In this excellent study of Karl Marx's thought, Cyril Smith takes a long and winding route that starts with classical world thought. When he arrives at the door to Marx's pantheon we see that, with the significant yet largely overlooked example of Spinoza, most thinkers-and especially Western ones-are opposed to essential aspects of democracy. In Marx and the Future of the Human Cyril Smith explains that Karl Marx, more than any other thinker, is misrepresented by what has come to be understood as "Marxism." Marxism has developed into, among other things, a method for analyzing capitalism, a way of looking at history, and a way to theorize the role of the working class in a future society. Marx, however, speaks about a conception of human life that was absent during his lifetime and remains absent today. Marx sought "the alteration of humans on a mass scale:" economics, politics, daily lived-life, and spiritual life. In discussing Marx and spirituality, Cyril Smith relates Marx to the thought of William Blake. Someone coming to Marx for the first time as well as the seasoned scholar can read this book. Marx and the Future of the Human is a book rife with thoughtful and creative connections written by someone who has spent most of his life close to the spirit of Karl Marx's thought.

Herbert Brenon directs this 1940s crime drama starring Sebastian Shaw, Jack Hawkins and Kathleen Harrison. Based on the story by Edgar Wallace, the film follows Inspector Bradley (Shaw), the head of the Flying Squad who is determined to bring a gang of London drug smugglers to justice. When the gang, led by the ruthless Mark McGill (Hawkins), murder Ron Perryman (Manning Whiley), Bradley sees an opportunity to move in and the Flying Squad begin the dangerous process of trying to put McGill and co. behind bars.

Anthony Pelissier writes and directs this dark fantasy drama based on a short story by D.H. Lawrence. An adolescent boy, Paul (John Howard Davies), lives with his upper class family in London. His mother, Hester (Valerie Hobson), is a compulsive shopper, continually spending far beyond the family's means, while his father, Richard (Hugh Sinclair), is a gambler who eventually loses his job as a result of his bad habits. As his family fast approaches bankruptcy, Paul befriends handyman Bassett (John Mills) and discovers that he can magically predict the winner of horse races by riding his rocking horse. The money is soon rolling in, but Paul realises too late that it comes at a fatally high price.

In this excellent study of Karl Marx's thought, Cyril Smith takes a long and winding route that starts with classical world thought. When he arrives at the door to Marx's pantheon we see that, with the significant yet largely overlooked example of Spinoza, most thinkers-and especially Western ones-are opposed to essential aspects of democracy. In Marx and the Future of the Human Cyril Smith explains that Karl Marx, more than any other thinker, is misrepresented by what has come to be understood as 'Marxism.' Marxism has developed into, among other things, a method for analyzing capitalism, a way of looking at history, and a way to theorize the role of the working class in a future society. Marx, however, speaks about a conception of human life that was absent during his lifetime and remains absent today. Marx sought 'the alteration of humans on a mass scale:' economics, politics, daily lived-life, and spiritual life. In discussing Marx and spirituality, Cyril Smith relates Marx to the thought of William Blake. Someone coming to Marx for the first time as well as the seasoned scholar can read this book. Marx and the Future of the Human is a book rife with thoughtful and creative connections written by someone who has spent most of his life close to the spirit of Karl Marx's thought.