Who isn't in awe of Vanessa Redgrave? Her career on stage and screen remains vital and her extreme-left political stands are still quite controversial. This is the moment, and this is the biography, to take stock of Vanessa Redgrave both as actress and as political activist with a critical, objective study of her life and career. It is also time to account for her unparalleled achievements as an empathetic actress of considerable genius. Anyone who has seen Redgrave in her numerous stage and film roles will know why she is the very best we have. The radiant, fearless, daring, perverse and always unpredictable Redgrave is the brightest light in the forest of her famous family.

Barbara Stanwyck (1907-1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women-and America's highest paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic. A four-time Academy Award nominee, winner of three Emmys and a Golden Globe, she was honored with a Lifetime Achievement Award by the Academy.

Dan Callahan considers both Stanwyck's life and her art, exploring her seminal collaborations with Capra in such great films as "Ladies of Leisure," "The Miracle Woman," and "The Bitter Tea of General Yen"; her Pre-Code movies "Night Nurse" and "Baby Face"; and her classic roles in "Stella Dallas," "Remember the Night," "The Lady Eve," and "Double Indemnity." After making more than eighty films in Hollywood, she revived her career by turning to television, where her role in the 1960s series "The Big Valley" renewed her immense popularity.

Callahan examines Stanwyck's career in relation to the directors she worked with and the genres she worked in, leading up to her late-career triumphs in two films directed by Douglas Sirk, "All I Desire" and "There's Always Tomorrow," and two outrageous westerns, "The Furies" and "Forty Guns." The book positions Stanwyck where she belongs-at the very top of her profession-and offers a close, sympathetic reading of her performances in all their range and complexity.

Crosby, Holiday, Sinatra, Fitzgerald, Garland, and Streisand were the major interpreters of the American songbook, and this is the interlocking story of their lives and careers. Here is the epic tale of how these artists dominated American popular music over a fifty-year period, colourfully described like a roller coaster ride that gains momentum through the 1930s and ’40s, reaches a crest of magical creativity in the 1950s and early 1960s, and then crashes down by the early 1970s, a half century when the great American songbook dominated the airwaves and the fight for racial equality came to the forefront. Frank is still the king of the songbook, but Bing’s legacy is just as vital once you start listening to his unprecedented 1930s output. The legend of Billie grows by the year, and the basis of this should be appreciation and wonder for her own great artistry in the 1930s. Barbra is a living legend and still a commercial force to be reckoned with, the last exemplar of the songbook and its glories. All six of these singers reach out to us and show us new ways of expression and new ways to dream.  Their song is largely ended but the melody lingers on.

Why do people go to see movies? Some say that it's for the story or the genre or the suggested theme, and some say that it's for the director, but this is often wishful thinking. Nearly everyone goes to the movies to see the stars, the actors, to see the people in them. And during the classic Hollywood period, running roughly from the late 1920s to the early 1950s, there was an explosion of distinctive talent, of stars like James Cagney, Bette Davis, Cary Grant, Katharine Hepburn, and so many more. Dan Callahan celebrates and analyzes many of the so-called "pre-Brando" actors of the classic Hollywood period and makes a case for their more heightened but just as valid style. Often dismissed as old-fashioned, these players deserve this new look and new reckoning that places them as icons of creativity and pleasure before more naturalistic Method actors of the 1950s like Brando and James Dean took over.

Barbara Stanwyck (1907-1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women-and America's highest-paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic. A four-time Academy Award nominee, winner of three Emmys and a Golden Globe, she was honored with a Lifetime Achievement Award by the Academy. Dan Callahan considers both Stanwyck's life and her art, exploring her seminal collaborations with Capra in such great films as Ladies of Leisure, The Miracle Woman, and The Bitter Tea of General Yen; her Pre-Code movies Night Nurse and Baby Face; and her classic roles in Stella Dallas, Remember the Night, The Lady Eve, and Double Indemnity. After making more than eighty films in Hollywood, she revived her career by turning to television, where her role in the 1960s series The Big Valley renewed her immense popularity. Callahan examines Stanwyck's career in relation to the directors she worked with and the genres she worked in, leading up to her late-career triumphs in two films directed by Douglas Sirk, All I Desire and There's Always Tomorrow, and two outrageous westerns, The Furies and Forty Guns. The book positions Stanwyck where she belongs-at the very top of her profession-and offers a close, sympathetic reading of her performances in all their range and complexity.

Alfred Hitchcock is said to have once remarked, "Actors are cattle," a line that has stuck in the public consciousness ever since. For Hitchcock, acting was a matter of contrast and counterpoint, valuing subtlety and understatement over flashiness. He felt that the camera was duplicitous, and directed actors to look and act conversely. In The Camera Lies, author Dan Callahan spotlights the many nuances of Hitchcock's direction throughout his career, from Cary Grant in Notorious (1946) to Janet Leigh in Psycho (1960). Delving further, he examines the ways that sex and sexuality are presented through Hitchcock's characters, reflecting the director's own complex relationship with sexuality. Detailing the fluidity of acting - both what it means to act on film and how the process varies in each actor's career - Callahan examines the spectrum of treatment and direction Hitchcock provided well- and lesser-known actors alike, including Ingrid Bergman, Henry Kendall, Joan Barry, Robert Walker, Jessica Tandy, Kim Novak, and Tippi Hedren. As Hitchcock believed, the best actor was one who could "do nothing well" - but behind an outward indifference to his players was a sophisticated acting theorist who often drew out great performances. The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance, and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.

Modern screen acting in English is dominated by two key figures: Method acting guru Lee Strasberg--who taught the "the art of experiencing" over "the art of representing"--and English theater titan Laurence Olivier, who once said of the Method's immersive approach, "try acting, it's so much easier." This book explores in detail the work of such method actors as Al Pacino, Ellen Burstyn, Jack Nicholson and Jane Fonda, and charts the shift away from the more internally focused Strasberg-based acting of the 1970s, and towards the more "external" way of working, exemplified by the career of Meryl Streep in the 1980s.

Zombie Original, The Compendium is the Complete and Uncensored Post Apocalyptic Zombie Series which looks into a not to distant future. From the point of view of condemned survivors, all the way to the Special Forces Covert Zombie respose team. A compelling short story that is hilarious at times and serves as a reminder that no matter how much we prepare, we have no idea what we should really be preparing for. Have fun survivors. This series Maintains a fast vigenette style of writing that is hard to find and even harder to put down as it brings you through the wild west that earth has become, and presents us with the possibility of a future-esque blade runner like 2nd earth named affectionately 'HOPE'. This Compendium includes the 'Diary of Madness' which was a controversial element of this series and is a rare book to find due to its raw violent entries. The complete series contains elements of Violence, language, sexuality, and requires a mature reader. Though not for the squeamish your Imagination is your playground.

The exciting follow up to the ground breaking Zombie1. Nothing is what it seems, and noone is who you thought they were. Survive Or will you spread the infection?

An Erotic Adventure in the world of modern day vampires as they feed their hungers. Little do they know there is a half breed with the ability to impregnate the femvamps, and so he hunts. Adults only

A post apocalyptic survival horror series. It was the day the world ended. When the dam gave way and washed away our way of life. Those that survived remember exactly where they were as they watched the infection spread. With most of the population infected, competing for survival against disease, starvation, and even the man standing next to you seems almost all too much. Unfortunately with the people that were infected becoming zombies, survival doesn't appear to even be an option. Follow along many people's stories as they try to survive against the unknown. WARNING: Contains Zombies, Death, Vampires, And Sexual themes. You Cannot Unread this book. go to ZOMBIE1 myspace for teasers

Cracking the Code: A Professional Salesperson's Guide to Penetrating the Intelligence Community was written with two goals in mind: 1) to demystify the often confusing and always secretive intelligence community from a sales person's perspective, and 2) to provide a first-level road map to penetrating this multibillion dollar market with a product or service. This book will give you no-nonsense answers to the following questions: Who comprises the intelligence community? Who is really in charge when it comes to making buying decisions? Exactly where and how should you begin your sales efforts? Without a security clearance, shall I even bother? How are IC agencies similar yet different than other federal agencies? What tactical steps can a sales person take to "break into" the IC? Where does the sales opportunity really exist? How should a person prepare for sales meetings? Do I really need to worry about things like a GSA Schedule, a secure vault, and a polygraph? Who can help me in my effort to penetrate the intelligence community? What is the best source of information to learn about my target clients? These and many other questions will be answered in this informative book. This is the first resource that helps the reader make money by persuasive selling, targeting intelligence community individuals who have one of the most complex jobs in our nation's history-protecting the American citizen against state sponsored crimes and the intricacies of the modern global war on terror (GWOT). Learn from someone who has been in the trenches of federal sales, yet views his role as helping our nation "be all it can be." This book will guide you on the 'road to revenue' in a candid view ofperson-to-person selling into the most secretive market in the world!