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A Closer Look: Conservation of Paintings (Paperback): David Bomford A Closer Look: Conservation of Paintings (Paperback)
David Bomford; Contributions by Jill Dunkerton, Martin Wyld
R326 Discovery Miles 3 260 Ships in 12 - 17 working days

A Closer Look is the new series title for the updated and refreshed National Gallery Pocket Guide range. The series has been enhanced with a stronger format, attractive design, new photography, and additional information. The philosophy of modern conservation is different from that of previous eras: the emphasis now is on long-term stabilization by methods that alter the structure of a painting as little as possible. Nevertheless, if paintings are obscured by discolored varnishes and old repaints, they are cleaned, and this has often led to anxiety and debate as long-admired images are transformed. A Closer Look: Conservation of Paintings discusses the material nature of paintings and the ways that they have changed, both naturally and at the hands of previous restorers. It also describes the main types of conservation treatment carried out on panel and canvas paintings and some of the complex issues involved in cleaning and restoration. Published by National Gallery Company/Distributed by Yale University Press

A Closer Look: Colour (Paperback): David Bomford, Ashok Roy A Closer Look: Colour (Paperback)
David Bomford, Ashok Roy
R325 Discovery Miles 3 250 Ships in 12 - 17 working days

A Closer Look is the new series title for the updated and refreshed National Gallery Pocket Guide range. The series has been enhanced with a stronger format, attractive design, new photography, and additional information. It is self-evident that colour is fundamental to painting, but it is not always obvious from looking at pictures what kinds of materials may be used by an artist to make colour. This Pocket Guide explains how coloured pigments are combined with a medium to form a paint layer, and how this affects our perception of the appearance of colour. It not only describes the materials of colour but also explains colour theories and examines writings about colour, including painters' treatises. Through a selection of superb pictures from the National Gallery, London, including works by Piero della Francesca, Leonardo, Titian, Caravaggio, Canaletto, Rembrandt, Velazquez, Monet, and Seurat, the authors demonstrate how painters through the centuries have exploited the characteristics of colour in paint. Published by National Gallery Company/Distributed by Yale University Press

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