The proceedings of a seminar held at TWI in September, 1995, focusing on crack arrest philosophy which aknowledges that a brittle crack is arrested when it emerges from the critical region. Papers from prestigious researchers presented a critique and assessment of the theory and its application under: Introduction to crack arrest concepts; Recent trends in crack arrest research; Application of crack arrest concepts. Intended for those who have to apply or teach design skills in a technical or engineering context, this resource book defines and explains eight creative thinking techniques and shows how to use and adapt these to solve design problems. Case studies are drawn from a wide range of applications.

In the late 1890s a journalist wrote, "Spanish women would rather weep at a husband's or a son's gravesite than blush for lack of patriotic fervor." Yet at a time when women were expected to sacrifice their sons and husbands willingly for the sake of the nation, women organized and led three significant demonstrations against conscription in Spain. In Spanish Women and the Colonial Wars of the 1890s, D. J. Walker succeeds not only in contextualizing these demonstrations but also in elucidating what they suggested to contemporaries about the role of women in public life in late nineteenth-century Spain.

During Spain's military action against an uprising in its North African enclave of Melilla (1893) and its wars against separatists in Cuba (1868--78, 1895--98) and the Philippines (1896--98), Spaniards could pay a fee to the government to avoid being drafted -- leaving the poor to fill the military's ranks. To protest unequal conscription practices, women organized a demonstration in Zaragoza on August 1, 1896, and two smaller demonstrations followed in Chiva (Valencia) and Viso del Alcor (near Sevilla). While such demonstrations were small in number and had no effect on government policy, they received considerable attention in Spain and across the globe.

Drawing on a broad range of primary sources, including literature, memoirs, and visual representations, Walker explores what the eruption of these protests meant to the various groups that made up the political opposition in Spain. She also considers the extent to which the history of women in the 1890s yields insights into the Spanish government's efforts to muffle any calls for change that were connected either to the status of women or that of the working classes. She reviews the representation of women in connection to war and violence in the press and in other contemporary writings, as well as the perceptions of women and violence regarding the Paris Commune (still a vivid memory for a number of Spaniards in 1896) and anarchism. The appendix includes excerpts from primary sources that present often-neglected ideas and programs of dissident women, including Teresa Claramunt, Soledad Gustavo, and Angeles L?pez de Ayala.

Affording specific insights into the formidable obstacles -- including the Catholic Church, class, and gender animosities -- that blocked change in the status and role of women in Spanish society, Spanish Women and the Colonial Wars of the 1890s delineates the beginnings of meaningful struggles against those barriers.

In this memoir Ricardo Burguete, a Spanish soldier who served in the Philippines from 1896-1897, describes his journey to the Philippines, his impressions of the country, and his experiences in fighting Filipino insurrectionists in his 1902 memoir. The account, written by a young, impressionable patriot, conveys candid characterizations of the inhabitants of the country, reflections on the causes of the insurrection, and a detailed account of the author's actions in support of continued Spanish rule.

Crime at El Escorial presents a comparative social and judicial analysis of an 1892 child murder, drawing from newspaper archives among other historical documents. D.J. Walker discusses the role of Spain's intellectual elite in crystallizing dissatisfaction with the popular jury through its criticism of the "masses" and the impact of journalists' fictionalized representations of the murder on public opinion.