors, and these have formed the groundwork from which other styles and tastes have developed and changed. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.

This volume of primary source materials documents the spatial layouts of the nineteenth century home as they often became more precisely planned with rooms for specific purposes being developed. The styles began to truly reflect the owner’s taste and position. The range is of course vast from single room dwellings to large-scale mansions and numerous variations in-between. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.

The practice of interior design has become ever more specialized as new technologies have expanded how designers can use light, space, color, and decoration. At the same time, the study of the interior -- private, public and corporate -- has become a complex field. Interior design is now a rich and sophisticated discipline which draws on many others: psychology, cultural theory, philosophy, gender studies, anthropology, and history, as well as design history, architecture, arts and crafts, furniture, and fashion. "Interior Design" presents a critical introduction to contemporary theory and practice. The book highlights the key concepts behind the study of interiors in order to present an inter-disciplinary overview of the subject. Always aware that design is a practical discipline, the book is illustrated throughout with examples and detailed case studies of interior design practice.

Conservation of 20th Century Furniture provides a comprehensive coverage of materials and techniques that are encountered in twentieth century furniture, through both a contextual point of view and a range of practice perspectives. After putting the design, manufacture and conservation of twentieth-century furniture into context, this volume then offers an A-Z of materials. Within each chapter, a wide variety of material types are discussed, observed, analysed and contextualized, and further sources for consultation provided. The furniture discussed ranges from designer craftsman individually-made pieces, to factory-produced batch items, and includes cabinet work, decoration, surface finishes and upholstery, observing the traditional repertoire of materials and the innovative materials and processes introduced during the century. Conservation of 20th Century Furniture is the primary resourse for those studying and conserving twentieth-century furniture. The book will be of interest to those concerned with a wide range of topics in the manufacture, history and care of twentieth-century furniture, including curators, dealers and collectors.

This is volume three in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format. Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the third volume considers the issues of design production and practices including debates about the role of machine and craft, the impact of new materials and technologies as well as issues of marketing and mediation. The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.

From the earliest times, people have striven to turn their houses into homes through the use of decoration and furnishings, stimulating in turn a major commercial sector dedicated to offering the products and services essential to feed the ever-changing dictates of domestic fashion. Whilst there is plentiful evidence to show that these phenomena can be traced to medieval times, it is arguable that the eighteenth century witnessed the birth of a widespread and sophisticated consumer society. With a comparatively wealthy and socially mobile society, eighteenth-century Britain proved to be a fertile ground for ideas of home improvement and beautification, which were to persist to the present day. Turning Houses into Homes not only maps the history, changes, development and structure of the retail furnishing industry in Britain over three centuries, but also examines the relationships between the retailer and the consumer, looking at how retailers helped stimulate and shape the demand of their customers. Whilst work has been done on specific aspects of the home, very little has been written on the interaction between the retailer and consumer, and the pressures brought to bear on them by issues such as gender, education, status, symbolism, taste, decoration, hygiene, comfort and entertainment. As such, this book offers a valuable conjunction of retail history and consumption practices, which are examined through a multi-disciplinary approach to explore both their intimate connections and their wider roles in society.

This is volume one in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format. Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the first volume discusses the theories and discourses that underpinned nineteenth-century design, ranging from design reform to aesthetics, and from the question of ornament to design education. The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.

This is volume two in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format. Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the second volume looks at the designed objects, images, and spaces that were created in the period. These include discussion of design in interiors, industry, fashion, graphics, and architecture amongst others. The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.

This is volume four in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format. Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the final volume looks at consumption and uses of design as a part of the wider cultures of the period. The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.

From the earliest times, people have striven to turn their houses into homes through the use of decoration and furnishings, stimulating in turn a major commercial sector dedicated to offering the products and services essential to feed the ever-changing dictates of domestic fashion. Whilst there is plentiful evidence to show that these phenomena can be traced to medieval times, it is arguable that the eighteenth century witnessed the birth of a widespread and sophisticated consumer society. With a comparatively wealthy and socially mobile society, eighteenth-century Britain proved to be a fertile ground for ideas of home improvement and beautification, which were to persist to the present day. Turning Houses into Homes not only maps the history, changes, development and structure of the retail furnishing industry in Britain over three centuries, but also examines the relationships between the retailer and the consumer, looking at how retailers helped stimulate and shape the demand of their customers. Whilst work has been done on specific aspects of the home, very little has been written on the interaction between the retailer and consumer, and the pressures brought to bear on them by issues such as gender, education, status, symbolism, taste, decoration, hygiene, comfort and entertainment. As such, this book offers a valuable conjunction of retail history and consumption practices, which are examined through a multi-disciplinary approach to explore both their intimate connections and their wider roles in society.

During the period of the Enlightenment, the word 'home' could refer to a specific and defined physical living space, the location of domestic life, and a concept related to ideas of roots, origins, and retreat. The transformations that the Enlightenment encouraged created the circumstances for the concept of home to change and develop in the following three ways. First to influence homemaking were the literary and cultural manifestations that included issues around attitudes to education, social order and disorder, sensibility, and sexuality. Secondly, were the roles of visual and material culture of the home that demonstrated themselves through print, portraiture, literature, objects and products, and dress and fashion. Thirdly, were the industrial and sociological aspects that included concepts of luxury, progress, trade and technology, consumption, domesticity, and the notions of public and private spaces within a home. The chapters in this volume therefore discuss and reflect upon issues relating to the home through a range of approaches. Enlightenment homes are examined in terms of signification and meaning; the persons who inhabited them; the physical buildings and their furniture and furnishings; the work undertaken within them; the differing roles of men and women; the nature of hospitality, and the important role of religion in the home. Taken together they give a valuable overview of the manners, customs, and operation of the Enlightenment home.

Victorian furnishers and decorators Collinson & Lock were a model of the art furniture business of the last quarter of the nineteenth century. This book is the first wide-ranging study of this once highly important company. It will give insights into the workings and productions of a London furnishing business in the period. It also provides information on a wide variety of topics including furniture design developments, interior design styles, business practices, working practices and techniques, and the firm's customers and competitors. Clive Edwards first considers the structure of the London 'art furniture' trade and its development to locate the firm in its community. He then traces the growth of the firm's business, its involvement with important international exhibitions, the designers they worked with, and the furniture and interiors they produced. This important book then outlines and discusses Collinson & Lock's creations ranging from seminal pieces that were designed for an exclusive clientele, to those displayed at national and international exhibitions between 1871 and 1900, through to batch produced objects that still maintained the quality and design that the firm was famous for. The involvement of the firm with both public and private interior decoration commissions is also examined through case studies, including those in the Anglo-Japanese, Queen Anne, Old English, and Renaissance styles used in the later Victorian period. Drawing on the author's extensive knowledge of nineteenth-century furniture and interiors, this book meets a need for a fully researched and illustrated reference work on this famous firm. If you have an interest in the history of furniture and interior design, if you are involved with furniture collections either on a private basis or professionally, or you simply have an interest in the decorative arts and culture of the period, this book should be on your shelves.

Env1r0nmenta1 ha5 m1cr0610109y emer9ed an extreme1y act1ve, - and 1mp0rtant area 0f re5earch dur1n9 the few year5 and ha5 cha1- 1en9ed 50me 10n9-he1d 0f F0r examp1e, the num6er5 0f c010ny-f0rm1n9 un1t5 06ta1ned 0n a9ar med1a have way5 6een a55umed t0 ref1ect the num6er5 0f 6acter1a pre5ent any 91ven 5amp1e. H0wever, n0w kn0wn that many 6acter1a the 1a60rat0ry ad0pt unu5ua1 d0rmant 5tate5 when 5u6jected t0 the nutr1ent-1- c0nd1t10n5 1ted c0mm0n many ec05y5tem5, wh1ch, turn, make5 the5e 6- ter1a t0 cu1ture. 7h15 0ur current t0 cu1ture the va5t maj0r1ty 0f6acter1a kn0wn t0 re51de natura1 env1r0nment5. Kn0- ed9e 0f the pre5ence 0f 50me 5pec1e5 a natura1 env1r0nment can 6e 0f cru- 1mp0rtance, w1th part1cu1ar1y re5pect t0 detect10n 0f path09en1c 0r t0 m0n1t0r1n9 the fate and 0f man1pu1ated 9enet1ca11y 0r9an15m5 w1th1n ec05y5tem5. 7heref0re, there ha5 6een much eff0rt 9enerated t0 dev- new and n0ve1 meth0d5 f0r detect10n, and rec0very 0f cr00r9an15m5 fr0m natura1 ha61tat5. Centra1 t0 many 0f the5e meth0d5 ha5 6een the deve10pment and ap- 0f the techn14ue5 0f 610109y m01ecu1ar t0 env1r0nmenta1 09y. 7he5e have re5u1ted d1rect 0fm1cr061a1 6a5ed 0n DNA w1th0ut the need f0r any cu1ture. 7here n0 d0u6t that w0u1d n0t have 6een w1th0ut the rev01ut10n c0mputer techn01- 09y that ha5 t0 the deve10pment 0f data6a5e5 acce55161e h19h1y 0f va5t am0unt5 0f 1nf0rmat10n. M01ecu1ar meth0d5 have 6een harne55ed and exp101ted a150 the deve10pment 0f meth0d5 that ena61e rap1d and aut0mated 0f m1cr00r9an15m5 fr0m natura1 env1r0nment5.

A Choice Outstanding Academic Title 2016 The Bloomsbury Encyclopedia of Design provides a comprehensive guide to design, with entries on key topics in the history and theory of design, addressing a range of design forms including graphic, textile, furniture, metal, ceramic, fashion, stage and film, vehicle and product design, as well as national histories of design and key design movements. The Encyclopedia provides up-to-date peer reviewed coverage of the last 250 years of design history, with global coverage by leading international design scholars and design historians. Complete with a comprehensive index and full cross referencing, The Bloomsbury Encyclopedia of Design is the definitive guide to Design.

During the period of the Enlightenment, the word ‘home’ could refer to a specific and defined physical living space, the location of domestic life, and a concept related to ideas of roots, origins, and retreat. The transformations that the Enlightenment encouraged created the circumstances for the concept of home to change and develop in the following three ways. First to influence homemaking were the literary and cultural manifestations that included issues around attitudes to education, social order and disorder, sensibility, and sexuality. Secondly, were the roles of visual and material culture of the home that demonstrated themselves through print, portraiture, literature, objects and products, and dress and fashion. Thirdly, were the industrial and sociological aspects that included concepts of luxury, progress, trade and technology, consumption, domesticity, and the notions of public and private spaces within a home. The chapters in this volume therefore discuss and reflect upon issues relating to the home through a range of approaches. Enlightenment homes are examined in terms of signification and meaning; the persons who inhabited them; the physical buildings and their furniture and furnishings; the work undertaken within them; the differing roles of men and women; the nature of hospitality, and the important role of religion in the home. Taken together they give a valuable overview of the manners, customs, and operation of the Enlightenment home.

Twentieth Century Interiors is the ultimate sourcebook of inspiration for interior designers and an invaluable reference work for all collectors, dealers and anyone interested in the decoration of their home. Featuring stylish and cutting-edge Modernist avant-garde interiors by the top decorators and architects from around the world, including Mies Van Der Rohe, Le Corbusier, Eileen Gray, Frank Lloyd Wright, Wells Coates, Finn Juhl, Oscar Niemeyer, Ettore Sottsass, Shiro Kuramata, Frank Gehry, Philippe Starck, John Pawson, Ron Arad and David Chipperfield. A century of intense design experimentation and a vast array of styles and influences has nowhere been more eloquently expressed than in the design and decoration of interiors, both domestic and public. Illustrated with 600 original photographs and beautifully drawn illustrations that detail the work of the greatest interior designers of the decade. The book is divided into ten chapters, each introduced by Clive Edwards with concise but informative texts outlining each topic and covering the most notable features of the era.