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A collection of compelling quotations from a rising star in contemporary art, architecture, and design The work of renowned contemporary artist Daniel Arsham blurs the lines between art, architecture, archeology, and design. In his distinctive style, he takes ancient art works and objects from twentieth-century pop culture and casts sculptures of them in geological materials such as quartz or volcanic ash, colliding past, present, and future in haunted yet playful visions that prompt viewers to question their everyday surroundings. Gathered from interviews and other sources, Arsham-isms is a collection of lively, thought-provoking, and memorable quotations from this exciting young creative talent on a wide range of subjects-including art, architecture, film, design, pop culture, the art world, and what it means to be a globally recognized artist today. Select quotations from the book: "Art needs to be a little dangerous." "You don't have to own the thing to be part of it." "This work for me is not about progress. It is about destruction and growth and where they are able to meet in the middle."
Featuring never-before-seen drawings by the renowned contemporary artist, a beautiful facsimile edition that reveals the working process of an extraordinary creative mind Sketchbook reproduces original working drawings and sketches by the contemporary American artist and designer Daniel Arsham, whose work freely crosses the boundaries of art, architecture, film, and design, and also speaks to fans of pop culture, including sneakerheads, car enthusiasts, and anime devotees. Spanning a decade and featuring previously unpublished drawings by this highly skilled draftsman, this beautifully produced facsimile edition provides an unprecedented, intimate look at Arsham's working process, revealing a new side of an extraordinary creative mind. Published in association with No More Rulers
Daniel Arsham mines lusted-after consumer goods and iconic imagery to create his conceptual objects and sculptures. The artist then casts and refinishes his work to imitate the effects of erosion and subsidence, creating monuments to our present obsessions, as if the objects were rescued from Pompeii. That same impulse toward excavation animates many of his installations, which range from layered broken walls to geodefilled caverns to melting portals. From room-collapsing environmental installations for today s leading brands and museums to elaborate set design for classical dance, Arsham twists elements of architecture to create immersive aesthetic experiences that appeal to the divided attentions of a contemporary audience. Presented as an induction manual to Arsham s covetable world, the book will provide a complete overview of his practice. Virgil Abloh discusses Arsham s contribution to a post-media artistic landscape, a thread developed by Hans Ulrich Obrist in a conversation with the artist that traces art-historical precedents. Steven Matijcio will discuss the artist s projects and collaborations, which range from sets for Merce Cunningham s dance company to clothes and sneakers with streetwear icons Ronnie Fieg and Adidas to projects with James Franco and Pharrell Williams and films with Mahershala Ali.
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