This translation of Johann Ewald's classic essay, Abhandlung Uber den kleinen Krieg, published in 1785, describes light infantry tactics in an era of heavy infantry formations. Robert Selig and David Skaggs comment on Ewald's treatise on partisan warfare and its relevance to current military doctrine. They also provide extensive scholarly notations with the text, explaining people, places, and events during the Seven Years' War and the American Revolution, where Ewald had extensive experience as a company commander in the Hessian Field Jaeger Corps. This first English translation should be of real interest to historians of American Revolution and pre-Napoleonic warfare and of special use to military professionals today in the Army and Marine Corps. Captain Ewald, eventually a Major General in the Danish Army, describes the recruiting and training of light infantry troops, and discusses their use both in the Seven Years' War and the American Revolution at length. He provides illuminating insights into light infantry tactics and doctrine.

A new title in the series created for the modern reader, introducing the heroes, cultures, myths and religions of the world. The tale of the legendary Mongol General Genghis Khan is as phenomenal as the man himself. Probably the greatest conqueror in history, he ruled vast swathes of land in the early 1200s, vanquishing people across Asia and Europe, so that by the mid-1200s the Mongol Empire covered over 12 million square miles of land. From myth to mystery, the supernatural to horror, fantasy and science fiction FLAME TREE 451 offers tales, myths and epic literature from the beginnings of humankind, through the medieval era to the stories of imagination and dark romance of today.

Chinese society and culture are evolving with a booming economy, expansion, production of consumer and industrial goods, and a growing influence upon the world. The History of China allows readers to delve into the rich history of this powerful nation. China is both the world's oldest continuing civilization and an emerging global super power. Over the last two millennia, this rich and complex nation has often been the wealthiest and most populous country on earth-and within a few decades, China may surpass all other nations as the most powerful in the world. In this third edition of The History of China, readers will find a general survey of China's long history, ranging from accounts of ancient Chinese civilization to individual dynasties, and its whirlwind transition to modernity and belated arrival into the international community. An extensive new chapter discusses the emergence of Xi Jinping as China's paramount leader and the bold new directions in which he is taking the country and offers some speculations or predictions about where China is headed in the future. A timeline, appendix of Notable People in the History of China, and bibliography are updated. Ideal for high school and undergraduate students, this volume offers a lively, engaging narrative of the rich history of Chinese civilization through present day. Gives readers a clear chronological march through Chinese history, including the dynasties Covers the startling history of China's technological innovation and scientific discovery Examines the history of China's interactions with non-Chinese peoples and states and draws attention to how they may be relevant to understanding China's international relations today Contains a new chapter covering leader Xi Jinping's rise to power Includes an updated timeline of significant events in the history of China, providing students with an at-a-glance overview of China's history Provides readers with brief biographies of those who have made important contributions to the country's history in an updated appendix of Notable People in the History of China

This detailed survey presents for the first time an alternative history of the moving image, chronicling artists' ever-evolving fascination with filmmaking from the early twentieth century to now. From early pioneers to key artists of the present, leading authority and film expert David Curtis offers a vivid account of the numerous individuals who have been inspired by the cinematic medium and felt compelled to interpret and respond to it in their own way. In doing so, he discusses artists' widely differing achievements, aspirations, theories and approaches. Featuring over 400 international moving-image makers and drawing on examples from across the arts, including experimental film, video, installation and multimedia, this generously illustrated account offers an incomparable introduction to this increasingly popular and continually evolving art-form. With 153 illustrations in colour

From novelists to political cartoonists, artists have long brought a unique perspective to important public discussions of social and political issues. Yet, fury and debate over the role of the artist has resulted in blacklisting, banning, and symbolically burning artists who use their work as a means of social critique and social change. The Art of Social Critique makes a case for the complexity of artistic ways of "seeing" social life - observing, analyzing and portraying society - by examining the interdisciplinary nature of imagination. The authors cover a range of novelists, painters, musicians, cartoonists, poets and others whose explorations of the human condition directly connect to complex methods of social inquiry often associated with other disciplines. Specific parallels are drawn between the social sciences and the theories, lenses, and aesthetics that allow these artists to gain a clearer view of social life. Artistic techniques, such as metaphor, caricature, and irony, are examined as unique methods of social inquiry, while the novelist and poet become ethnographers of social life. By treading the common ground between the arts, humanities and social sciences, The Art of Social Critique raises a number of important questions about the role of art in society: What are the relationships between imagination, creativity, perspective, experimentation and unveiling social life? How does the artistic perspective engage in representation, give voice, or unveil? How have artists examined the relationship between the individual and society, social structures, or social norms that we take for granted? Each chapter explores how the "artistic eye," as a form of qualitative social inquiry, helps both the artist and the audience arrive at a more complex understanding of society. From art as a social movement to the important relationship between art and collective memory, The Art of Social Critique covers imagination as an interdisciplinary concept that draws on the sociological, psychological, historical, and political. Together these essays reveal art as more than mere entertainment or amusement - it is an interdisciplinary way of knowing our social world.

In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997, respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental filmmakers.
Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to reinvigorate such time-honored subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain--a tradition that has been only intermittently written about until now.
This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart.
Written by the leading authority in the field, "A History of Artists' Film and Video in Britain, 1897-2004" brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organizations that have supported the art form's development. In so doing it greatly enlarges the scope of any understanding of "British cinema" and demonstrates the crucial importance of the moving image to British art history.

In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997, respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental filmmakers.
Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to reinvigorate such time-honored subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain--a tradition that has been only intermittently written about until now.
This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart.
Written by the leading authority in the field, "A History of Artists' Film and Video in Britain, 1897-2004" brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organizations that have supported the art form's development. In so doing it greatly enlarges the scope of any understanding of "British cinema" and demonstrates the crucial importance of the moving image to British art history.

The Battle of Lake Erie on 10 September 1813 is considered by many to be the most important naval confrontation of the War of 1812. Made famous by the American fleet commander Oliver Hazard Perry's comment, ""We have met the enemy and they are ours,"" the battle marked the U.S. Navy's first successful fleet action and was one of the rare occasions when the Royal Navy surrendered an entire squadron. This book draws on British, Canadian, and American documents to offer a totally impartial analysis of all sides of the struggle to control the lake. New diagrams of the battle are included that reflect the authors' modification of traditional positions of various vessels. The book also evaluates the strategic background and tactical conduct of the British and the Americans and the command leadership exercised by Perry and his British opponent, Commander Robert H. Barclay. Not since James Fenimore Cooper's 1843 book on the subject has the battle been examined in such detail, and not since Alfred Thayer Mahan's 1905 study of the war has there been such a significant reinterpretation of the engagement. First published in hardcover in 1997, the book is the winner of the North American Society for Oceanic History's John Lyman Book Award.