From Allen Ginsberg's 'angel-headed hipsters' to angelic outlaws in Essex Hemphill's Conditions, angelic imagery is pervasive in queer American art and culture. This book examines how the period after 1945 expanded a unique mixture of sacred and profane angelic imagery in American literature and culture to fashion queer characters, primarily gay men, as embodiments of 'bad beatitudes'. Deutsch explores how authors across diverse ethnic and religious backgrounds, including John Rechy, Richard Bruce Nugent, Allen Ginsberg, and Rabih Alameddine, sought to find the sacred in the profane and the profane in the sacred. Exploring how these writers used the trope of angelic outlaws to celebrate men who rebelled wilfully and nobly against religious, medical, legal and social repression in American society, this book sheds new light on dissent and queer identities in postmodern American literature.

British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to - British life.

Taken together, the chapters in this book outline a theory and a practice of painting ecstatic ordinarinesses in contemporary, diverse American queer life. To do so, it offers the first sustained study of five individually renowned twenty-first-century queer painters—Gio Black Peter, Doron Langberg, Jonathan Lyndon Chase, Salman Toor, and João Gabriel—who have achieved substantial recognition from international museums, galleries, and critics working with short-form reviews but not yet from academics producing large-scale studies. This study argues for a broad understanding of what constitutes the queer American art of our time and for a broad sense of who can help to fashion American culture and history, including art by African American, Southeast Asian, Muslim and Jewish American, South American, and gender nonconforming queer artists. The book will be of interest to scholars working in art history, contemporary art, gender studies, and queer studies.

Whether reburied, concealed, stored, abandoned or publicly displayed, human remains raise a vast number of questions regarding social, legal and ethical uses by communities, public institutions and civil society organisations. This book presents a ground-breaking account of the treatment and commemoration of dead bodies resulting from incidents of genocide and mass violence. Through a range of international case studies across multiple continents, it explores the effect of dead bodies or body parts on various political, cultural and religious practices. Multidisciplinary in scope, it will appeal to readers interested in this crucial phase of post-conflict reconciliation, including students and researchers of history, anthropology, sociology, archaeology, law, politics and modern warfare. -- .

A bold and all-embracing exploration of the nature and progress of knowledge from one of today's great thinkers.
Throughout history, mankind has struggled to understand life's mysteries, from the mundane to the seemingly miraculous. In this important new book, David Deutsch, an award-winning pioneer in the field of quantum computation, argues that "explanations" have a fundamental place in the universe. They have unlimited scope and power to cause change, and the quest to improve them is the basic regulating principle not only of science but of all successful human endeavor. This stream of ever improving explanations has infinite reach, according to Deutsch: we are subject only to the laws of physics, and they impose no upper boundary to what we can eventually understand, control, and achieve.
In his previous book, "The Fabric of Reality," Deutsch describe the four deepest strands of existing knowledge-the theories of evolution, quantum physics, knowledge, and computation-arguing jointly they reveal a unified fabric of reality. In this new book, he applies that worldview to a wide range of issues and unsolved problems, from creativity and free will to the origin and future of the human species. Filled with startling new conclusions about human choice, optimism, scientific explanation, and the evolution of culture, "The Beginning of Infinity" is a groundbreaking book that will become a classic of its kind.

Science, David Deutsch argues, is about explanation. A series of extraordinary scientific discoveries has given us extremely deep explanations of the structure of reality, but most scientists have not taken them seriously enough. In this brilliant investigation, Oxford quantum physicist David Deutsch does take them seriously. The result is a startlingly integrated, rational and optimistic world view that combines four strands: quantum physics and the theories of knowledge, computation and evolution. Exploring these in turn, he lucidly demonstrates the profound and diverse connections that have been discovered between these four apparently independent subjects, revealing a fabric of reality that is objective and comprehensible, and in which human actions and ideas play essential roles.

British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to - British life.

'An amazing book.' - "Sunday Times"
'With this book he establishes his claim to rank as a vastly entertaining observer of human life. He has a very attractive style, a frequently delicious humour, and a dramatic sense of situation.' - Arthur Waugh, "The Daily Telegraph"
'Brilliantly original.' - "The Guardian"
'It is altogether a brilliant affair.' - "Bystander"
Brian Elme ekes out a livelihood making up stories about celebrities for a tabloid gossip column. When an angry Lady Julia Cressey spots one of Brian's stories about her, it looks like the end of his journalism career - until she sees how young and handsome he is. Overnight, Brian finds himself the star of society, charming everyone with his beauty and ingenuousness and growing accustomed to late night parties, decadent dinners, and eternal cocktails. As Brian finds himself led down the path of depravity by his new friends, will he be able to maintain his innocence?
Beverley Nichols (1898-1983) was one of the 'Bright Young People', a group of socialites well-known in 1920s London for their drinking, drug use, and elaborate parties, and in this novel he satirized the set to which he belonged. Inspired in part by Wilde's "The Picture of Dorian Gray" and an influence on Evelyn Waugh's novels, "Crazy Pavements" (1927) was a bestseller in its day and has lost none of its ferocious humour. This edition, the first in more than seventy years, includes a new introduction by David Deutsch discussing the novel's themes, including its gay subtexts.

From Allen Ginsberg's 'angel-headed hipsters' to angelic outlaws in Essex Hemphill's Conditions, angelic imagery is pervasive in queer American art and culture. This book examines how the period after 1945 expanded a unique mixture of sacred and profane angelic imagery in American literature and culture to fashion queer characters, primarily gay men, as embodiments of 'bad beatitudes'. Deutsch explores how authors across diverse ethnic and religious backgrounds, including John Rechy, Richard Bruce Nugent, Allen Ginsberg, and Rabih Alameddine, sought to find the sacred in the profane and the profane in the sacred. Exploring how these writers used the trope of angelic outlaws to celebrate men who rebelled wilfully and nobly against religious, medical, legal and social repression in American society, this book sheds new light on dissent and queer identities in postmodern American literature.

Since the early 1980s, Jim Grimsley has received increasing acclaim for his achievements in a variety of dramatic and literary genres. Through his novels, plays, and short stories, Grimsley portrays an unrelenting search for happiness and interrogates themes of corruption, technology, poverty, domestic abuse, sexuality, and faith in the contemporary United States. Through unique characters and a multitude of forms, the award-winning author explores the complexities of southern culture, his own troubled childhood, and larger pieces of the human experience. In Understanding Jim Grimsley, David Deutsch offers the first book-length study of Grimsley's diverse work and argues for his vital role in shaping the contemporary queer American literary scene. Deutsch helps readers navigate the intricacies of Grimsley's influential drama, fiction, and fantasy science fiction- including his most popular novel, Dream Boy-by weaving together discussions of common themes. Placing Grimsley's plays, novels, and short stories in conversation with one another, Deutsch reveals Grimsley's development throughout a career in which he has investigated hope and hardship, youth and maturity, experimentation and convention. Deutsch also provides vital historical and cultural contexts for understanding how Grimsley engages, expands, and challenges literary and theatrical traditions. Deutsch demonstrates a deep, critical understanding of Grimsley's hard-earned, pragmatic optimism. Intertwining Grimsley's major fiction and plays and contextualizing these within a broader American landscape, this volume brings his work more completely into the conversation on southern queer literature.