The classic translation of The Odyssey, now in a Noonday paperback.

Robert Fitzgerald's translation of Homer's Odyssey is the best and best-loved modern translation of the greatest of all epic poems. Since 1961, this Odyssey has sold more than two million copies, and it is the standard translation for three generations of students and poets. The Noonday Press is delighted to publish a new edition of this classic work.Fitzgerald's supple verse is ideally suited to the story of Odysseus' long journey back to his wife and home after the Trojan War. Homer's tale of love, adventure, food and drink, sensual pleasure, and mortal danger reaches the English-language reader in all its glory.

Of the many translations published since World War II, only Fitzgerald's has won admiration as a great poem in English. The noted classicist D. S. Carne-Ross explains the many aspects of its artistry in his Introduction, written especially for this new edition.

The Noonday Press edition also features a map, a Glossary of Names and Places, and Fitzgerald's Postscript. Line drawings precede each book of the poem.

Winner of the Bollingen Prize

This book presents a sequence of six related studies of poets from classical antiquity to the present (Pindar and Sophocles at one end, Pound at the other, with Dante somewhere in the middle). This group of literary essays is framed by two more general papers showing how the texts can reach out into our society and into the lives we lead there--and can question the lives we lead. the opening paper argues for a way of reading (as rigorous as those honored in the academy but directed to different ends) that would restore to literature its old didactic function, and the final paper searches for a place where such a reading might be possible--a way of reading that would also be a way of living. Literature matters, more than it ever has before, because it is the strongest remaining witness to much that mankind has always known but is now in danger of losing. It can tell us things about human being and about nature and about "the gods" that we have forgotten. But it can do so only if we read very hard, hence the body of this book consists of close textual studies of poets old and new that will be of value even to those who are disturbed by the author's views on the role of literature today. The word "instauration" means renewal and is also intended to point to a conception of poetry as celebration. Beyond that, it means a founding, the sense Bacon had in mind when he called his program for the advancement of natural science Instauratio magna. Three and half centuries later, we may be coming to the end of the great movement at whose beginnings Bacon stood. If so, the question that faces us all is, What comes next, what new founding is possible? This books looks forward to another instauration: One to which poetic thinking will have more contribute. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.

This book presents a sequence of six related studies of poets from classical antiquity to the present (Pindar and Sophocles at one end, Pound at the other, with Dante somewhere in the middle). This group of literary essays is framed by two more general papers showing how the texts can reach out into our society and into the lives we lead there--and can question the lives we lead. the opening paper argues for a way of reading (as rigorous as those honored in the academy but directed to different ends) that would restore to literature its old didactic function, and the final paper searches for a place where such a reading might be possible--a way of reading that would also be a way of living. Literature matters, more than it ever has before, because it is the strongest remaining witness to much that mankind has always known but is now in danger of losing. It can tell us things about human being and about nature and about "the gods" that we have forgotten. But it can do so only if we read very hard, hence the body of this book consists of close textual studies of poets old and new that will be of value even to those who are disturbed by the author's views on the role of literature today. The word "instauration" means renewal and is also intended to point to a conception of poetry as celebration. Beyond that, it means a founding, the sense Bacon had in mind when he called his program for the advancement of natural science Instauratio magna. Three and half centuries later, we may be coming to the end of the great movement at whose beginnings Bacon stood. If so, the question that faces us all is, What comes next, what new founding is possible? This books looks forward to another instauration: One to which poetic thinking will have more contribute. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.

Pindar has for centuries been the least understood and appreciated of the great classical poets, for the type of composition by which he is now chiefly represent-the ode written on commission to praise a victorious athlete-does not seem to fit our notions of what a lyric poem should be. This book by D.S. Carne-Ross sets out to recover Pindar as a vital presence in the Western tradition. Through critical discussion, comparison with more familiar poets past and present, and selective translation, Carne-Ross demonstrates the craftsmanship and beauty of a Pindaric ode. The first chapter examines the form of the victory ode-an inherited form with its required, recurrent features-and shows how, in Pindar's hands, its disparate elements compose a complex, harmonious whole. The rest of the book consists of close readings of a dozen odes illustrating different aspects of Pindar's genius and the wide range of experience that this seemingly limited genre can cover. Written to convey to the general reader the skill and power of Pindar's poetry, this book assumes no knowledge of the specialist literature. However, a number of Carne-Ross's interpretations do break fresh critical ground, and thus the book will also be of interest to scholars in the field.