There is only one Arsene Wenger - and for the very first time, in his own words, this is his story. In this definitive autobiography, the world-renowned revolutionary football manager discusses his life and career, sharing his leadership principles for success on and off the field and recalling vivid tales of guiding Arsenal to unprecedented success. One of the most influential figures in world football, Wenger won multiple Premier League titles, a record number of FA Cups, and masterminded Arsenal's historic 'Invincibles' season of 2003-2004 and 49-match unbeaten run. He changed the game in England forever, popularising an attacking approach and changing attitudes towards nutrition, fitness and coaching methods - and towards foreign managers. In My Life in Red and White, Wenger charts his extraordinary career, including his rise in France and Japan where he managed Nancy, Monaco and Nagoya Grampus Eight - clubs that also play in red-and-white - to his twenty-two years in north London at the helm of one of the world's biggest clubs. He reflects on Arsenal's astonishing domestic triumphs and bittersweet European campaigns; signing - and selling - some of the world's most talented players; moving the Gunners to their new home, the Emirates Stadium; and the unrest that led to his departure in 2018 and subsequent role as Chief of Global Football Development for FIFA. This book is a must-read for not only Arsenal supporters but football fans everywhere, as well as business leaders and anyone seeking the tools for success in work and life. It will illuminate the mystique surrounding one of the most revered and respected managers, revealing the wisdom and vision that made him an icon in the world's most popular sport.

Brutal and overwhelming, Confession wrestles with the legacy of Argentina’s past and the passions of one young girl. There are mysteries in the world of man, just as there are in the Kingdom of God, and that they too, albeit quite differently, are unfathomable. When Mirta López looks out the dining room window, she sees a slim, self-possessed older boy on his way back from school. It’s 1941 in provincial Argentina, and the sight of the Videla’s eldest son has awakened in her the first uncertain, unnerving vibrations of desire. Naturally, she confesses. But she cannot stop herself. Thirty years later, Videla is a general, leading the ruling military junta, and a cell of young revolutionaries plot an ingenious attack on him, and the regime. Writing from the present into the past, Martín Kohan maps the contours of Argentina’s 20th Century, but finds his center in one woman—devout, headstrong, lit up with ideas of right and wrong—not the grand historical figures of her lifetime’s omnipresent, brutalizing history. “There is an art to keeping lives constant, not allowing them to be altered by facts that are merely external.� And there is great beauty in Confession , its decades and landscapes, and the legacy of love and guilt playing out in one family and against the background of dictatorship’s traumas.

In Catching Fire, the translation of Diamela Eltit's Never Did the Fire unfolds in real time as a conversation between works of art, illuminating both in the process. The problems and pleasures of conveying literature into another language-what happens when you meet a pun? a double entendre?-are met by translator Daniel Hahn's humor, deftness, and deep appreciation for what sets Eltit's work apart, and his evolving understanding of what this particular novel is trying to do.

Never Did the Fire unfolds in the humdrum of everyday working class existence, making the afterlife of an agitator that of anyone living next door. For one old couple, brought together years ago in an underground cell, the revolution has ended in a small apartment, a grinding job caring for the bodies of the unwell well-to-do, and all the aches and pains that go with a long life and a long marriage. Untethered from the political action that defined them, and mourning the loss of their child, their bonds dissolve, but the consequences of their former life, and their dependence on each other, won't let them go.A literary icon in Chile and a major figure in the anti-Pinochet resistance, Diamela Eltit is at the height of her powers in this novel of breakdowns. Never Did the Fire evokes the charged air of Chile's violent past, and the burdens it carries into the present-day, when the structures we built, and the ones we succumbed to, no longer offer us any comfort or prospect of salvation.

“There’s a new girl at school. She never stops looking up at the sky! She likes the stars and comets.� Jeannette tells her mom about her new classmate, who also loves astronomy but seems sad. She realizes it’s not easy to move to a new place. So the next day, at recess, Jeannette asks Iliana to play. At first, it’s a little hard to communicate because Iliana is learning a new language. The girls have to use their hands and their drawings. But they keep trying, and, soon, Iliana tells Jeannette about her difficult journey as a refugee who had to leave her country. Then their families meet, and Iliana’s parents share their story too. The girls’ friendship blooms, as limitless as the sky and their imaginations. Originally published in France and brought to life with wonderfully expressive artwork, this is a book about sharing stories and finding refuge in friendship, family, and a new home.

A mother is a nest, a mirror, a moon. The baby sees their mother in every aspect of their day. As the pages go by, the child grows. The mother who was a refuge becomes a road, a story, and a show. On the final page, the child is ready to take their first steps.

This unique story looks through the baby's eyes for an unexpected and affecting picture of parents and home--shown through bright, contemporary illustrations and special inks.

There is only one Arsène Wenger - and for the very first time, in his own words, this is his story.

In this definitive autobiography, the world-renowned, revolutionary football manager discusses his life and career, sharing his leadership principles for success on and off the field. At Arsenal, Wenger won multiple Premier League titles, a record number of FA Cups, and masterminded the historic 'Invincibles' season of 2003-2004. He changed the game in England forever, popularising an attacking approach and changing attitudes towards nutrition, fitness and coaching methods - and towards foreign managers. The book charts his extraordinary career, from his rise in France and Japan where he managed Nancy, Monaco and Nagoya Grampus Eight - clubs that also play in red-and-white - to his twenty-two years at the helm in north London.

A must-read not only for Arsenal supporters but football fans everywhere, MY LIFE IN RED AND WHITE illuminates the mystique surrounding one of the most respected managers in the world's most popular sport.

"This is one beautiful book."-Mia CoutoKnown and celebrated in Brazil and abroad for his novel Resistance, Julian Fuks returns to his auto-fictional alter ego Sebastian in a narrative alternating between the writer's conversations with refugees occupying a building in downtown Sao Paulo, his father's sickness, and his wife's pregnancy. With impeccable prose, the author builds associations that go beyond the obvious, not only between glimpsing a life's beginning and end, but also between the building's occupation and his wife's pregnancy - showcasing the various forms of occupation while exposing the frailty of life, the risk of solitude and the brutality of not belonging.

A USBBY Outstanding International BookAn Amazon Best Book of 2019 in the Ages 6-8 categoryA Junior Library Guild SelectionA Capitol Choices Book Caua and Inae are a brother and sister who live in a small community along the Tapajos River in Brazil. Here, the homes are on stilts and everyone travels around by boat-even to school! When the rainy season comes, they must leave their village and relocate to higher ground for a while. But after moving this year, Caua and Inae realize they've left behind something important: their pet tortoise, Titi! Unlike turtles, tortoises can't swim, and Caua and Inae are really worried. So the pair sneaks back at night on a journey along the river to rescue him. Will they be able to save Titi? This picture book, first published in Brazil, offers kids a unique look into the lives of children who live along Brazil's beautiful Tapajos River.

Longlisted for the 2022 International Booker Prize Federico and Lourenco are brothers. Their father is black, a famed forensic pathologist for the police; their mother is white. Federico - distant, angry, analytical - has light skin, which means he's always been able to avoid the worst of the racism that Brazilian culture has to offer. He can 'pass' as white, and yet, because of this, he has devoted his life to racial justice. Lourenco, on the other hand, is dark-skinned, easy-going, and well-liked in the brothers' hometown of Porto Alegre - and has become a father himself. As Federico's fiftieth birthday looms, he joins a governmental committee in the capital. It is tasked with quelling the increasingly violent student protests rocking Brazil by overseeing the design of a software program that will adjudicate the degree to which each university applicant is sufficiently black to warrant admittance under new affirmative-action quotas. Before he can come to grips with his feelings about this initiative, not to mention a budding romance with one of his committee colleagues, Federico is called home: his niece has just been arrested at a protest carrying a concealed gun. And not just any gun. A stolen police service revolver that Federico and Lourenco hid for a friend decades before. A gun used in a killing. Paulo Scott here probes the old wounds of race in Brazil, and in particular the loss of a black identity independent from the history of slavery. Exploratory rather than didactic, a story of crime, street-life and regret as much as a satirical novel of ideas, Phenotypes is a seething masterpiece of rage and reconciliation.

A large-format non-fiction picture book that describes the incredible creatures that once walked the Earth, with a lively mix of illustrations, comics and facts. Walk in the footsteps of the first fossil researchers to discover the earliest animal life on Earth. Explore the story of a spiny sea worm without tail or head, a walking fish, a peaceful sea dragon, and many other incredible creatures. Told through comics, illustrations and data, Fossils from Lost Worlds is also a fascinating insight into paleontology itself. It shows how science is a process of thinking and rethinking, questioning and learning. Through a timeline of animal reconstructions and major discoveries, we can track the beliefs and theories that have brought our knowledge to where it is today.

A warm father/son story in which an irresistible lion cub proudly tries to be just like Dad. Lionel can do everything Dad does: Dad combs his hair. So does Lionel. Dad scratches his arm. So does Lionel. Dad sings very, very loud. So does Lionel. But when Lionel throws all the toys in the air and they come down THUNK on Dad's head . . . Dad yells! Ow! So does Lionel! Dad takes a break and has a think. Then comes rushing back for a big hug--Dad is very, very happy, and so is Lionel! Boundary-pushing Lionel has a mischievous grin that instantly wins us over, and his tolerant father incidentally provides a great model for parenting. This small and sturdy board book is just right for toddlers' and preschoolers' hands, making it ideal to read alongside a child. Lionel Is Just Like Dad is the third book in this pithy board book series, designed to be read as standalone stories that introduce developmental milestones with humor, mischief, and gentle guidance. The series includes Lionel Eats All By Himself and Lionel Poops. Éric Veillé was born in France and studied at the Duperré School in Paris. He has since released many books, as author and illustrator, including Encyclopedia of Grannies and My Pictures After the Storm. Translated from the French edition by Daniel Hahn. Praise for Lionel Poops "The story is sublime in its simplicity, and the humor will delight its intended audience . . . . Potty training has never been so much fun."--starred, Kirkus Reviews "Resistance [to this little lion] is futile."--School Library Journal "The perfect combination of text and image, with repetition and humor for parent and child alike."--Youth Services Book Review "So subtle, young ones won't realise they are being taught a lesson."--Kids' Book Review "A primer in how to develop a love of humour and the absurd in young kids."--Children's Books Ireland Praise for Encyclopedia of Grannies "A completely bonkers, gleefully silly guide to grandmothers of all stripes." --School Library Journal Praise for My Pictures after the Storm (3 starred reviews) "A terrific little book that will amuse all out of proportion to its size."--Wall Street Journal

A dazzling follow-up to Life As Told by a Sapiens to a Neanderthal. ‘We would love to discover that each species has a biological clock in its cells, because, if that clock existed and if we were able to find it, perhaps we could stop it and thus become eternal,’ Arsuaga tells Millás in this book, in which science is intertwined with literature. The paleontologist reveals essential aspects of our existence to the writer, who discovers that old age is a country in which he still feels like a foreigner. After the extraordinary international reception of Life as Told by a Sapiens to a Neanderthal, the most brilliant double act in Spanish literature once again dazzle the reader by addressing topics such as death and eternity, longevity, disease, ageing, natural selection, programmed death, and survival. Here you will find humour, biology, nature, life, a lot of life … and two fascinating characters, the Sapiens and the Neanderthal, who surprise us on every page with their sharp reflections on how evolution has treated us as a species. And also as individuals.

Daniel lives with artist Moira on her native Island of Mozambique. They are awaiting the birth of their child, while also organising the island's first literary festival. But as soon as the first guests arrive, the coast is hit by a cyclone. The island is spared, but the bridge to the mainland is left impassable, and telephone and internet connections are severed. The islanders - and the writers who have come for the festival - are cut off from the outside world. Left to their own devices, the authors forge new bonds and make the best of a situation that gets stranger each day. Some believe they're in an intermediate realm, a kind of limbo, and some have no choice but to write, as the boundaries between reality and fiction, past and future, and life and death begin to blur. Where do we go when it's all over? Perhaps to a small island. This is a novel about the nature of life and of time, and the extraordinary power of imagination and the written word, capable of creating anything and regenerating everything. Translated from the Portuguese by Daniel Hahn

In this pithy board book series, an overenthusiastic, impulsive lion tests his daily routines to their limit—in Lionel Eats All By Himself, Lionel does just that, cheekily enjoying the remarkable mess that results. Lionel is in his highchair and insists on eating all by himself. His veggies—well done, Lionel! His soup—nice one, Lionel! But each bite leaves more and more mess in the room, and on Lionel. Watch out for the big burp to finish off before Dad helps Lionel down from the table. Cheeky toddler lion Lionel learns about looking after his own body. His mischievous grin puts the reader instantly on his side, and the tolerant voice of his father provides an amused commentary—and incidentally a lovely model for how to parent. Series includes Lionel Poops. From the author of Encyclopedia of Grannies… “A completely bonkers, gleefully silly guide to grandmothers of all stripes.� School Library Journal …and My Pictures after the Storm (3 starred reviews) “A terrific little book that will amuse all out of proportion to its size.� Wall Street Journal

The last thirty years have witnessed one of the most fertile periods in the history of children's books: the flowering of imaginative illustration and writing, the Harry Potter phenomenon, the rise of young adult and crossover fiction, and books that tackle extraordinarily difficult subjects. The Oxford Companion to Children's Literature provides an indispensable and fascinating reference guide to the world of children's literature. Its 3,500 entries cover every genre from fairy tales to chapbooks; school stories to science fiction; comics to children's hymns. Originally published in 1983, the Companion has been comprehensively revised and updated by Daniel Hahn. Over 900 new entries bring the book right up to date. A whole generation of new authors and illustrators are showcased, with books like Dogger, The Hunger Games, and Twilight making their first appearance. There are articles on developments such as manga, fan fiction, and non-print publishing, and there is additional information on prizes and prizewinners. This accessible A to Z is the first place to look for information about the authors, illustrators, printers, publishers, educationalists, and others who have influenced the development of children's literature, as well as the stories and characters at their centre. Written both to entertain and to instruct, the highly acclaimed Oxford Companion to Children's Literature is a reference work that no one interested in the world of children's books should be without.

Best Translated Book Award Longlist Reader's Digest Great New Book World Literature Today Holiday Gift Guide Recommendation "Offer[s] surprise and revelation at every turn." Reader's Digest "Eduardo Halfon is a brilliant storyteller." DANIEL ALARCON, author of At Night We Walk in Circles In Monastery, the nomadic narrator of Eduardo Halfon's critically-acclaimed The Polish Boxer returns to travel from Guatemalan cities, villages, coffee plantations, and border towns to a private jazz concert in New York's Harlem, a former German U-Boat base on the French Breton coast, and Israel, where he escapes from his sister's Orthodox Jewish wedding into an erotic adventure with the enigmatic Tamara. His passing encounters are unforgettable; his relationships, problematic. At once a world citizen and a writer who mistrusts the power of language, he is pursued by history's ghosts and unanswerable questions. He is a cartographer of identity on a compelling journey to an uncertain destination. As he draws and redraws his boundaries, he confronts us with the limitations of our own. Eduardo Halfon was named one of the best young Latin American writers by the Hay Festival of Bogota and is the recipient of a Guggenheim Fellowship and the prestigious Jose Maria de Pereda Prize for the Short Novel. The Polish Boxer, his first book to appear in English, was a New York Times Editors' Choice selection and finalist for the International Latino Book Award. Halfon is currently the Harman Writer in Residence at Baruch College in New York and travels frequently between his homes in Nebraska and Guatemala.

A bright and contemporary picture book for young children about the fun of bath time, imaginative play—and fishing for underpants from the bath boat!   This morning, Fodo Dodo and Noodle go fishing. They take raincoats, boots, hats and a fishing rod. From their bathtub boat, they soon catch a beautiful striped fish out of the laundry basket—underguppies!  Fodo Dodo and Noodle rush to the kitchen to prepare their feast. But the owner of the underpants is not happy with this game of make-believe. Never mind, Fodo Dodo has another idea to keep the fun alive with an even better use for the rest of the laundry.  This cheerful, simple story takes its imaginary premise to a laugh out loud ending as two silly animals make the most of playtime in the bath. With wordplay, rhythm and repetition, this stylish picture book is built for a fun read-aloud full of silly words and humor. Themes of imagination and play, and contemporary graphic illustrations all help transform a dull or troublesome bathtime routine into a fun, creative playground for toddlers and preschoolers.   Translated from the French edition by Daniel Hahn. 

'I don't expect anyone to believe me,' warns the narrator of this novel, a Mexican student called Juan Pablo Villalobos. He is about to fly to Barcelona on a scholarship when he's kidnapped in a bookshop and whisked away by thugs to a basement. The gangsters are threatening his cousin-a wannabe entrepreneur known to some as 'Projects' and to others as 'dickhead' - who is gagged and tied to a chair. The thugs say Juan Pablo must work for them. His mission? To make Laia, the daughter of a corrupt politician, fall in love with him. He accepts . . . though not before the crime boss has forced him at gunpoint into a discussion on the limits of humour in literature. Part campus novel, part gangster thriller, I Don't Expect Anyone to Believe Me is Villalobos at his best. Exuberantly foul-mouthed and intellectually agile, this hugely entertaining novel finds the light side of difficult subjects - immigration, corruption, family loyalty and love - in a world where the difference between comedy and tragedy depends entirely on who's telling the joke.

Machado de Assis is one of the most enigmatic and fascinating story writers who ever lived. What seem at first to be stately social satires reveal unanticipated depths through hints of darkness and winking surrealism. This new selection of his finest work, translated by the prize-winning Daniel Hahn, showcases the many facets of his mercurial genius. A brilliant scientist opens the first asylum in his home town, only to start finding signs of insanity all around him. A young lieutenant basks in praise of his new position, but in solitude feels his identity fray into nothing. The reading of a much-loved, respected elder statesman's journals reveals hidden thoughts of merciless cruelty.

It took being caught at a border without proper documents for me to realise I'd always been a prisoner of sorts. Kuduro had been my passport to the world, thanks to it I'd travelled to places I'd never dreamed of visiting. But the chickens had come home to roost . . . Hours before performing at one of Europe's most iconic music festivals, Kalaf Epalanga is detained at the border on suspicion of being an illegal immigrant. Trapped, his thoughts soon thrum to the beat of kuduro, the blistering, techno-infused Angolan music which has taken him from Luanda to Kristiansund, Beirut to Rio de Janeiro, Paris to Lisbon. Shifting between his reflections while incarcerated, and the stories of Sofia - Kalaf's friend at the heart of the Lisbon dance scene - and the 'Viking', the immigration official holding Kalaf's fate in his hands, Whites Can Dance Too is a celebration of the music of Epalanga's homeland, and a hypnotic paean to cultural roots, to freedom and love. 'Both a manifesto and a love story . . . Electrifying . . . What you will find is a story so compelling and visceral that it has the power to move your heart and remind you that the only real borders are the ones we set around ourselves.' Maaza Mengiste, author of The Shadow King (shortlisted for the Booker Prize) 'A novel full of swag and swing, entertaining and courageous . . . An excellent first novel.' José Eduardo Agualusa

In this depiction of the devastating history of a country tormented by 30 years of conflict, a journalist investigates the mysterious disappearance of Angolan poetess and historian Lidia do Carmo Ferreira, who vanished from Luanda as the civil war flared up with unprecedented ferocity when the rebel movement refused to accept defeat in the country's first democratic election. A fictive biography of Ferreira's life, this tangled mesh of fact and fiction uses the disillusionment of its two protagonists to re-create the disappointment of an entire nation in turmoil. A careful translation of one of the strongest writers in the Portuguese language today, this novel portrays the agony of a country's struggle for independence.

Driving home, law student Paulo passes a figure at the side of the road. The indigenous girl stands in the heavy rain, as if waiting for something. Paulo gives her a lift to her family's roadside camp. With sudden shifts in the characters' lives, this novel takes in the whole story: telling of love, loss and family, it spans the worlds of Sao Paulo's rich kids and dispossessed Guarani Indians along Brazil's highways. One man escapes into an immigrant squatter's life in London, while another's performance activism leads to unexpected fame on Youtube. Written from the gut, it is a raw and passionate classic in the making, about our need for a home.

Quest, a volume of seventeen stories aimed at children, will whisk you away from dark bedrooms to new dimensions and fantasy realms, via the Russian countryside and modern Rome. You'll encounter talking field mice, invisible friends, flying kraiks, white elephants, runaway books and wardrobes that act as magic portals. Hopping across all sorts of genres and showcasing authors from all over Europe - from the Basque country and Cyprus to Iceland and the Czech Republic - this book is certain to broaden horizons and engage the reader in all kinds of fun. Hay Festival is delighted to present Aarhus 39, a two-volume collection of the best emerging writers for young readers from across wider Europe. Three of among Europe's best loved children's authors - Matt Haig (UK), Kim Fupz Aakeson (Denmark) and Ana Cristina Herreros (Spain) - have selected thirty-nine writers under the age of forty, and invited them to write an original story on the theme of "journey". These new stories, together with the specially commissioned illustrations that accompany them, are a celebration of great new writing for young people and reflect issues facing them in contemporary Europe. Reading stories of other people's lives and journeys extends understanding and empathy to new generations.