Following the rising trend among younger philosophers to incorporate reflections on film in their theorising, this is a collection of mostly new essays on the relatively unexplored and exciting new area of philosophy and film.

Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise. The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of "body horror," as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure.

In contrast to many previous feminist interpretations of Aristotle, which found much to disparage and little to salvage in his philosophy, the contributors to this volume enter into new, creative, and subtle dimensions of inquiry about Aristotle. They look more deeply into his influence and question the possibility of escape from it.

Feminists recognize that they too philosophize within the tradition founded by Plato and Aristotle and owe the Greeks a debt. Aristotle still influences our abstract thinking, search for principles, meditations on virtue, and reflections on nature, essence, and sexual difference. As critics of modernism and liberalism in our day, some feminists seek significant alternatives in the classical era while eschewing ancient sexism.

From the essays in this volume, which are divided into two parts, "Theoretical Sciences" and "Practical and Productive Sciences," reflecting the traditional structure of works in the Aristotelian corpus, we learn not only about Aristotle but about a new feminist methodology in approaching major contemporary issues such as surrogate motherhood and women in the military. We also find a new perspective on feminist debates over whether logic is gendered, the advantages of an "ethics of care," feminist epistemology, and the nature of critical feminist spectatorship.

Contributors are Angela Curran, Marguerite Deslauriers, Cynthia Freeland, Ruth Groenhout, Marjorie Hass, Linda Hirshman, Luce Irigaray, Barbara Koziak, Deborah Modrak, Martha Nussbaum, Carol Poster, and Charlotte Witt.