Ranging from the medieval period to the present day, this is a brief history of church music as it has developed through the English tradition. Described as "a quick journey", it provides a broad historical survey rather than an in-depth study of the subject, and also predicts likely future trends.

The reign of Queen Victoria witnessed a spectacular rise in the visibility, wealth, and prestige of English artists and designers. Leading this resurgence was a group of artists who established their studios in and around the new, fashionable district of London's Holland Park. This book -- the first major study of the Holland Park Circle of artists, architects, and their patrons -- is both an engrossing narrative of their lives, works, and influence and a perceptive analysis of the subtle relationships between high Victorian taste and mercantile values.

The circle was formed around G. F. Watts, who lived at Little Holland House; the handsome and accomplished Frederic Leighton; and their friend Valentine Prinsep. The artists who followed included Luke Fildes, Hamo Thomycroft, William Burges, Marcus Stone, James Jebusa Shannon, and Holman Hunt. Their studio-houses, designed by prominent architects of the era, were featured in architectural journals and society magazines, influencing the external and internal appearance of London's buildings. Caroline Dakers also describes how the artists posed "at home" for society photographs and how their "Show Sundays, " when the public was invited into the studios, became part of the London Season. She presents a fresh perspective on a period when art in England, in the words of Henry James, had become "a great fashion."

This book attempts to rethink the concept of technological literacy in a modern context, not only in terms of a subject area taught in schools, but also as an important general concept that all citizens should engage with. As this book will illustrate, the concept of technological literacy has no universally agreed definition.

Never before have we so needed a new literacy that will enable us to meaningfully participate in the rapidly evolving technologically mediated world. This collection offers a solid basis for defining this new technological literacy by bringing together theoretical work that ranges from philosophy, design, and pedagogy.

All 91 episodes of the 1980s BBC drama series following events in a veterinary practice supporting the local farming community in the Yorkshire Dales in the 1930s. Based on James Herriot's autobiographical bestsellers 'If Only They Could Talk' and 'It Shouldn't Happen to a Vet', the series stars Christopher Timothy as James Herriot, Robert Hardy as Siegfried Farnon, Peter Davidson as his brother Tristan, and Carol Drinkwater as James's wife Helen.

This book attempts to rethink the concept of technological literacy in a modern context, not only in terms of a subject area taught in schools, but also as an important general concept that all citizens should engage with. As this book will illustrate, the concept of technological literacy has no universally agreed definition.

The editors have selected a richly varied collection of sacred pieces for this period of the Church's year, always bearing in mind practical considerations and liturgical needs. Pieces are presented in order according to the Church's calendar, moving from Ash Wednesday and Lent, through Passiontide and Palm Sunday, to Maundy Thursday, Good Friday, Easter Eve, and Easter itself. The best of the standard repertoire is included alongside fine, less familiar, works. Ranging widely from the sixteenth century to the present day, this is a complete and practical collection for church choirs of all sizes and levels of ability.

This collection aims to provide a comprehensive survey of a highly significant part of the Christian Year: Ash Wednesday and Lent, Passiontide, Palm Sunday, Maundy Thursday, Good Friday, and Easter. Its contents span all musical periods of what is a marvellously rich area of church music and it contains much that is not widely available elsewhere under one cover.

Ash Wednesday to Easter for Choirs includes a number of less familiar works together with new or recent arrangements of well-known tunes, such as Philip Ledger's 'This joyful Eastertide', Simon Lindley's 'Now the green blade riseth', and Bob Chilcott's setting of 'Were you there?'. Some of the anthems, for example Richard Shephard's 'Sing, my tongue' and Grayston Ives' 'Ride on', have been newly commissioned specifically for this collection, thus filling certain gaps.

Wherever possible new practical performing editions of 16th-century repertoire have been prepared, reflecting current scholarship and including an English singing translation and, where, the original had none, a dynamic scheme. Such dynamics are the editors' suggestions only and may be freely ignored or adapted. Note values have in some instances been halved. Unaccompanied items include keyboard reductions for rehearsal.

In order to achieve a truly democratic world, any tensions or confusions between human beings, their environment, and their technologies must be resolved: the need is growing for everyone, particularly young people, to be more critically involved in the discourse surrounding technology. Only then will people become empowered to improve their world in a creative, sensitive, informed and above all, sustainable fashion. This collection provides a solid basis for defining technological literacy. Completely revised and updated in its second edition, it shows how philosophy, design, and pedagogy come together to shape our interactions with and understanding of the technology that mediates our everyday lives.

Never before have we so needed a new literacy that will enable us to meaningfully participate in the rapidly evolving technologically mediated world. This collection offers a solid basis for defining this new technological literacy by bringing together theoretical work encompassing philosophy, design, and pedagogy.

All four classic Doctor Who stories featuring the alien species, the Sontarans, who first appeared in the 1973 story, 'The Time Warrior'. The Sontarans are a self -cloning race who live in a militaristic society in the 'southern spiral arm of the galaxy'. Humanoid in appearance, with a squat build and distinctive dome-shaped heads, they are far stronger than mere humans and possess an unquenchable thirst for war. The other stories in this set are 'The Invasion of Time' (1977), 'The Two Doctors' (1984) and 'The Sontaran Experiment' (1975).

Since it was first introduced in the Summer of 2000, Common Praise the new Hymns Ancient & Modern has sold over one hundred thousand copies, and been adopted by parishes in every diocese in England and Wales including eight English cathedrals and in five of the seven dioceses in Scotland. It is also used in numerous schools, colleges, hospitals, residential homes, retreat houses, religious communities, crematoria, missions and military garrison chapels.

A definitive collection of 100 anthems from Tudor times to the present, this book includes favorites as well as lesser-known pieces. The anthems were selected for their practical usefulness for church choirs today, bearing in mind the needs of smaller choirs: the anthems are mostly for SATB with or without keyboard accompaniments.