In Catching Fire, the translation of Diamela Eltit's Never Did the
Fire unfolds in real time as a conversation between works of art,
illuminating both in the process. The problems and pleasures of
conveying literature into another language-what happens when you
meet a pun? a double entendre?-are met by translator Daniel Hahn's
humor, deftness, and deep appreciation for what sets Eltit's work
apart, and his evolving understanding of what this particular novel
is trying to do.
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