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Scandalizing Jesus? - Kazantzakis's The Last Temptation of Christ Fifty Years On (Paperback)
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Scandalizing Jesus? - Kazantzakis's The Last Temptation of Christ Fifty Years On (Paperback)
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2005 marks the fiftieth anniversary of Nikos Kazantzakis' "The Last
Temptation of Christ". Since Kazantzakis ranks as one of the
twentieth century's most important European writers, and given that
this particular work of his has garnered so much publicity, this
collection of essays re-assesses the novel, though not forgetting
the movie, in light of one half century's worth of criticism and
reception history. Clergy and laity alike have denounced this
novel. When it first appeared, the Greek Orthodox Church condemned
it, the Vatican placed it on its Index of Forbidden Texts, and
conservative-evangelicals around the world protested its allegedly
blasphemous portrayal of a human, struggling Messiah who "succumbs"
to the devil's final snare while on the Cross: the temptation to
happiness. Assuredly, the sentiments surrounding this novel, at
least in the first thirty years or so, were very strong. When
Martin Scorsese decided in the early 1980s to adapt the novel for
the silver screen, even stronger feelings were expressed. Even
today his works are seldom studied in Greece, largely because the
Greek government is unable or unwilling to anthologize his material
for the national curriculum. After fifty years, however, the time
seems right to re-examine the novel, the man, and the film,
locating Kazantzakis and his work within an important debate about
the relationship between religion and art (literary and cinematic).
Until now a book-length assessment of Kazantzakis' novel, and the
film it inspired, has not appeared. No such volume is planned to
commemorate the fiftieth anniversary of the novel's publication.
For those who work in Kazantzakis studies, a focused anthology like
this one is missing from library collections. The volume contains
original essays by Martin Scorsese, the film critic Peter
Chattaway, and Kazantzakis' translator, Peter A. Bien.
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