This book deals with the forgotten history of the civil rights movement. The American Left played a significant part in the origins of that movement, whose history has traditionally been focused on the later 1940's and early 1950's. This approach needs serious re-thinking in light of what took place in the later 1930's with the organization and activity of groups like the Southern Negro Youth Congress that brought both African-American and white workers and students together in the fight for economic and social justice. Thanks to the post-World War II Red Scare such groups as well as Left African-American leaders like Esther and James Jackson have been overlooked or excised from an exciting, controversial, and important story. With all due credit to the churches which played such a pivotal role in finally winning Blacks their civil rights, the early history involving the Left, workers of both races, and the labor unions must be assimilated into America's memory, for there were important continuities between what they did and the later church-based struggle. This book was published as a special issue of American Communist History.

This book deals with the forgotten history of the civil rights movement. The American Left played a significant part in the origins of that movement, whose history has traditionally been focused on the later 1940's and early 1950's. This approach needs serious re-thinking in light of what took place in the later 1930's with the organization and activity of groups like the Southern Negro Youth Congress that brought both African-American and white workers and students together in the fight for economic and social justice. Thanks to the post-World War II Red Scare such groups as well as Left African-American leaders like Esther and James Jackson have been overlooked or excised from an exciting, controversial, and important story. With all due credit to the churches which played such a pivotal role in finally winning Blacks their civil rights, the early history involving the Left, workers of both races, and the labor unions must be assimilated into America's memory, for there were important continuities between what they did and the later church-based struggle.

This book was published as a special issue of American Communist History.

This book makes available in one source descriptions of most of the major archival collections in the field of labor history at U.S. libraries. Of considerable value to the many scholars and students of the labor history movement in the United States, it includes descriptions of both large and small collections, and covers libraries whose holdings deal primarily with workers and unions as well as those with broader collections that include material on immigration, social welfare, and radicalism. In view of the fact that labor history has become, over the past generation, one of the more active and seminal fields of American historical studies, with major institutions and many smaller ones throughout the country now represented, this volume will serve as a basic but detailed guide to the major record holdings.

Since its release in 1954, scholars have been aware of the Central Intelligence Agency's involvement in the making of the controversial animated motion picture adaptation of George Orwell's Animal Farm. In Orwell Subverted, Daniel Leab gives an authoritative and well-documented account of the CIA's powerful influence on the film.

Recently, a number of works have been written--notably, those by Frances Stoner Saunders and Tony Shaw--that make reference to the underlying governmental control surrounding Animal Farm. Yet there is still much speculation and confusion as to the depth of the CIA's interference. Leab continues where these authors left off, exploring the CIA's dominant hand through extensive research and by giving fascinating details of the agency's overt and subtle influences on the making of the film. Leab's thorough investigating makes use of sources that have been excluded in past accounts, such as CIA papers retrieved through the Freedom of Information Act and material from the Orwell Archive. He also incorporates the testimonials of animators John Halas and Joy Batchelor and, most significantly, the previously unexplored archive documents of Animal Farm producer Louis de Rochemont.

Who is Matt Cvetic? Hero? Scoundrel? Mole? The man who loosely provided the inspiration for the B-Grade cult movie I Was a Communist for the FBI had a life that was marred by alcoholism, damaged expectations, and greed.

Cvetic, at the request of the FBI, joined a Pittsburgh branch of the CPUSA in 1943. He became one of many plants in the Party during that decade and gained the nickname "Pennsylvania's most significant mole." However, because of his erratic behavior, the FBI fired him in 1950, at which time he surfaced and suddenly became a celebrity through his testimony before the HUAC hearing. Journalist Richard Rovere described Cvetic as a "kept witness," a term that fits those who "made a business of being witnesses," thereby "befouling due process."

Cvetic was the subject of a multipart series in the Saturday Evening Post. The articles bordered on fiction, but they gave Cvetic the national exposure he needed to secure a screen deal. Warner Brothers bought the story, made the movie, and enhanced Cvetic's celebrity as pop icon. In the mid-1950s, Cvetic was discredited as a witness by the courts. His career ended and he found a new niche on the Radical Right, yet he died in 1962 after years of fighting to uphold his image with the media. Today Cvetic's image is dimly remembered as he continues to fight "the Red Menace" on late-night television.

Leab juxtaposes Cvetic's real life with his reel life. He chronicles his fall from grace, yet admits that Cvetic's life offers fascinating and useful insights into the creation, merchandising, and distribution of a reckless professional witness. Leab also writes about Cvetic's life prior to his involvement with the FBI, his glory days, and shows that there is much to be learned from the story of an "anti-Communist icon."