Shusaku Endo is celebrated as one of Japan's great modern novelists, often described as "Japan's Graham Greene," and Silence is considered by many Japanese and Western literary critics to be his masterpiece. Approaching Silence is both a celebration of this award-winning novel as well as a significant contribution to the growing body of work on literature and religion. It features eminent scholars writing from Christian, Buddhist, literary, and historical perspectives, taking up, for example, the uneasy alliance between faith and doubt; the complexities of discipleship and martyrdom; the face of Christ; and, the bodhisattva ideal as well as the nature of suffering. It also frames Silence through a wider lens, comparing it to Endo's other works as well as to the fiction of other authors. Approaching Silence promises to deepen academic appreciation for Endo, within and beyond the West. Includes an Afterword by Martin Scorsese on adapting Silence for the screen as well as the full text of Steven Dietz's play adaptation of Endo's novel.

Spiritually engaged readers commonly look towards fiction to better understand the depth of a faithful life, and Christians are no exception. Many followers of Jesus value beautifully written, deftly characterized and pulse-quickening literary art that often seems more satisfying than dry, 567 tedious doctrinal textbooks. This book surveys twelve pieces of historical fiction that each feature notable Christian thinkers as protagonists. Texts include an illustrated children's book about St. Irenaeus of Lyons, a novel about Martin Luther's Reformation, a screenplay focusing on Dietrich Bonhoeffer and even a story about Pope Francis narrated in popular manga style. Rather than offering arcane literary analyses of such stories, this book provides winsome, thoughtful and sometimes painful interviews with the authors of the covered works. Most interviewees are little known or emerging writers. Some have published their work with a church or denominational press, others with a major publishing empire or popular print-on-demand platforms. Storytellers reflect on their literary choices and the contexts of their writing, sharing what modern Christians can learn from historical religious fiction.

Broken Hallelujah offers a unique perspective on one of the most prolific and celebrated twentieth-century European writers, Nikos Kazantzakis (1883-1957). Marking the fiftieth anniversary of Kazantzakis's death, author Darren J. N. Middleton looks back on Kazantzakis's life and literary art to suggest that, contrary to popular belief, Kazantzakis and his views actually comport with the ideals of Christianity. As a theologian and ordained Baptist minister, Middleton approaches Kazantzakisas as a broadly sympathetic spiritual seeker rather than the traditional religious villain as he is routinely portrayed. Based on archival work conducted at the Kazantzakis library in Iraklion and at various monasteries on Athos, Middleton finds important connections between Kazantzakis's work and key themes in Eastern Orthodox theology, especially the "hesychastic" and "apophatic" traditions. This book advances modern Greek studies as well as general theological studies by acknowledging and celebrating Kazantzakis's clear if admittedly uneasy alliance with Christianity. Broken Hallelujah is a fascinating text that will interest scholars in Christianity and Literature studies, as well as those thinking through the faith in this era.

Endo Shusaku is celebrated as one of Japan's great modern novelists and is often described as Japan's Graham Greene. Silence is considered by many Japanese and Western literary critics to be his masterpiece. Approaching Silence is both a celebration of this award-winning novel as well as a significant contribution to the growing body of work on literature and religion. It represents the first attempt to feature an engaged, patient contact with this pivotal text. Approaching Silence assembles and features eminent scholars writing from Christian, Buddhist, literary, and historical perspectives, taking up, for example, the uneasy alliance between faith and doubt; the complexities of discipleship and martyrdom; the face of Christ; and, the bodhisattva ideal as well as the nature of suffering. Some essays will look through a wider lens on Endo's work, comparing Silence to other works of Endo as well as to the fiction of other authors. Approaching Silence serves as a reader for advanced undergraduate and graduate courses in religion and literature, inter-religious dialogue, comparative literature, Japanese literature, and textual reception.

Informative, broad-ranging, this title sheds new light on the life and literary art of one of the last century's most celebrated authors. The first volume to be authorized by the Graham Greene Birthplace Trust, "Dangerous Edges of Graham Greene" brings together writers, journalists and scholars to investigate as well as to assess Greene's prolific oeuvre and intense personal interests. Here the reader may explore everything from Greene's Vienna at the time of the filming of "The Third Man" to his sometimes fraught relationship with Evelyn Waugh, from Greene's unconventional fictional treatment of women to his "believing skepticism". While Greene often informed friends that "a ruling passion gives to a shelf of novels the unity of a system", critics of his literary art have found it extraordinarily difficult to define the content of this "ruling passion". Perhaps this is because Greene's own character seems so paradoxical, ironic even. Moreover, in believing that sin contains within itself the seeds of saintliness, he consistently loiters on what Robert Browning calls "the dangerous edge of things". In exploring this "dangerous edge", this book covers the full breadth of Greene's life and literary career.

Recognizing that one-third of the world's Christians practice their faith outside Europe and North America, the fourteen essays in Mother Tongue Theologies explore how international fiction depicts Christianity's dramatic movement South and East of Jerusalem as well as North and West. Structured by geographical region, this collection captures the many ways in which people around the globe receive Christianity. It also celebrates postcolonial literature's diversity. And it highlights non-Western authors' biblical literacy, addressing how and why locally rooted Christians invoke Scripture in their pursuit of personal as well as social transformation. Featured authors include Fyodor Dostoevsky, Constantine Cavafy, Scott Cairns, Chinua Achebe, Madam Afua Kuma, Earl Lovelace, V. S. Reid, Ernesto Cardenal, Helena Parente Cunha, Arundhati Roy, Mary Martha Sherwood, Marguerite Butler, R. M. Ballantyne, Rudyard Kipling, Nora Okja Keller, Amy Tan, Albert Wendt, and Louise Erdrich. Individual essayists rightly come to different conclusions about Christianity's global character. Some connect missionary work with colonialism as well as cultural imperialism, for example, and yet others accentuate how indigenous cultures amalgamate with Christianity's foreignness to produce mesmerizing, multiple identities. Differences notwithstanding, Mother Tongue Theologies delves into the moral and spiritual issues that arise out of the cut and thrust of native responses to Western Christian presence and pressure. Ultimately, this anthology suggests the reward of listening for and to such responses, particularly in literary art, will be a wider and deeper discernment of the merits and demerits of post-Western Christianity, especially for Christians living in the so-called post-Christian West.

What happens to faith when the creeds and confessions can no longer be squared with historical and empirical evidence? Most critical scholars have wrestled with this question. Some have found ways to reconcile their personal religious belief with the scholarship they practice. Others have chosen to reconstruct their view of religious meaning in light of what they have learned. But most have tended not to share those views in a public forum. And that brings up a second question: At what point does the discrepancy between what I know, or think I know, and what I am willing to say publicly become so acute that my personal integrity is at stake? Being honest about what one thinks has always mattered in critical scholarship. In the pages of ""When Faith Meets Reason"", thirteen scholars take up the challenge to speak candidly about how they negotiate the conflicting claims of faith and reason, in hopes that their journeys will inspire others to engage in their own search for meaning.

2005 marks the fiftieth anniversary of Nikos Kazantzakis' "The Last Temptation of Christ". Since Kazantzakis ranks as one of the twentieth century's most important European writers, and given that this particular work of his has garnered so much publicity, this collection of essays re-assesses the novel, though not forgetting the movie, in light of one half century's worth of criticism and reception history. Clergy and laity alike have denounced this novel. When it first appeared, the Greek Orthodox Church condemned it, the Vatican placed it on its Index of Forbidden Texts, and conservative-evangelicals around the world protested its allegedly blasphemous portrayal of a human, struggling Messiah who "succumbs" to the devil's final snare while on the Cross: the temptation to happiness. Assuredly, the sentiments surrounding this novel, at least in the first thirty years or so, were very strong. When Martin Scorsese decided in the early 1980s to adapt the novel for the silver screen, even stronger feelings were expressed. Even today his works are seldom studied in Greece, largely because the Greek government is unable or unwilling to anthologize his material for the national curriculum. After fifty years, however, the time seems right to re-examine the novel, the man, and the film, locating Kazantzakis and his work within an important debate about the relationship between religion and art (literary and cinematic). Until now a book-length assessment of Kazantzakis' novel, and the film it inspired, has not appeared. No such volume is planned to commemorate the fiftieth anniversary of the novel's publication. For those who work in Kazantzakis studies, a focused anthology like this one is missing from library collections. The volume contains original essays by Martin Scorsese, the film critic Peter Chattaway, and Kazantzakis' translator, Peter A. Bien.