ANCIENT ROME, AD 37

It begins with a man’s hand curled around another’s throat.

Emperor Tiberius first dispatches a traitor.

Then his whole family.

Next all his friends. It is as if he never existed.

THIS IS ROMAN JUSTICE.

Into this fevered forum, a child is born.

His mother is Agrippina, granddaughter of Emperor Augustus. But their imperial blood is no protection. The closer you are to the heart of the empire, the closer you are to power, intrigue, and danger.

She faces soldiers, senators, rivals, silver-tongued pretenders, each vying for position. One mistake risks exile, incarceration, execution. Or, worst of all, the loss of her infant son.

For Agrippina knows that opportunity waits, even in your darkest moments. Her son is everything. She can make this boy, shape him into Rome itself – the one all must kneel before.

BUT FIRST, THEY MUST SURVIVE . . .

This then is the story of Nero's birth and raising under the watchful and scheming eye of his mother Agrippina – a woman every man crossed at his peril.

Discover the rise and fall of the world's greatest empire in the stunning second novel in THE GOLDEN AGE series, from the world's finest historical novelist.

Pericles returns home more than a hero: he's the leader of Athens, the empire's beacon of light in the dark.

But even during times of peace, the threat of Sparta - Athens's legendary rival - looms large on the horizon. When a sudden catastrophe brings Sparta to its knees, Pericles sees a golden opportunity to forever shift the balance of power in his city's favour.

For sometimes the only way to win lasting peace is to wage war.

Sparta may be weak, but their power is far from extinguished. Soon a ruthless young boy steps forward to lead the Spartans back to greatness. As the drums of battle draw closer, can Pericles rise once more or will the world's greatest empire fall under his watch?

THE SUNDAY TIMES BESTSELLER JOIN PERICLES, THE LION OF ATHENS, ON A JOURNEY TO SECURE THE FATE OF THE ATHENIAN EMPIRE 'The master historical storyteller' DAILY EXPRESS 'Iggulden draws the Greek world convincingly and he is strongest writing battle scenes' THE TIMES on the Golden Age series 'The sights, sounds and smells of Athens bring history to life with gripping brilliance' DAILY MIRROR ___________ Pericles is more than a hero. He's the leader of Athens. The empire's beacon of light. But even during times of peace, the threat of Sparta - Athens's legendary rival - looms large on the horizon. When a sudden catastrophe brings Sparta to its knees, Pericles sees a golden opportunity to forever shift the balance of power in his city's favour. For sometimes, the only way to win lasting peace is to wage war. Sparta may be weak, but their power is far from extinguished. Soon a ruthless young boy steps forward to lead the Spartans back to greatness. As the drums of battle draw closer, can Pericles rise once more? Or will the world's greatest empire fall under his watch? ___________ Praise for Conn Iggulden 'A gripping read from the master historical storyteller. This swords-and-sandals epic brings the clash of empires between Greece and Persia to life' DAILY EXPRESS 'Pacy and propulsive, cracking with energy, violence and stirring speeches, Iggulden chronicles power struggles, political machinations and the bloodthirsty ravages of up-close combat' DAILY MAIL 'Iggulden tells an absolutely cracking story . . . The pace is nail-biting and the set dressing magnificent' THE TIMES

Scotty is a little Scotty dog who was blown onto the Isle of Mull, deep in the heart of a storm. But when a fisherman gives him an old collar with ancient writing on it, Scotty is whirled off on a series of extraordinary journeys with his best friend Owl. Crotchety old Owl loves trees - his home being one - and the collar whisks them away to India to see the Banyan, to Brazil to see the last tree left standing, and to East Africa, where new seedlings are sprouting gently into fresh forests. Climate change can sometimes be a little frightening, and Scotty's story is a tale about the small changes we can all make to protect the planet. Will Scotty and Owl get home safely from their journeys around the world? Will Owl manage not to lose all his feathers flapping after the little Scotty, with his nose for adventure? Will they both learn something extraordinary about trees, home, and how to protect it by planting just one seed? Hold tight... Multi-million selling author Conn Iggulden teams up again with fantastic illustrator Lizzy Duncan on this environmental adventure. The story of Scotty was initially produced by the Scotia Group for distribution to all delegates in attendance at the UN's COP26 climate summit in Glasgow. Conn and Lizzy are thrilled to be working with Little Door Books to expand Scotty into a series that continues to tell the story about how nobody is too small to make a difference, and no difference is too small to make when it comes to saving our planet. Excellent for schools and families wanting to find out more about our world and how to help protect it. Publishing on World Earth Day 2023

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.