Cyber-warfare is often discussed, but rarely truly seen. When does an intrusion turn into an attack, and what does that entail? How do nations fold offensive cyber operations into their strategies? Operations against networks mostly occur to collect intelligence, in peacetime. Understanding the lifecycle and complexity of targeting adversary networks is key to doing so effectively in conflict. Rather than discussing the spectre of cyber war, Daniel Moore seeks to observe the spectrum of cyber operations. By piecing together operational case studies, military strategy and technical analysis, he shows that modern cyber operations are neither altogether unique, nor entirely novel. Offensive cyber operations are the latest incarnation of intangible warfare--conflict waged through non-physical means, such as the information space or the electromagnetic spectrum. Not all offensive operations are created equal. Some are slow-paced, clandestine infiltrations requiring discipline and patience for a big payoff; others are short-lived attacks meant to create temporary tactical disruptions. This book first seeks to understand the possibilities, before turning to look at some of the most prolific actors: the United States, Russia, China and Iran. Each has their own unique take, advantages and challenges when attacking networks for effect.

This anthology focuses on the ethical issues surrounding information control in the broadest sense. Anglo-American institutions of intellectual property protect and restrict access to vast amounts of information. Ideas and expressions captured in music, movies, paintings, processes of manufacture, human genetic information, and the like are protected domestically and globally. The ethical issues and tensions surrounding free speech and information control intersect in at least two important respects. First, the commons of thought and expression is threatened by institutions of copyright, patent, and trade secret. While institutions of intellectual property may be necessary for innovation and social progress they may also be detrimental when used by the privileged and economically advantaged to control information access, consumption, and expression. Second, free speech concerns have been allowed to trump privacy interests in all but the most egregious of cases. At the same time, our ability to control access to information about ourselves--what some call "informational privacy"--is rapidly diminishing. Data mining and digital profiling are opening up what most would consider private domains for public consumption and manipulation. Post-9/11, issues of national security have run headlong into individual rights to privacy and free speech concerns. While constitutional guarantees against unwarranted searches and seizures have been relaxed, access to vast amounts of information held by government agencies, libraries, and other information storehouses has been restricted in the name of national security.

Insane Acquaintances explores a range of exhibitions, organisations and institutions that mediated and promoted modernism in Britain. In a series of case studies on subjects ranging from the first Postimpressionist exhibition in London in 1910, the teaching of modernist art in schools, the decoration and design of the modernist home, the International Surrealist exhibition in London in 1936 and the Festival of Britain in 1951, Insane Acquaintances charts some of the ways in which modernism not only sought to improve the quality of art but also the quality of art's reception in Britain. It also provides an institutional history of some of the groups and organisations that fostered modernist art in Britain during that period.