The best-selling, Pulitzer Prize–winning author of The Road returns with the first of a two-volume masterpiece: The Passenger is the story of a salvage diver, haunted by loss, afraid of the watery deep, pursued for a conspiracy beyond his understanding, and longing for a death he cannot reconcile with God. Look for Stella Maris, the second volume in The Passenger series, on sale December 2022.

1980, PASS CHRISTIAN, MISSISSIPPI: It is three in the morning when Bobby Western zips the jacket of his wet suit and plunges from the Coast Guard tender into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot’s flight bag, the plane’s black box, and the tenth passenger. But how? A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul.

Traversing the American South, from the garrulous barrooms of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtaking novel of morality and science, the legacy of sin, and the madness that is human consciousness.

An artfully designed box set of Pulitzer Prize–winning author Cormac McCarthy’s final masterpiece, told in two volumes, each a New York Times bestseller.

The Passenger is a fast-paced and sprawling novel while Stella Maris is a tightly controlled coda, told entirely in dialogue. Together they relate the thrilling story of a brother and sister, haunted by loss, pursued by conspiracy, and longing for a death they cannot reconcile with God.

The Passenger
1980, PASS CHRISTIAN, MISSISSIPPI: It is three in the morning when Bobby Western, a salvage diver, zips the jacket of his wet suit and plunges from the boat deck into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot’s flight bag, the plane’s black box, and the tenth passenger. But how? A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul. Stella Maris
1972, BLACK RIVER FALLS, WISCONSIN: Alicia Western is twenty years old when she arrives at a psychiatric facility with forty thousand dollars in a plastic bag. A doctoral candidate in mathematics at the University of Chicago, Alicia has been diagnosed with paranoid schizophrenia, and she does not want to talk about her brother, Bobby. Instead, she contemplates the nature of madness, the human insistence on one common experience of the world; she surveys the intersection of physics and philosophy; and she introduces her cohorts, her chimeras, the hallucinations that only she can see. All the while, she grieves for Bobby, not quite dead, not quite hers.

‘Cormac McCarthy was such a virtuoso, his language was so rich and new . . . McCarthy worked close to some religious impulse, his books were terrifying and absolute. His sentences were astonishing.’ - Anne Enright ----- ‘A drought-busting, brain-vexing double act’ Guardian Alicia Western is the following: Twenty years old. A brilliant mathematician at the University of Chicago. And a paranoid schizophrenic who does not want to talk about her brother, Bobby. Told entirely through the transcripts of Alicia’s psychiatric sessions, Stella Maris is a searching, profoundly moving companion to The Passenger. It is a powerful enquiry that questions our notions of God, truth, and life itself by one of America’s finest writers.

In a burned-out country, a father and his young son head slowly for the coast, with no idea what, if anything, awaits them there. The landscape is destroyed, nothing moves save the ash on the wind, and cruel, lawless men stalk the roadside, lying in wait.

,P> Attempting to survive in this brave new world, the young boy and his protector have no choice but to keep walking.

Winner of the Pulitzer Prize for Fiction, The Road is the story of a remarkable and profoundly moving journey, and an exemplar of post-apocalyptic writing.

In Cities of the Plain, two men marked by the boyhood adventures of All the Pretty Horses and The Crossing now stand together, between their vivid pasts and uncertain futures, to confront a country changing beyond recognition. In the fall of 1952, John Grady Cole and Billy Parham are cowboys on a New Mexico ranch encroached upon from the north by the military. On the southern horizon are the mountains of Mexico, where one of the men is drawn again and again, in this story of friendships and passion, to a love as dangerous as it is inevitable. 'In a lovely and terrible landscape of natural beauty and impending loss we find John Grady; a young cowboy of the old school, trusted by men and horses, and a fragile young woman, whose salvation becomes his obsession . . . McCarthy makes the sweeping plains a miracle' Scotsman 'This haunting, deeply felt novel completes one of the literary masterworks of the 1990s' Daily Telegraph 'The completed trilogy emerges as a landmark in American literature' Guardian This edition is part of the Picador Collection, a series of the best in contemporary literature, inaugurated in Picador's 50th Anniversary year.

The masterful coda to The Passenger from the Pulitzer Prize-winning author of The Road. GOD. TRUTH. EXISTENCE. Stella Maris is the story of a mathematician, twenty years old, admitted to the hospital with forty thousand dollars in a plastic bag and one request: She does not want to talk about her brother.

Llewelyn Moss, hunting antelope near the Rio Grande, stumbles upon a transaction gone horribly wrong. Finding bullet-ridden bodies, several kilos of heroin, and a caseload of cash, he faces a choice - leave the scene as he found it, or cut the money and run. Choosing the latter, he knows, will change everything. And so begins a terrifying chain of events, in which each participant seems determined to answer the question that one asks another: how does a man decide in what order to abandon his life?

'"No Country for Old Men" is a compelling, harrowing, disturbing, sad, endlessly surprising and resonant novel' Robert Edric, "Spectator"

'"No Country for Old Men" is a severed head and shoulders over anything else written in America this year' "Independent on Sunday "

'A fast, powerful read, steeped with a deep sorrow about the moral degradation of the legendary American West' Lionel Shriver

Celebrating Fifty Years of Picador Books The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Set in the anarchic world opened up by America's westward expansion, Blood Meridian by Cormac McCarthy is an epic and potent account of the barbarous violence that man visits upon man. Through the hostile landscape of the Texas-Mexico border wanders the Kid, a fourteen year-old Tennessean who is quickly swept up in the relentless tide of blood. But the apparent chaos is not without its order: while Americans hunt Indians - collecting scalps as their bloody trophies - they too are stalked as prey. Since its first publication in 1985, Blood Meridian has been read as both a brilliant subversion of the Western novel and a blazing example of that form. Powerful, mesmerizing and savagely beautiful, it is established as one of the most important works in American fiction of the last century. Part of the Picador Collection, a series showcasing the best of modern literature.

John Grady Cole is the last bewildered survivor of long generations of Texas ranchers. Finding himself cut off from the only life he has ever wanted, he sets out for Mexico with his friend Lacey Rawlins. Befriending a third boy on the way, they find a country beyond their imagining: barren and beautiful, rugged yet cruelly civilized; a place where dreams are paid for in blood. The first volume in McCarthy's legendary Border Trilogy, All The Pretty Horses is an acknowledged masterpiece and a grand love story: a novel about the passing of childhood, of innocence and a vanished American age. Steeped in the wisdom that comes only from loss, it is a magnificent parable of responsibility, revenge and survival. This edition is part of the Picador Collection, a series of the best in contemporary literature, inaugurated in Picador's 50th Anniversary year.

From a writer hailed as an American original -- and the author of the national bestsellers All the Pretty Horses and The Crossing -- comes a taut, expansively imagined drama about four generations of an African American family.

The setting is Louisville, Kentucky, in the 1970s. The Telfairs are stonemasons and have been for generations. Ben Telfair has given up his education to apprentice himself to his grandfather, Papaw, a man who knows that "true masonry is not held together by cement but...by the warp of the world." Out of the love that binds these two men and the gulf that separates them from the Telfairs who have forsaken -- or dishonored -- the family trade, Cormac McCarthy has crafted a drama that bears all the hallmarks of his great fiction: precise observation of the physical world; language that has the bite of common speech and the force of Biblical prose; and a breathtaking command of the art of storytelling.

In this semi-autobiographical work, a man abandons his life of privilege to live among eccentrics, criminals and the impoverished of Knoxville. Suttree is a humorous, compelling tapestry of life on the edge from Cormac McCarthy, author of The Road and Blood Meridian.

1951. Cornelius Suttree lives alone, exiled on a disintegrating houseboat on the wrong side of the Tennessee River. As we meet him, Suttree watches the police haul the body of a suicidal man from the water. Amongst the living, the river is home to hermits, sex workers, alcoholics – and a witch.

Conjuring James Joyce's Ulysses, Suttree wanders the river with a detachment and wry humour, encountering a broad cast of humanity as he does – even as dereliction and destitution threaten the last of his remaining dignity.

‘A gorgeous ruin in the shape of a hardboiled noir thriller . . . What a glorious sunset song’ The Guardian It is three in the morning when Bobby Western zips the jacket of his wetsuit and plunges from the boat deck into darkness. His divelight illuminates a sunken jet, nine bodies still buckled in their seats. Missing from the crash site are the plane’s black box, and the tenth passenger. But how? A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit – by men with badges; by the ghost of his father, inventor of the atom bomb; and by his sister, the love and ruin of his soul. From the bar rooms of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtaking novel of morality and science, the legacy of sin, and the madness that is human consciousness, and one of the final works by a true American master.

Adapted by the Coen Brothers into an Academy Award winning film, No Country For Old Men is a dark and suspenseful novel from Cormac McCarthy, author of The Road. Llewelyn Moss, hunting antelope near the Rio Grande, stumbles upon a transaction gone horribly wrong. Finding bullet-ridden bodies, several kilos of heroin, and a caseload of cash, he faces a choice - leave the scene as he found it, or cut the money and run. Choosing the latter, he knows, will change everything. And so begins a terrifying chain of events, in which each participant seems determined to answer the question that one asks another: how does a man decide in what order to abandon his life? This edition is part of the Picador Collection, a series of the best in contemporary literature, inaugurated in Picador's 50th Anniversary year.

In the Spring of 1975 the film director Richard Pearce approached Cormac McCarthy with the idea of writing a screenplay. Though already a widely acclaimed novelist, the author of such modern classics as The Orchard Keeper and Child of God, McCarthy had never before written a screenplay. Using nothing more than a few photographs in the footnotes to a 1928 biography of a famous pre-Civil War industrialist as inspiration, the author and Pearce together roamed the mill towns of the South researching their subject. One year later McCarthy finished The Gardener's Son, a taut, riveting drama of impotence, rage, and ultimately violence spanning two generations of mill owners and workers, fathers and sons, during the rise and fall of one of America's most bizarre utopian industrial experiments. Produced as a two-hour film and broadcast on PBS in 1976, The Gardener's Son recieved two Emmy Award nominations and was shown at the Berlin and Edinburgh Film Festivals. This is the first appearance of the film script in book form.

Set in Graniteville, South Carolina, The Gardener's Son is the tale of two families: the Greggs, a wealthy family that owns and operates the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. The action opens as Robert McEvoy, a young mill worker, is having his leg amputated -- the limb mangled in an accident rumored to have been caused by James Gregg, son of the mill's founder. McEvoy, crippled and isolated, grows into a man with a "troubled heart"; consumed by bitterness and anger, he deserts both his job and his family.

Returning two years later at the news of his mother's terminal illness, Robert McEvoy arrives only to confront the grave diggers preparing her final resting place. His father, the mill's gardener, is now working on the factory line, the gardens forgotten. These proceedings stoke the slow burning rage McEvoy carries within him, a fury that ultimately consumes both the McEvoys and the Greggs.

The Crossing forms the second part of Cormac McCarthy's critically acclaimed Border Trilogy, a story that began with All the Pretty Horses and concludes with Cities of the Plain. Set on the south-western ranches in the years before the Second World War, Cormac McCarthy's The Crossing follows the fortunes of sixteen-year-old Billy Parham and his younger brother Boyd. Fascinated by an elusive wolf that has been marauding his family's property, Billy captures the animal - but rather than kill it, sets out impulsively for the mountains of Mexico to return it to where it came from. When Billy comes back to his own home he finds himself and his world irrevocably changed. His loss of innocence has come at a price, and once again the border beckons with its desolate beauty and cruel promise. 'The Crossing is like a river in full spate: beautiful and dangerous' The Times This edition is part of the Picador Collection, a series of the best in contemporary literature, inaugurated in Picador's 50th Anniversary year.

In his blistering new novel, Cormac McCarthy returns to the Texas-Mexico border, setting of his famed "Border Trilogy." The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones.
One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law-in the person of aging, disillusioned Sheriff Bell-can contain.
As Moss tries to evade his pursuers-in particular a mysterious mastermind who flips coins for human lives-McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning's headlines.
"No Country for Old Men" is a triumph.

An epic novel of the violence and depravity that attended America's westward expansion, Blood Meridianbrilliantly subverts the conventions of the Western novel and the mythology of the "wild west."  Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving.

With an introduction by novelist Rachel Kushner

In the vanishing world of the Old West, two cowboys begin an epic adventure, and their own coming-of-age stories. In All the Pretty Horses, John Grady Cole’s search for a future takes him across the Mexican border to a job as a ranch hand and an ill-fated romance. The Crossing is the story of sixteen-year-old Billy Parham, who sets off on a perilous journey across the mountains of Mexico, accompanied only by a lone wolf. Eventually the two come together in Cities of the Plain, in a stunning tale of loyalty and love.

A true classic of American literature, The Border Trilogy is Cormac McCarthy’s award-winning requiem for the American frontier. Beautiful and brutal, filled equally with sorrow and humour, it is a powerful story of two friends growing up in a world where blood and violence are conditions of life.

"The fulfilled renown of Moby-Dick and of As I Lay Dying is augmented by Blood Meridian, since Cormac McCarthy is the worthy disciple both of Melville and Faulkner," writes esteemed literary scholar Harold Bloom in his Introduction to the Modern Library edition. "I venture that no other living American novelist, not even Pynchon, has given us a book as strong and memorable."

Cormac McCarthy's masterwork, Blood Meridian, chronicles the brutal world of the Texas-Mexico borderlands in the mid-nineteenth century. Its wounded hero, the teenage Kid, must confront the extraordinary violence of the Glanton gang, a murderous cadre on an official mission to scalp Indians and sell those scalps. Loosely based on fact, the novel represents a genius vision of the historical West, one so fiercely realized that since its initial publication in 1985 the canon of American literature has welcomed Blood Meridian to its shelf.

"A classic American novel of regeneration through violence," declares Michael Herr. "McCarthy can only be compared to our greatest writers."

The story of a salvage diver, haunted by loss, afraid of the watery deep, pursued for a conspiracy beyond his understanding, and longing for a death he cannot reconcile with God.

1980, PASS CHRISTIAN, MISSISSIPPI: It is three in the morning when Bobby Western zips the jacket of his wet suit and plunges from the Coast Guard tender into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot’s flight bag, the plane’s black box, and the tenth passenger. But how? A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul.

Traversing the American South, from the garrulous barrooms of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtaking novel of morality and science, the legacy of sin, and the madness that is human consciousness.

Stella Maris, the second volume in The Passenger series, is available now.

NATIONAL BESTSELLER
PULITZER PRIZE WINNER
National Book Critic's Circle Award Finalist
A "New York Times" Notable Book
One of the Best Books of the Year
"The Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington Post"
The searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food---and each other.
The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

Now a major motion picture from Columbia Pictures starring Matt Damon, produced by Mike Nichols, and directed by Billy Bob Thornton.

The national bestseller and the first volume in Cormac McCarthy's Border Trilogy, All the Pretty Horses is the tale of John Grady Cole, who at sixteen finds himself at the end of a long line of Texas ranchers, cut off from the only life he has ever imagined for himself.  With two companions, he sets off for Mexico on a sometimes idyllic, sometimes comic journey to a place where dreams are paid for in blood.  Winner of the National Book Award for Fiction.