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Authenticity is one of the major values of our time. It is visible
everywhere, from clothing to food to self-help books. While it is
such a prevalent phenomenon, it is also very evasive. This study
analyses the 'culture of authenticity' as it relates to theatre and
establishes a theoretical framework for analysis. Daniel Schulz
argues that authenticity is sought out and marked by the individual
and springs from a culture that is perceived as inherently fake and
lacking depth. The study examines three types of performances that
exemplify this structure of feeling: intimate theatre seen in
Forced Entertainment productions such as Quizoola! (1996, 2015), as
well as one-on-one performances, such as Oentroerend Goed's
Internal (2009); immersive theatres as illustrated by Punchdrunk's
shows The Masque of the Red Death (2007) and The Drowned Man (2013)
which provide a visceral, sensate understanding for audiences;
finally, the study scrutinises the popular category of documentary
theatre through various examples such as Robin Soan's Talking to
Terrorists (2005), David Hare's Stuff Happens (2004), Edmund
Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary
play Taking Care of Baby (2007). It is specifically the value of
the document that lends such performances their truth-value and
consequently their authenticity. The study analyses how the success
of these disparate categories of performance can be explained
through a common concern with notions of truth and authenticity. It
argues that this hunger for authentic, unmediated experience is
characteristic of a structure of feeling that has superseded
postmodernism and that actively seeks to resignify artistic and
cultural practices of the everyday.
Authenticity is one of the major values of our time. It is visible
everywhere, from clothing to food to self-help books. While it is
such a prevalent phenomenon, it is also very evasive. This study
analyses the 'culture of authenticity' as it relates to theatre and
establishes a theoretical framework for analysis. Daniel Schulz
argues that authenticity is sought out and marked by the individual
and springs from a culture that is perceived as inherently fake and
lacking depth. The study examines three types of performances that
exemplify this structure of feeling: intimate theatre seen in
Forced Entertainment productions such as Quizoola! (1996, 2015), as
well as one-on-one performances, such as Oentroerend Goed's
Internal (2009); immersive theatres as illustrated by Punchdrunk's
shows The Masque of the Red Death (2007) and The Drowned Man (2013)
which provide a visceral, sensate understanding for audiences;
finally, the study scrutinises the popular category of documentary
theatre through various examples such as Robin Soan's Talking to
Terrorists (2005), David Hare's Stuff Happens (2004), Edmund
Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary
play Taking Care of Baby (2007). It is specifically the value of
the document that lends such performances their truth-value and
consequently their authenticity. The study analyses how the success
of these disparate categories of performance can be explained
through a common concern with notions of truth and authenticity. It
argues that this hunger for authentic, unmediated experience is
characteristic of a structure of feeling that has superseded
postmodernism and that actively seeks to resignify artistic and
cultural practices of the everyday.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Der Schriftstellerische Charakter Und Werth Des Johannes: Zum
Behuf Der Specialhermeneutik Seiner Schriften Untersucht Und
Bestimmt Johann Daniel Schulze
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ De Praerogativa Creditorum Cambialium Prae Chirographariis
Andreas Florens Rivinus, Johann Daniel Schulze Schlomach, 1749
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Praktische Anleitung Fur Prediger Zu Padagogischer Bearbeitung
Der Gewohnlichen Sonn- Und Festtagsevangelien Johann Daniel Schulze
Aue, 1803
Unterweisung / Unterweisungsentwurf aus dem Jahr 2009 im
Fachbereich AdA Handwerk / Produktion / Gewerbe - Dachdecker, Note:
2, Veranstaltung: ADA Ausbildung der Ausbilder, Sprache: Deutsch,
Abstract: ...] Der Auszubildende Sven Muster soll den sicheren
Umgang mit dem maschinellen Werkzeug "Tischbandsage" erlernen,
indem er hiermit zunachst das Schneiden von Kantholz und im
weiteren Verlauf von Rundholz ubt. Die Unterweisung wird maximal 45
Minuten in Anspruch nehmen, um den jungen Auszubildenden nicht zu
uberfordern. ...]
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