This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.

A comprehensive collection of critical essays on The Taming of the Shrew, including studies of the play's print, theatre, and performance history. The essay deals primarily with issues of gender, authority, domination, metatheatricality, and privacy. The volume includes a bibliographic introduction, which provides an historical overview of the play's place in Shakespeare's canon and contextualizes the issues historically.

The Females Legacy is the only surviving work of Amey Howard about whom very little is known. While rarely political or even topical, The Females Legacy generally conforms to much of the same militantly Protestant ideology of the sort Harris spent his life advocating. The volume contains twenty-six devotional poems nearly all of which feature a male speaker. Some are 'meditations' in which the speaker considers the import of an Old or New Testament narrative. Others are 'dialogues' between speakers who grapple with a sudden realisation of their own sinful natures and a biblical figure who introduces them to Christ's redemptive majesty. Interspersed amongst these two kinds of verse are a few other poems which directly address women or deploy them as protagonists. This edition reproduces the sole surviving copy of The Females Legacy held in the British Library.