Since its release in 1954, scholars have been aware of the
Central Intelligence Agency's involvement in the making of the
controversial animated motion picture adaptation of George Orwell's
Animal Farm. In Orwell Subverted, Daniel Leab gives an
authoritative and well-documented account of the CIA's powerful
influence on the film.
Recently, a number of works have been written--notably, those by
Frances Stoner Saunders and Tony Shaw--that make reference to the
underlying governmental control surrounding Animal Farm. Yet there
is still much speculation and confusion as to the depth of the
CIA's interference. Leab continues where these authors left off,
exploring the CIA's dominant hand through extensive research and by
giving fascinating details of the agency's overt and subtle
influences on the making of the film. Leab's thorough investigating
makes use of sources that have been excluded in past accounts, such
as CIA papers retrieved through the Freedom of Information Act and
material from the Orwell Archive. He also incorporates the
testimonials of animators John Halas and Joy Batchelor and, most
significantly, the previously unexplored archive documents of
Animal Farm producer Louis de Rochemont.
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